This page contains all the articles that were uploaded in February 2011, chronologically sorted, from old to new.
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Alternatively there is the 'Holy Search' search field and the 'Taglist'.
Let's start with what you are all waiting for. At the left you find
another unpublished picture, from the mid Seventies, Iggy was so
friendly to mail us. The recent interviews
probably the best music magazine in the world, by Mark
Blake, probably the best music journalist in the world, has
triggered a gentle snowfall of friendly reactions all over the web.
At night, before going to sleep, you notice but a few snowflakes falling
down and you think: is this all? But the next morning the garden has
been transformed in a peaceful white blanket only disturbed by the
parallel stepping marks of a passing Lucifer Sam.
The Church has gathered some of these heartwarming reactions. Let's
start with one from the city of light:
I’ve just read Mark Blake’s article
and I am extremely moved to read Iggy’s words about those months with
Syd in 1969 and extremely moved to see her on a brand new photo. She
looks like an attractive lady.
Some elements are quite interesting : the fact that Syd wanted Iggy to
be naked on the photos and the fact he decided not to smile on the
photos are a great new perspective on that shooting.
Also the fact that she confirms she and him were together (which some
people seemed to doubt about these latest years) is a lovely
confirmation. And when she says he wasn't a dark-minded man and used to
laugh a lot with her, this is so cute...
By the way, the article ends with Iggy saying she’s very flattered to
discover she hasn’t been forgotten by everyone: what a pity we have no
(mail) address to write a small message to her, to tell her that not
only many of us hadn’t forgotten her at all but, on the contrary, her
photos and especially the album sleeve have been part of our lives.
(Taken from: The
Holy Church of Iggy the Inuit @ Late
Questions for Iggy
The past year several questions have been submitted to be asked to Iggy,
for the then unlikely event an interview would take place. Some
of those have been asked by Mark Blake and were (partially) answered in
the Mojo extended
I would just ask her what she remembers about Syd... Dear Iggy, do
you have anything of Syd's that I can have? Did you think there was
anything wrong with Syd mentally? Do any particular discussions stand
out for you... were they deep and philosophical, did you discuss current
events or just what you needed at the market... In his song "Dark
Globe" Syd Barrett says: "I'm only a person with Eskimo chain". Do you
think that is/could be a reference to you? Maybe you have some
personal photos/snapshots of Syd. Was Syd violent towards you like he
was with others girlfriends? Were you at the 14
Hour Technicolour Dream at the Alexandra Palace? If yes could you
tell us your impressions about that? What do you think happened to
Syd in 1967/1968? What happened to you after you last saw Syd? Would
you prefer to be called Iggy or Evelyn?
Mark Blake added to this:
Off the top of my head, (…) Iggy doesn't have any snapshots of her and
Syd, or any of his possessions (unfortunately, she no longer has the
photo she had of the two of them, which he tore in half, mentioned in
some of the books). She was at the Technicolour Dream '"all 14 hours of
it!" - and tried but couldn't spot herself in the documentary DVD. She
was also at the Isle Of Wight festival in 1970 (went with Twink of the
Pink Fairies) and the first Glastonbury Fayre. (Taken from Questions
for Iggy @ Late Night.)
People and places
The recent interviews show that Iggy met a lot of people and visited
lots of places in Swingin' London. The Croydon Guardian and Mojo
articles mention Brian Epstein, Brian Jones, Eric Clapton, Jimi Hendrix,
Keith Moon, Keith Richards, Rod Stewart & other assorted Beatles, Who
and Rolling Stones. Oh yeah, and of course also a bloke named Syd
The clubs she visited did not only include the Cromwellian, the
Flamingo, the Orchid Ballroom, the Roaring Twenties and the Speakeasy,
but in a mail to the Church Iggy also remembers other places like the
Alexandra & Crystal Palace, Annabel's, Bag O'Nails, Embassy, Garrick &
Hurlingham private clubs, Roundhouse (Chalk Farm), UFO, Marquee, Middle
Earth, Tramps (Tramp Club?) and generally everything that was located in
or around Carnaby Street. Needless to say that we try to look further
into that for the next couple of months.
But after the many pages the Church and Mojo have dedicated to Evelyn,
it is perhaps better to let Ig speak for herself. She send a long mail
to the Church and we hope she doesn't mind that we will publish some of
its heartwarming highlights here. Ig doesn't have an Internet account so
the mail was written and send by a friend. The Church took the liberty
of omitting some names and places.
Iggy wishes to express her thrill and excitement for putting this
factual and honest portrayal of her and is enchanted by your unwavering
interest. She is utterly flabbergasted of the magnitude of it all.
Many thanks to Mark Blake, for his perseverance and the genuine way he
has cared for and protected Iggy.
Many thanks go to Ig's wonderful husband and to her most trusted and
loyal friends [some deletions here by the Church] and Z., who was
there for us right at the beginning by printing hundreds of pages on her
But some old friends from the past haven't been forgotten either:
Iggy also feels the need to mention the charismatic Jeff Dexter, who has
given so much of his precious time by always welcoming and receiving all
her calls at all hours day and night.
Anthony Stern, Storm Thorgerson, Mick Rock, who created such amazingly
beautiful images. To debonair Nigel Waymouth and the extraordinary
couple Pete and Sue.
Many thanks and good love for the wonderfully exquisite description of
Iggy. She is totally overwhelmed and humbled by the delightful memories
Much love, Iggy
Reading the pages that a good friend had printed for her, Iggy got hold
of the Vintage
Groupies website that also dedicated some space to her. She asked
Felix, would you do me a really big favour and contact vintage groupies
(little queenies) to express my gratitude to all the lovely people who
left all the nice comments about me.
Love from Iggy.
Immediately after it had been published several reactions arrived:
Wow, thanks so much Felix for the message, please tell to Iggy thanks so
much from Little Queenies :) This is so great, she is so kind to
think about us :) Warm regards to her and to you Felix Elia &
Violeta, Barcelona, Spain
Its wonderful, to hear from her. Dancas
So amazing! Thank you so much for not only sharing the interviews but
relaying the message to us here at Vintage groupies! So fantastic. Lynxolita
Iggy the Eskimo 2011 photoshoot by Chris Lanaway
The Mojo article had a recent Iggy picture,
taken by Chris
Lanaway. A second picture has recently turned up at his Tumblr
account. Chris writes:
Here is a teaser from a recent series which will be viewable soon: Iggy
A hi-res version of the picture in question can be found here.
This article has nearly ended, and we pass the word to Anne from Paris
who passed us a letter for Evelyn:
Because you told Mark (Blake) that you were surprised and flattered to
discover that so many persons were interested in you (and I'd even say
that they're your fans!), I want to tell you that many of us have got a
great tenderness for you; you've been part of our lives during decades
and were at the same time a magnificent mystery and a flesh and blood
woman in Syd's life, two good reasons not to be able to forget you!
Of course, the fact that in these latest years, a great deal of
beautiful photos of you appeared just increased the admiration and
fascination about you.
I hope that the affection, admiration and fascination that many of us
have been feeling towards you warm you up and that you'll stay in touch
with us in any way you want ("us" means Felix, Mark, Syd's fans and even
maybe, one day, the organization around Syd's memory in Cambridge).
Needless to say that not only was it a great relief and a great joy that
you were found again last year, but it's also a great joy now to see new
photos of you.
Friendly regards. Anne (Paris, France) (I've got the "Madcap
laughs" since 1988, I was 17 then)
From an entirely different continent comes the following:
It was really nice to know that you are around and OK. My happiness is
enormous! I’ve just loved your recent interviews and pictures. You are
indeed a beautiful person! I hope you share with us some of your views
and stories on those fabled years that influenced the cultural paradigms
in so many ways and in so many countries. I wish you the best with all
Peace and Love, Dan, Ottawa, Canada
HI. My name is Griselda. I just wanted to say I am a big fan of Iggy.
When I saw on your website that she was going to be on Mojo Magazine, I
was so excited. I can't imagine how you felt!
You may find it strange that a 19 year old girl is so interested in
Evelyn, but I really think she was a wonderful model. The pictures taken
by Anthony Stern are really beautiful. She was such a free spirit,
living in the moment. I think most models today are so polished up,
their too skinny, or try to change their looks as much as possible to
look like Barbies or something. That's why I love Iggy so much because
she was a natural beauty, and she didn't have to try hard to look
wonderful in pictures.
Take Care. Griselda, USA
The Mojo (extended) interview ends with an excited Iggy who phones Mark
Blake out of the blue.
Last week, Iggy called to tell me she had found a poem online written
about her by a professor at a university in Missouri. "And it's in
French," she said, sounding astonished. "'Iggy l’Esquimo, Fille de
l’espace.'...it goes. I never believed anyone would ever write a poem
Although the professor actually lives in Manitoba,
Canada, where the temperature descended to a blistering minus 41 degrees
in January, the news arrived to him. Probably by sledge-dog express,
driven by – who else? – an Eskimo.
In the summer of 2006 Denis Combet wrote a collection of poems as a
tribute to the musician and painter Roger Keith Barrett who passed away
in Cambridge on the 7th of July 2006. The poems highlight the life of
the young artist as a nonconformist who preferred – or was forced – to
withdraw from the music world for a more humble existence. They were
published (in an English translation) in the online magazine Ecclectica
of February 2007.
The Church got the permission to pick an Iggy dedicated poem out of the
collection, not only in English, but also the original French version,
that had never been published before: From
Quetesh to Bastet / De Quétesh à Bastet .
Unfortunately these poems never went into print, because of the high
cost involved for publishing poetry, that often sells no more than a few
dozen of copies. But miracles sometimes do happen and hopefully we might
read more from Denis Combet in the near future.
In the next post the Church will probably give a detailed analysis of
the latest Iggy interviews, until then, sistren and brethren.
We leave the last word to Anne from Paris:
I don’t think Iggy's mystery will be over from now on; I
do think the mystery that comes out of her photos in the 60’s just
The Church wishes to thank: Anne, Dan, Dancas, Denis, Ela & Violetta
(Little Queenies), Griselda, Jenny, Kieren, Lynxolita, Mark, Zoe, Late
Night, Mojo magazine & Vintage Groupies and all others who commented and
Last but not least: ♥ Iggy ♥ and her loyal friends who pass her
messages to and fro.
What you see at the left is the only remaining copy in the world of an
unreleased 1967 Pink Floyd single: Vegetable
Man / Scream
Thy Last Scream. Approximate value: 10,000 US dollars,
even on a rainy day.
Part one: Holy Syd!
The songs are on an acetate
disc and without going too much into detail we can simply say that
an acetate is a test pressing of a vinyl record. An acetate has not been
made to last and every time a needle reads the groove the acetate is
gradually but irrecoverably damaged. Bands and producers often used
acetates to test how a record would sound on cheap home record
players before sending the master tape to the record factory.
This precious copy is in the hands of Saq, an American collector
in Los Angeles who acquired it about 15 years ago and has cherished it
ever since. It is, without doubt, what collectors call a 'holy grail': a
rare, valuable object sought after by other collectors. One of the side
effects of a 'holy grail' is that it can only acquire that status if
other collectors are aware of its existence, but not too many. If nobody
knows you have an exclusive item it might as well not exist. Syd Barrett
already acknowledged this in his Arnold
Layne song: it 'takes two to know'.
Holy grails can be frail, especially when they only consist of audio
material. One popular Pink Floyd holy grail are, sorry: were, the
so-called work in progress tapes of The
Wall (most people, websites and bootlegs refer to these as The
Wall demos, which they are clearly not, but that is an entirely
different discussion). Around 1999 they circulated amongst top-notch
collectors and were generally unknown to the public, The Anchor
included, until a track called The
Doctor (an early version of Comfortably
Numb) was leaked as an alt.music.pink-floyd
Christmas 2000 gift. It didn't take long before the complete set was
weeded to the fans, who were happy to say the least except for the one
of the few who had lost their priceless treasure.
Part two: the guns of Navarro
When Barrett fan Giuliano Navarro met Saq in 2009 he was let on
the secret and from this moment Giuliano became a man with a mission. He
of the acetate and finally, on the 15th of January 2011, he proudly
announced at Late
I tried to stay in communication with him for more than a year and
begged him to at least have the tracks recorded. He agreed to do me the
favour, and sent the acetate to a professional studio in San Francisco.
After more than a year of waiting, I finally got the tracks and now I
want to share them with all of you. We are the real Syd Barrett crazies
and we all deserve to listen to his art. There should be no discovery
made that ends up back in the vaults.
Giuliano Navarro is, without doubt, a man of honour. But it helped that
Saq didn't really ran the risk that making the content public would ruin
his holy grail (as with The Wall WIP tapes). Quite the contrary: he
still has an ultra-rare acetate from 1967; is envied by collectors
from over the world and, knowing that; the value of this unique
recording can only sky-rocket.
At least that is what he thought until about a couple of weeks ago.
Part three: cracks in the ice
An uproarious bigmouth called Felix
Atagong, who also goes by the ridiculous epithet Reverend of the Holy
Church of Iggy the Inuit, proposed Giuliano to upload the sound
files to Yeeshkul.
At first the recordings were received with great enthusiasm, but after
some days the place was stirring with comments of an entirely different
Yeeshkul is a place where Pink Floyd audio collectors meet and share
files through a torrent
network. They vary from the average je-ne-sais-quoi fan to
the specialised sound freak who has the means and the knowledge to find
out whether a certain audio file comes from an earlier or a later
generation tape. And obviously this spectacular find was going to be
analysed to the bit...
Navarro received MP3 files taken from the acetate and shared
these immediately with the fans. Not unusual as MP3
is about the most popular sound format in the world, but it does
compress the sound and reduces the quality. The Yeeshkul specialist
sound brigade argue that lossless files in 24/96
(or even 24/192) should exist as well. Nobody will be that stupid to put
an ultra-rare (and very fragile) acetate on a turntable, only to convert
the audio to MP3.
Vince666 did a spectrum analysis of the MP3 files and found that
the sound had been mysteriously cut-off at 16 Khz (see left side image).
Some members maintain that this is a typical result of MP3 compression,
but others disagree. But despite the compression and the obvious
quality-loss these mono tracks still sound a lot better than other
versions that have been circulating for decades.
Felixstrange (no relative to the Church) discovered 'something
which sounds a lot like tape damage at 0:54 during "Scream Thy Last
The noise a minute into STLS is definitely a result of creases in
magnetic tape. However, there is definitely vinyl/acetate surface noise
present. I've been doing a lot of vinyl rips lately and I immediately
recognized the all-too-familiar clicks of debris in the grooves of a
Question: How can a brand new, original EMI master show tape
damage, before it has even been used to make vinyl records out of it? Answer:
Part four: screaming vegetables
Vegetable Man and Scream Thy Last Scream (let's shorten that to VM
and STLS, shall we?) are both unreleased Syd Barrett - Pink Floyd
gems from 1967. EMI has been tempted to put these on compilations
before, but for different (copyright) reasons that never happened,
luckily two different mixes have leaked to the public.
Dark Side Of The Moon proved successful EMI compiled early Floyd as A
Nice Pair and put the two Barrett solo-albums together in a Syd
Barrett budget release. The selling figures (especially in the USA
where the solo albums had never been released) were important enough for
EMI to beg for a third Syd Barrett solo album. Producer Peter
Jenner soon found out that Syd Barrett really wasn't in the singing
mood and scraped the barrel in order to find some unreleased material.
On the 13th of August 1974 Peter Jenner (with a little help from John
Leckie and Pat Stapley) mixed a stereo tape of unreleased Syd Barrett
and Pink Floyd originals, including VM and STLS. This tape, with
reference 6604Z, almost immediately evaporated from the EMI
archives and re-materialised – so goes the legend – miraculously in one
Almost day by day thirteen years later, Malcolm
Jones compiled his personal 'Syd Barratt (sic) Rough Mixes'.
It is believed that he accidentally lost this tape just when he was
passing by the front door of an anonymous bootlegger.
Part five: check your sources
The Anchor needs to get a bit nerdy and technical here, like those Bible
scholars who combine different fourth century Greek editions in order to
reconstruct the ultimate Bible source. We are going to compare the
different versions of the tracks, so you have been warned.
Barrett fans have strong reasons to believe that the Malcolm Jones 1987
(mono) tapes are the closest to the original 1967 Pink Floyd recordings.
In 1974 Peter Jenner added extra effects, echo and reverb to the mix,
most notably on VM, and these are absent on the Malcolm Jones tape. The
Malcolm Jones mix of STLS fades out, while Jenner's version ends
abruptly with – yet – another sound effect.
That is not all. In the case of Vegetable Man there is even a third mix
- the so-called Beechwoods
tape. It has survived on tape from a 1969 radio show where Nick Mason
opened his Pandora’s box of 1967 outtakes. A fan found it back in 2001
and promptly donated it to Kiloh Smith from Madcaps
As the acetate allegedly dates from 1967; Vegetable Man must
sound like the Beechwoods version, and Scream Thy Last
Scream must sound like the Malcolm Jones rough mix.
Part six: listen to the music
Yeeshkul member MOB compared all known versions and came back
with the following report.
The acetate mix is mono, but definitely different than the Malcolm Jones
mono mix from 1987.
The 1967 acetate mix is also different from the 1967 Beechwoods tape,
believed to be the most authentic studio version of the song. On the
Beechwoods tape, there is absolutely no echo or reverb during the
sentence "Vegetable man where are you" but they are present on the
The only version with extra echo and reverb is the 1974 stereo mix by
Actually, if I take the 1974 Jenner stereo mix and convert it to mono, I
have the same mix as the "acetate" mix. So to me it seems the current
mix is not from 1967 (if it was the case it should be close to the 1967
Beechwoods mix, and it's not), but from 1974.
Maybe the 1974 Jenner versions were copied, traded, with some
"mono-ization" in the lineage, then pressed as fake acetates?
Scream Thy Last Scream:
The 1967 acetate mono mix is not the same as the Jones 1987 mono mix
(the Jones version fades out during the street noises). Instead of that,
on the acetate mix, the street noises end abruptly with an echo effect.
Is it pure coincidence that the echo is exactly the same effect as the
one used by Jenner during his 1974 mixdown?
Again, if you mono-ize the 1974 Jenner mix, you have the current acetate
mix (minus the scratches and tape flaws). Same effects at the same
Part seven: the time-paradox explanation
Of course this all makes sense, especially in a Barrett universe, and
the contradiction can easily be explained.
Somewhere in 1967 Barrett invented a time-travelling device by combining
a clock with a washing machine. When asked to compose a third single he
hopped to 1974, stole tape number 6604Z from the EMI archives and
returned to 1967.
Thus it is perfectly logical that the 1967 acetate sounds exactly like
the 1974 Jenner mix and en passant we have solved the mystery how
the tape has disappeared from the EMI vaults.
The utterly boring explanation is that the 1967 acetate is fake, counterfeit,
a forgery, made by a scrupulous thief to rob a few thousands of
dollars from a collector’s pocket. In other words: mono-ization turned
Part eight: let's get physical
The Anchor is like one of those boring Roger Waters songs: once we're in
a drive, we can't stop and we have to make extra parts of the same
monotonous melody over and over again.
Even without listening to the counterfeit acetate there still is
something dubious about it (thanks neonknight, emmapeelfan,...).
Due to their production process and their fragility acetates
are - most of the time - single sided, just like the surviving acetates
of Arnold Layne and See Emily Play. Albums were even issued on two
different single sided acetates to avoid further damage (but some double
sided acetates do exist, like the very first Pink Floyd recording with
Bob Klose in the band: Lucy Leave / King Bee [but that was definitely
not an EMI acetate]);
Engineers at EMI were invariably nerdy administrative types, who
attended recording sessions dressed in white lab coats. These cheeky
little fellows would never label an acetate without putting the name of
the band on top;
Although a pretty fair forgery the label on the record is not identical
to the 'official' EMI acetate label, there also seem to be some glue
marks that are usually not present on real acetates;
and last but not least;
Acetates are ad hoc test pressings and in the extremely rare case
of a double acetate this means that a certain relationship has to
exist between both tracks, like both sides from a single or takes from
the same session. STLS was recorded on 7 August 1967 (some overdubs were
made in December 1967 and January 1968 for a possible inclusion on A
Saucerful of Secrets). VM was recorded between 9 and 12 October
1967. They were never meant to be each other's flip side on a single, so
finding them on the same acetate simply makes no sense, unless it is a
fake, of course.
Part nine: a spoonful of charades
So basically here is what happened:
1. someone, somewhere in summertime, got hold of the Peter Jenner 1974
stereo-mixes of VM and STLS (not that weird as they have been
circulating for at least 3 decades);
2. these were copied on a tape (perhaps even a cassette for home
entertainment) but unfortunately it was damaged, trampled, eaten and
vomited out by the player (crumpled sound between 51 and 55 seconds);
3. this cassette was downgraded from stereo to mono;
4. the mono 'remaster' was cut on acetate, a fake EMI label was glued on
it, and sold to a collector (probably in the mid Nineties);
5. the acetate, believed to be genuine by its owner, was copied in a
professional studio to (hopefully) a lossless digital format (there are
vinyl record clicks to prove that);
6. the digital copy was then converted to MP3 (with a compression cut
off at 16 Khz) and torrented through Yeeshkul.
Part ten: let's add some extra confusion
It has now been established that the 1967 acetate is fake and a
mere mono copy of the 1974 stereo mix, but there is still some confusion
and a bit of hope.
Although a copy from a copy from a copy the acetate sounds better,
crispier and fuller than the Jenner mixes that are currently
circulating. To put it into technical gobbledygook: the forger has a
better sounding, earlier generation tape at his disposal than the one
that Barrett collectors have now. This is something what duly pisses
most Syd anoraks off.
Instead of sharing the tape to the fans it has been used to produce
bootleg acetates. One can assume that the criminal sold more than one
unique acetate, so there must be other collectors around who have
purchased this record, believing they had the only copy in the world.
The high-priced acetate market is not that big. Perhaps if we stick
together, we can trace the seller who must now tremble like a leaf, and
before cutting off his balls and roasting them on a fire, confiscate the
low generation tape and use it for the better.
Part eleven: last words
What you see at the left is an acetate counterfeit of a nonexistent 1967
Pink Floyd single Vegetable Man / Scream Thy Last Scream. Approximate
value: 10 US dollars, not a cent more.
Let us be fair: not all is lost for Saq, the current owner.
The Anchor has got an excellent business relationship with Fine Art
Auctioneers & Valuers Bonhams. For a small 35% commission rate the
Anchor is willing to put the acetate on sale at Bonhams as they already
have a habit of selling overcharged fake Barrett memorabilia: Bonhams
Sells Fake Barrett Poem.
The Anchor wishes to thank: Saquib Rasheed, Giuliano Navarro,
Hallucalation, Vince666, Felixstrange, MOB, Neonknight, Emmapeelfan and
the other participants at Late Night and Yeeshkul.
The Church of Iggy the Inuit may not have as many adherers as, let's
say: the Lady
Gaga fanclub, but we're quite happy with it. Iggy (Evelyn) has
earned a place in our hearts and that not only for that COD (Crusty Old
Dinosaur) of a Reverend. It constantly amazes us that - even today -
young people still discover Ig's beauty and joyfulness, as proven in the
Thank you for the wonderful interview and for the lovely new photos you
shared with us. It was really endearing of you to talk about your
relationship with Syd. It was nice to hear you guys had a wonderful time
together. It was really nice on your part to also share your experiences
during those days; the people you met and the places and festivals you
I would also like to say you still and always will be a beautiful model
to me. I love all your beautiful pictures, (you look like a beautiful
princess with the white dress) and the short film clips we have of you
on the web. You truly are a fun and lovely person.
Thanks again for opening your heart to us and I wish you the best in life
Griselda, California, USA
When the lady smiles
Yesterday the Reverend came across her unforgettable smile again that
has been immortalised in a Look At Life documentary from 1967
Gear. An unconfirmed story goes that Granada
Television burned about 500 Look At Life originals (and negatives) at a
certain point in history. Luckily several (restored) movies have been
issued on DVD recently, although it could be that some documentaries
have been lost forever. Nobody really knows really. But the IN Gear
movie is still available on the Swingin'
London DVD, while the stock lasts, as the company that distributed
them did the indecent thing of going bankrupt. (More to read at: Iggy
Not only the Reverend is susceptible to her laugh, also a kid named Syd
Barrett kinda liked her. One spring-day in 1969 Mick
Rock and Storm
Thorgerson knocked at Syd's door to take the pictures that would
later adorn The
Madcap Laughs. A lot has been said about this photo-shoot, also at
the Church, and it is the Reverend's impression that the truth still
hasn't fully emerged, mainly due to the fact that both photographers
have slightly different memories about it all and are, still after all
these years, arguing like young boys to make out who has the biggest
one. (It was then that the Pink Floyd composed their track: Careful with
that Pentax, Eugene). But be cognisant, brethren and sistren,
that no storm will stop the Church and that the Reverend will leave no
rock unturned. (More to read at: Storm
Enough dilly-dallying Syd Barrett thought that day, let's take those
pictures and let's get on with it. Iggy, feet still dirty from the
freshly painted floor, was there to help him:
I put the Kohl around his eyes that day and tousled his hair: Come on
Syd, give us a smile, moody, moody, moody! But he knew exactly what he
Indeed, Syd Barrett put himself into Arthur
Rimbaud mood and refused to smile on the pictures. With hindsight
one could link that to the title of his first solo-album, only that
album didn't have a title yet and most of the tracks still had to be
canned. After a while the action was moved to the outside, probably at
Mick Rock's demand. Several of these pictures, with Syd and Ig, have
appeared in Rock's Psychedelic
Renegades book and some can be consulted at our Street
Life gallery, although it needs to be said that the Church has done
its utmost best to remove that Syd Barrett character from the pictures
and to put Iggy at its focal point.
It is also believed that Storm Thorgerson joined the lot and that he
took the few colour pictures that have survived us into the third
millennium. In a previous post the Church discussed these (and all
other) pictures of The Madcap Laughs: A
Bay of Hope (2009, already!)
Gentle ladies take Polaroids
One of the outside
colour pictures (to be found on some versions of the vinyl
Nice Pair) show Syd Barrett with a broad smile as if his serious
mask had finally been shattered to pieces. Who or what had penetrated
his defence barrier?
When this picture was discussed a while ago at the Late
Night forum Dominae suggested:
I'm almost certain it is from a Polaroid.
I wonder if Iggy took it? It's so rare to see a broad smile. (Taken from Photo
Upgrade at Late Night.)
But this proposition was almost immediately abandoned as being a lot of
rubbish, until on Valentine
Day of this year, Iggy told the Church through Mark
Yes, it was me that took the picture of Syd smiling in the street.
Two days later she added some further explanations:
Well spotted Dominae. I was the one who took the picture. I think Mick
Rock handed me the Polaroid. I remember squealing with delight when the
photo appeared. It was the first time I had seen a Polaroid.
Also her encouragements towards Syd to finally break into a smile ("Come
on Syd, give us a smile, moody, moody, moody!") was probably uttered on
the street with the Polaroid in her hand and not above in the flat, as
she previously told Mark Blake. Her softly spoken magic spells had
finally laser-beamed through Syd's defence shield and Mick Rock turned
the magical moment into some portraits where the mad-cat really laughed
(see Psychedelic Renegades, page 33) .
But this still doesn't account for the fact how on earth this photo
ended up at the Hipgnosis archives (together with quite a few Mick Rock
prints). Perhaps the Polaroid belonged to Storm Thorgerson as Mick Rock
only had a second-hand 35mm camera that he had bought from Po (Aubrey
Powell). Nothing to get worried about now, but it might be a sweet
revenge to know that for decades, people thought they had been looking
at Syd Barrett: taken by Storm, while it really was: Syd Barrett, taken
Update 2011 02 21: the quite exquisite (but hyper-expensive) Barrett
coffee-table book will have some Storm Thorgerson outtakes of The Madcap
Laughs photo-shoot as well. Dark Globe already had an exclusive preview
of this work and commented:
This [solo years, note by FA] section starts with a brace
of very rare photos from the 'Madcap Laughs' session taken by Storm
Thorgerson. These were taken at the same session which is documented in
Mick Rock's 'Psychedelic Renegades' book and most of them haven't been
seen before. Perhaps the best of the lot is the one of Syd sitting on
the painted floorboards and smiling broadly (perhaps at Iggy?) (Taken
'Barrett' book - a preview.)
Stand by me
Before we end our sermon, dear sistren and brethren, just
another thing. Last year the Church suggested that Iggy could possibly
be found on a John Lennon portrait that was taken during a party at the
Cromwellian in January 1967. To know the outcome, please follow the
guide and head your browsers towards the following path: Dr
Death and other assorted figures...
And for the meantime, don't do anything that Iggy wouldn't do.
The Church wishes to thank: Mark Blake, Dark Globe, Dominae, Griselda
and the beautiful people at Late Night. ♥ Iggy ♥