Hello, I would like to try and clarify a couple of things about Ig.
She was a girlfriend of mine.
The above message reached the Reverend a couple of weeks ago. It was written by JenS, a Cambridge friend of Roger Keith Barrett. She is the one who introduced Iggy to the Pink Floyd founder exactly 40 years ago.
What follows is her rendition, as told exclusively to The Church of Iggy the Inuit, and now published for the first time. Her rememberings are only slightly edited here and there and re-arranged a bit per subject. Some explanatory notes have been added.
I first met Ig in the summer of 1966. I saw her again in spring 1967 at Biba. She admired a dress I was wearing and invited me to a party that night. From then on we used to go clubbing. She was a lovely, sweet, funny girl and was always on the scene at gigs and events.
The first really important customer to favour Biba was Cathy McGowan, the Ready Steady Go! presenter who (…) quickly made a new Biba dress a staple of her weekly wardrobe for the show.
This meant that every Saturday morning ‘teenage girls from all over the London area would race over to Abingdon Road and the piles of new, inexpensive clothes that awaited them’.
Ig was not known as Iggy the Eskimo.
She was simply Ig or Iggy and probably picked up the nickname along the way at school or something. I think she was a Londoner.
She was quite a lot older than us and had been around a while on the London Club scene. She invited me once to a party with Dusty Springfield and crew. Later she started hanging out at Granny’s (Granny Takes A Trip, FA) and turning up at UFO.
Update 2011: It was revealed in March 2011 that Iggy is born in December 1947, making her a bit younger than Syd Barrett. See The Mighty Queen.
One important player in Dusty Springfield’s crew was Vicki Heather Wickman, who managed Dusty and co-wrote You don’t have to say you love me that became a number one hit in 1966. Vicky had been a booker-writer-editor-producer of the weekly Ready Steady Go! shows for many years. Dusty Springfield herself had been a (part-time) presenter of the RSG!-show and that is probably where she met her future manager (Update: not quite true - they knew each other from 1962 and even shared a flat together, see also From Dusty till Dawn).
Wickham and her team ‘scoured the trendiest clubs looking for good dancers and stylish dressers to showcase’. The Church has a hunch feeling that Iggy may have been – during a certain period at least – a regular at the RSG! Show, especially as she was spotted, in November 1966, at an RSG!-party by New Musical Express (cfr. article: Bend It!).
It will be a ginormous work but the Church is planning to scrutinise several Ready Steady Go! tapes from that period to see if Iggy can be found in the public or amongst the dancers.
After our hypothesis that Iggy was probably not Inuit (cfr. article: Eskimono), the Church received several mails trying to string Iggy’s features to a certain culture. One of the countries that keep on popping up is Singapore that was a British colony between 1824 and 1959. Here is what JenS has to say about Iggy's heritage:
I have no idea about who her parents were. She was a war baby and may have been Chinese. There was a large Chinese community in London at the time. Of course Ig the Eskimo is an easy assumption to make. Anyway, I don't think I can help any further as I never discussed it with her.
Iggy became a Floydian icon when she posed on Syd Barrett's first solo album The Madcap Laughs, but most witnesses only describe her as one of Syd's two-week-girlfriends. JenS acknowledges this:
I took Ig to Wetherby Mansions in January or February 1969 where she met Syd Barrett. He was 22 and she must have been about 24, 25 years old.
The point is she was never Syd's girlfriend as in a ‘relationship’ with him. She was only at Wetherby Mansons very briefly, a matter of two or three weeks max.
I've not seen her since but often wondered where she is.
Syd painted the floor of his flat in blue and orange before The Madcap Laughs photo shoot, but did he do that especially for the photo shoot?
I was staying with Syd between the New Year and March '69. I hadn’t seen much of him since the summer of 1968 'til then.
Anyway, at that time, the floor was already painted blue and orange and I remember thinking how good it looked on the Madcap album cover later on when the album was released. I didn’t see Syd again though until 1971, so it stands to reason the floor was already done when I left.
Mick Rock wrote: "Soon after Syd moved in he painted alternating floor boards orange and turquoise." This doesn’t imply that it was especially done for the photo session.
In an interview for the BBC Omnibus documentary Crazy Diamond (November 2001) painter Duggie Fields said that Syd painted the floor soon after he occupied the flat, not that it was done on purpose for the photo shoot.
MP3 link: Duggie Fields.
The Madcap Laughs Photo Shoot
It has been assumed by Mick Rock that The Madcap Laughs photo shoot was held in the autumn of 1969 (cfr. article:Love In The Woods)
The floor (of Syd’s flat) was not painted prior to, or especially for, the Madcap photo shoot, which took place in March or April of 1969 and not October as has been suggested.
I left for the States in March 1969 and Iggy stayed on at the flat with Syd and Duggie (Fields) and there seemed to be other dropouts around from time to time.
Ig happened to be there still when the shoot came about, which was great because we have such a good record of her.
I introduced Iggy to Syd shortly before I left, and she was around when I left. She wasn’t there for long and generally moved around a lot to different friends. It’s very doubtful she was still there in October or November 1969. She just happened to be there for Mick’s photo shoot, which is great because she was lovely girl.
This is apparently in contradiction with Malcolm Jones who wrote in The Making Of The Madcap Laughs:
One day in October or November I had cause to drop in at Syd's flat on my way home to leave him a tape of the album, and what I saw gave me quite a start. In anticipation of the photographic session for the sleeve, Syd had painted the bare floorboards of his room orange and purple.
JenS further comments:
I remember reading this once before and being puzzled. It would seem he’s talking about 1969. But which tape was he leaving? The 1968 sessions or the recuts (from 1969, FA)? It would seem he’s talking about the recut. It’s a bit confusing especially to me as the floor was painted, definitely before Christmas 1968.
The Madcap Laughs photo session had to be in the spring of 1969, probably it occurred the first week in March. Storm and Mick say they can only come up with the dates of August, or even October, November. This may have been when they came together to look at the shots for the cover, in other words when it was known the album would definitely be released and decisions on the cover had to be made.
Part 2 of JenS's chronicle will further delve into the legendary Madcap Laughs photo sessions, pinpointing the date somewhere in April 1969.
Sources (other than above internet links):
Blake, Mark: Pigs Might Fly, Aurum Press Limited, London, 2007, p. 141.
Jones, Malcolm: The Making Of The Madcap Laughs, Brain Damage, 2003, p. 13.
Levy, Shawn: Ready Steady Go!, Broadway Books, New York, 2003, p. 112, p.194-195.
Rock, Mick: Psychedelic Renegades, Plexus, London, 2007, p. 23, p. 58.
Our thanks go to Barrett alumni Stumbling... (aka Beate S.) and Lost In The Woods (aka Julian Palacios) from the Syd Barrett Research Society who made this encounter possible... and to JenS for her invaluable testimony about what really happened in those early days of 1969.