Picture: © Chris Lanaway, 2010.
Picture: © Chris Lanaway, 2010.

July 2014

This page contains all the articles that were uploaded in July 2014, chronologically sorted, from old to new.
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2014-07-12

The loathful Mr. Loasby and other stories...

Pink Floyd manager threatens A Fleeting Glimpse webmaster.
The Endless River: fan-made impression
The Endless River: fan-made impression

Last weekend, we, The Anchor, the satirical division of the Holy Church of Iggy the Inuit, felt the peculiar need for an apology. It is a feeling we seldom have, being a general pain in the arse and having carefully cultivated the pompous pernickety air our spiritual job has brought upon us. You may remember that we were not entirely favourable of the anniversary release of the Division Bell album. In the article Grab that cash we described it, and we quote:

What seemed to be the hype of the year was nothing but a cheap stunt to sell some recycled material at exorbitant prices. That the memory of Rick Wright and the legacy of Storm Thorgerson were thrown in to make a cynical million bucks more makes this release even more sickening.

We duly admit this was not nice at all and due to the recent developments in the Pink Floyd camp, more about that to follow later, we profoundly apologise. This doesn't mean that we are suddenly of the opinion that the Division Bell Anniversary Edition is worth the bulldog's bollocks, even if it may contain a hidden Publius Enigma hint. It still is utterly overpriced and utterly redundant, but of course what the honourable reader does with his money is his own business and not ours.

Europe Endless

On Saturday, the 5th of July 2014 at 3:13 PM (UTC), a mysterious tweet was send into the multiverse by Polly Samson, a tweet that created a heavy storm in the mostly silent waters of modern Floydiana:

Btw Pink Floyd album out in October is called The Endless River. Based on 1994 sessions is Rick Wright’s swansong and very beautiful.
Btw Pink Floyd album out in October is called “The Endless River”. Based on 1994 sessions is Rick Wright’s swansong and very beautiful.

The world first took its time to digests its scrambled eggs, bacon, sausages, tomatoes, toast, coffee and marmalade (at least in the proper time-zone) but about 45 minutes later the news had been retweeted a few thousand times and had been copied on Facebook walls, forums and blogs all over the planet.

Durga McBroom and David Gilmour
Durga McBroom and David Gilmour.

Singer Durga McBroom, confirmed the news less than an hour later and added that a recent picture of her with David Gilmour hadn't been taken during a solo album session, as she had stated before, but that she had been asked to do vocals on a new Pink Floyd album.

Remember this photo? It wasn't what you THOUGHT it was.

A third confirmation came from Pink Floyd engineer Andrew Jackson, so the rumour that Polly Samson's Twitter account had been hacked and that this was nothing but a hoax was becoming less and less believable. There was going to be a new Pink Floyd album, after twenty years of silence.

This was not going to be just another Pink Floyd album. The starting point were the Division Bell ambient demos that had been nick-named The Big Spliff in the good old Floydian tradition to give recording sessions silly names. Work on the mixes started over a year ago and probably, although this is nothing but an assumption, it was foreseen as a short and sweet bonus disk for a Division Bell Immersion set. While working on the music however, David Gilmour and Nick Mason must have felt something of the excitement from two decades before, they must have felt the muse, the inspiration and the spirit of their friend and colleague (and in the case of bass player ad interim Guy Pratt, father in law) Rick Wright and decided to enhance the jams into a proper record, asking Phil Manzanera and Martin ‘Youth’ Glover to sit behind the mixing console.

Called The Endless River, after a line from the Division Bell’s magnum opus High Hopes (in itself cryptically referring to See Emily Play), the album will be mainly ambient and instrumental, although at least one track will be sung by David Gilmour with lyrics by Polly Samson.

Schoolmaster Mode (The Wall)
Schoolmaster Mode (The Wall).

Recycling Facts

Reactions from that strange horde, also known as the Pink Floyd fandom, ranged from scepticism to enthusiasm. Some critics found it strange that Pink Floyd would be recycling old material, perhaps unaware of the fact that this is something the band has been doing for ages. The whale song section from Echoes was borrowed from their concert staple Embryo, Us and Them was originally called The Violent Sequence and a Zabriskie Point soundtrack leftover, and the magnificent Comfortably Numb was something David Gilmour had been messing with for his eponymous solo album.

Half of the Animals (1977) album consists of songs the Floyd played live in 1974 but none of those fitted the Wish You Were Here (1975) concept. Animals was and still is a landmark album, something that can’t be said of The Final Cut (1983), practically a Roger Waters solo album, featuring some The Wall (1979) rejects (and unfortunately it shows).

Let’s not be cynical for once and forget that a separate release of The Endless River will shelve a few million copies more than a Division Bell bonus disc. Even if the record will mostly have ambient atmospheric pieces and may fail the default description of a typical Pink Floyd album we will consider it as Richard Wright’s musical testament and an honest tribute from the rest of the band.

Now, and here is a confession this old bartender has to make, when we read Polly Samson's tweet, we were literally shaking all over our body as excited as a puppy who has just been thrown a bone. We started browsing the well-known Floydian fan-sites for more and the first website who added the news to its page was Col Turner's A Fleeting Glimpse.

Don't take a slice...
Don't take a slice... (Money).

Segmental Pig File

Col Turner is not your average Pink Floyd fan site webmaster, he has dedicated his life to the Floyd and if you ask us, we think he is pretty daft for doing so. Nevertheless, we appreciate his masochist streak and if we want to know the latest news of the Dark Side universe Fleeting Glimpse (and Brain Damage) are the first ones we open.

When we say that Colin Turner is not an average fan, we mean he is not an average fan. Turner eats, feels, dreams and breaths Pink Floyd (frankly we are a bit curious what he does in the bedroom) and as such he already knew for a while that a new album was in the make. However, instead of putting that news on his wall, like we would have done in a nanosecond, he promised the Pink Floyd management to shut his mouth and wait until an official announcement of the band was made.

Now, we ask you, dear reader, can you get any closer to an official band announcement than the wife of the band leader, who happens to be the main lyricist as well, tweeting the news into the world?

Well, opinions seems to differ apparently.

Breast Milky
Dutch Penthouse 4, 1995 (Alan Parsons Interview).

The Bleeding Hearts and the Artists

An artist is, by definition, a creative person, a sensitive person, someone with a frail mind. He writes these songs that appeal to people all over the world, people who recognise themselves in these songs, who recognise the feelings, the emotions, the love, the sadness, the anger, the Angst.

We, the fans, may think these songs have been written for us and sometimes we are so touched by the beauty and sincerity of it all that we will ask the artist to play the latest album in our backyard, for a beer and a whopper on the grill. That is why an agent, or some management, comes in... While the artist may not have the guts to disappoint the fan, his agent's preferable syllables are invariably 'no', 'fuck off' and, if this is your lucky day, 'how much'.

There has always been a huge gap between Pink Floyd, the band, and Pink Floyd, the company, and it is pretty impossible to determine how the one has influenced the other. Although some of its members openly preached a socialist philosophy their business manners have always been exactly the opposite, at least after the Peter Jenner days. Steve O'Rourke was not only a quasi-mythical agent who uplifted the band from the gutter towards the moon, but he was a bully as well, bombastic in his manners, a Floydian pit-bull and above all... über-greedy. Rumour goes O'Rourke started his career as a dog food sales rep, so determined to succeed that he ate the stuff in front of his prospects to prove it was quality meat.

Giving none away

The band who criticised capitalism on Money, paid Clare Torry £30 for her input on The Great Gig In The Sky, less than a third of what a Dark Side of the Moon Immersion set costs. In a nineties interview for the Dutch Penthouse a bitter Alan Parsons recalled how the four gentlemen in the band never told him that he had the right to earn some ‘points’ on his engineering / producing work for Dark Side of the Moon. That situation was settled later when Parsons was asked to remaster the album for an anniversary release. Clare Torry had to seriously threaten with legal action before the band agreed to share a small slice of the pie.

Roy Harper sung the lyrics on Have A Cigar, another one of these sarcastic songs describing the shady corners of music business. It was made clear to him that he wouldn't receive any copyright so Roy asked for some football tickets instead. Although the band were multi-millionaires by now a season's ticket was too much to ask and he never received it. The kids, singing ‘we don’t get no education’, were only given a copy of The Wall album after a newspaper turned it into a scandal.

Where Kafka Rules (Te Wall).
Where Kafka rules (The Wall).

Turn, Turn, Turn

Colin Turner published the news about the new Pink Floyd album on A Fleeting Glimpse, after it had been tweeted by Polly Samson. Then he messaged the Pink Floyd management that the floodgates had been opened. While hundreds of others were already retweeting and commenting on social media a Pink Floyd goblin found it necessary to threaten Colin with legal action and made him remove the post.

This made Colin so bitter that he deleted the entire news page, and at a certain point he was so disillusioned he wanted to close down AFG completely.

I was (...) asked to remove the story as it had not been cleared by official channels. This I did and I am now awaiting approval to publish full details about the album, despite it now being widely spread across the Internet. I intend to honour the commitment I made and the site will remain down until such a time as I receive official approval to publish.

Louis Matos (and with him many other AFG readers) reacted in shock:

That high service to the fans and to the Pink Floyd brand (...) was respected by Steve (O'Rourke), is respected by Mark (Fenwick) and should be respected by whomever now attends to David's business. I find it insulting - as a professional of the music business - that a loyal dedicated fan had to be "disciplined" for reproducing a Tweet by Polly by anyone other than Polly or David (and they could have done it, mind you). Even - and especially - anyone on the business side of it. Remember "Welcome to the Machine"? Well, it was about that kind of abuse. (Taken from: The Endless River)

To add insult to injury, at the moment when one of Pink Floyd's little hitlers found it necessary to threaten to close down A Fleeting Glimpse, the official Warner Music Why Pink Floyd website had already inserted the announcement on its news stream. Double standards, anyone?

The Endless River announcement on Why Pink Floyd?
The Endless River announcement on Why Pink Floyd?

Now here is where this article is going to get nasty, so if you are easily offended, please go and visit the Boohbah page instead.

David Gilmour and Paul Loasby
David Gilmour and Paul Loasby.

Slithered Nerves

David Gilmour's (and also Syd Barrett's) management happens to be in the hands of One Fifteen who have the following Hunter S. Thompson quote on their site:

The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side.

If our information is correct Paul Loasby probably was the toerag (note) who intimidated the Fleeting Glimpse webmaster. According to a Cambridge mafia insider, who we will not name, Paul Loasby is the opposite of a villain and an amicable man:

I have met him and spoken to him many times. He seems very pleasant and was always totally respectful of Syd... and others...

But apparently that is only when he doesn't see a pot of gold at the end of the rainbow, which he will receive anyway, regardless of him throwing a tantrum about a leaked tweet or not.

What had to be, for the fans, one of the most joyous days in Pink Floyd history, a new album, a much awaited tribute to Richard Wright, an indirect nod to Syd Barrett (mind you, not that we think One Fifteen knows anything about Syd Barrett), the Pink Floyd agent managed to turn it into something of a misplaced nightmare.

Mister Loasby, you are a party pooper and you should be ashamed of yourself.

David Gilmour and his dog
David Gilmour and his dog.

Game of Thrones

But in a way: hats off to Paul Loasby. In four minutes he managed to kick Steve O'Rourke from his throne as the eternal Pink Floyd baddy, simply by putting the knife in the back of someone who does a lot of Pink Floyd promotion, for free. If you are somewhat familiar with the Floydian canon – this is something dogs do for a living. Welcome to the machine, indeed.

We want to end this article with a friendly suggestion for Col Turner, who was at the centre of this crisette. There is a Dutch saying, dating from the Middle Ages: "Tis quaet met heeren criecken eten'." "It's difficult to eat cherries with noblemen", meaning that if you want to schmooze with the higher crowd you will be treated as their servant whether you like it or not.

Better be independent, better be vigilant, better be critical than to bark only when the puppet master allows it, this is The Anchor's motto and it will always be. While A Fleeting Glimpse may generally be the first and the best in giving Pink Floyd news, it slightly troubles us that they have completely forgotten to mention the Last Minute Put Together Boogie Band release, with Syd Barrett's last performance.

Sitting to close to the throne, too busy eating cherries over a lavish Division Bell box set, no doubt.

Epilogue / Update

On the quadrophonicquad forum Pink Floyd engineer Andy Jackson wrote on the 14th of July (2014):

No, still can't talk about Endless River, the 'leak' was damage limitation as a UK newspaper had got hold of the story.

So if we read this well, a newspaper - rumoured to be The Sun - heard about the new Pink Floyd album on the fifth of July and was going to publish the news, perhaps even in next day's Sunday paper. Polly Samson was then asked to tweet the news to the world before the newspaper would publish it. It all makes perfect sense.

But what we still don't understand is why Paul Loasby had to threaten A Fleeting Glimpse then. Why Pink Floyd? Why?

Can't you see
It all makes perfect sense
Expressed in dollars and cents,
Pounds, shillings and pence
Can't you see
It all makes perfect sense
(Roger Waters, Perfect Sense, Amused to Death, 1992)
Harvested logo
Harvested logo.

The Floydian empire strikes back
(Update: 2014 09 14.)

For the past few months early Pink Floyd songs have been disappearing from YouTube: Scream Thy Last Scream, Vegetable Man, Astronomy Domine, Lucy Leave, King Bee. Even the Men On The Border live cover of Scream Thy Last Scream has been silenced and has now got the text:

This video previously contained a copyrighted audio track. Due to a claim by a copyright holder, the audio track has been muted.

Obviously this is a blatant lie and could be considered illegal, as the copyright holder of the audio track is Men On The Border itself and not Pink Floyd, nor EMI, Warner Music Group or one of its little helpers.

Harvested, a volunteer-driven organisation that archived, restored and weeded (for free) Pink Floyd live audio and video recordings has been taken down after a friendly reminder from Mr. Loasby. All its torrents have been deleted from Yeeshkul who suddenly went chicken shit and have forbidden the further use of the 'Harvested' word to all its members. Also the Pink Floyd Multicam website has been closed down.

The argument (from Pink Floyd) that ruthless entrepreneurs take the freely distributed material from Harvested (like The Man and The Journey), press it on a CD or DVD and sell it to the public doesn't make sense. Warner should go after the companies who sell these bootlegs and not after the people who give it away for free and thus spoil the 'market' for the bootleggers (although we do understand this is something of an illegal situation). By closing down Harvested (and in a near future, perhaps Yeeshkul?) fans will again be obliged to buy these recordings from shady companies if they want them, instead of downloading them for free.

As usual the big three fansites (A Fleeting Glimpse, Brain Damage, NPF) haven't mentioned this news at all, afraid to no longer receive the crumbles falling off the Pink Floyd table and to be left in the cold when 'The Endless River' will come out. Col Turner, who went apeshit over Paul Loasby threatening him (read the article above) has removed all trace of the incident and, as such, it never happened. (It is still in the forum, but you have to dig deep to find it.)

Acoustic Sounds, who will press the vinyl version of 'The Endless River' (they also did the recent 'Division Bell' release), received the lacquers cut straight from Doug Sax and crew at The Mastering Lab (Los Angeles) and posted some pictures on their Facebook page this week. Guess what, these (innocent) pictures have now been deleted and we can only guess who is behind that.

Who would have thought that ultimately Pink Floyd would turn into the neo-fascist impersonation of their Wall album?


(The above article is entirely based upon facts, some situations may have been enlarged for satirical purposes.)

Note: Toe Rag is also character in Douglas Adams' novel The Long Dark Tea-Time of the Soul. He is an untrustworthy goblin, secretary of the mighty god Thor, abusing the trust and power the Nordic god gave him. Back to article.

The Anchor is the Holy Church of Iggy the Inuit's satirical division, intended for people with a good heart, but a rather bad character.
More info: The Anchor.
Read our legal stuff: Legal Stuff.


2014-07-21

An innerview with Carlton Sandercock (Easy Action)

Last Minute Put Together Boogie Band.

It is now about a month ago that the 1972 Last Minute Put Together Boogie Band gig was released by Easy Action records. LMPTBB was a power rock'n blues trio with the practically unknown, but excellent, American singer Bruce Paine on vocals and guitar, Twink on drums and Jack Monck on bass, replacing Honk who left the band after a Polydor record deal was cancelled.

The Six Hour Technicolour Dream concert may well have been their last, and on top of that it had two surprise guests: Fred Frith (from Henry Cow fame) who probably plays on all tracks, and a local boy who had once been a rather influential musician, Syd Barrett.

Not only is Syd Barrett dead, he also is neglected, except for the few who have reappropriated the term Sydiot and gather at the Birdie Hop group. From the three important Pink Floyd fan-based websites only one has published the news about the LMPTBB record. The others don't know, or don't care, and are still hop-frogging around the Pink Floyd table, mouths open, hoping for some Division Bell crumbles to fall off. The official Syd Barrett website, although run by the people who allowed the LMPTBB record in the first place, still remains a place that only comes in handy if you want to buy some (we admit, pretty) t-shirts.

So the Holy Church of Iggy the Inuit is about the only Floydian (and Barrettian) place where you can read about this release. Either we are pioneers, or raving lunatics, so we guess it's up for you to decide. In our fourth article of the LMPTBB series we interview Carlton Sandercock of Easy Action records, who have released this fine record.

An innerview with Carlton Sandercock
Carlton Sandercock
Carlton Sandercock.

An innerview with Carlton Sandercock (Easy Action)

BH: How would you describe Easy Action? We see a few (live) releases on your catalogue that are pretty rare and that could be considered non-official.

CS: Easy Action started out 10 years ago as, predominantly, an archive rock label, specialising in rare and unreleased recordings. We had the support of Iggy Pop, Lou Reed, The Yardbirds, the estates of Marc Bolan, Steve Marriott & the surviving members of the MC5, initially to create box sets for fans that had been audio restored and lavishly packaged and annotated by good writers and journalists with as much factual information as is possible.

In that 10 years Easy Action has blossomed and grown in all directions, we have 10 labels doing material from singer-songwriter Linda Lewis to punk-metal behemoths Amebix, but all done with class and passion.

We are also working with new artists, we oversee the estate of the late Nikki Sudden and his brother Epic Soundtracks, we manage the affairs of The Damned / Lords of the New Church songwriter guitarist Brian James.

We have worked with one studio all the time in London ‘PSB Music’ who restore and re-master all our releases. Plus we have some very talented graphic designers on board. Basically a happy creative family.

BH: In 2005, the Six Hour Technicolour Dream reel was rediscovered while browsing through the tape archives at Spaceward Studios. Initially, they were going to issue the concert themselves on Gott discs, and they even got the approval of Pink Floyd and the Syd Barrett family. Do you know why they decided to sell it to Easy Action?

CS: To be honest I don't know why they decided to sell the tapes, as you know they didn't manage to succeed at the auction. My business partner Steve Pittis is a huge fan of Pink Floyd, the Fairies and Hawkwind and contacted the seller directly and offered him some cash. Although we didn't originally think there were more than a couple of songs by Hawkwind on the reel. Our initial thoughts were to release the Pink Fairies set as we know them and recoup the cost of buying the tapes. We weren't sure if we would be allowed to issue the Boogie band stuff .

Leave No Star Unturned
Leave No Star Unturned, Hawkwind.

BH: Hawkwind's Six Hour Technicolour Dream gig was already released in August 2011 as Leave No Star Unturned (first announced as: The Self Police Parade), licensed from EMI records. However, the band in its 2011 incarnation was opposed to EMI being involved, and told the fans more than once that they considered this a bootleg. Although historically of great importance, legally these old tapes seem really to be a pain in the ass, aren't they?

CS: Ha ha, yeah. I contacted Mrs. Brock initially, who informed me that the recording date of 1972 was EMI territory and they couldn't give us a licence . So I went to EMI and asked them for a licence and they gave us a contract, we paid them what we were asked for and went ahead and put it out.

The band, I appreciate, try and control all their releases and I guess didn't think we would have any luck whatsoever at EMI... They were wrong. This is the only time I think in our 10 years where we have licensed from a major label over the artist. We had absolutely no ‘legal troubles‘ whatsoever. It's not a bootleg as it has been released properly and above-board. Royalties have been paid to the contractee.

BH: Were the Hawkwind (legal) troubles the main reason why we had to wait until 2014 for the Last Minute Put Together Boogie Band to appear? If we are correct, the record was announced a few times over the years and then delayed again...

CS: As I said we had no ‘legal troubles’ at all and I wanted to put the Pink Fairies set out next but life gets in the way and we had more work to deal with tons of other releases.. Also I initially wasn't sure who else was in the band besides Twink and Jack.

BH: Is it true that Twink (Mohammed Abdullah John Alder) gave the release a renewed push, somewhere in 2012 or early 2013?

CS: Yes, absolutely true. Twink has been a major driving force in getting me to put it on the schedule... However we simply didn't have any thing to use for artwork... There is absolutely nothing from that time / gig at all. Until we were introduced to Warren Dosanjh by Slim at Shindig magazine. Warren had the original poster (possibly the only one in existence) and lots of encouragement to boot, so NOW we had the basics of a foundation to try and put something together .

BH: Did you encounter initial resistance to release this material? Did you find the Floyd to be approving of more Syd material being released or did they initially try to block it?

CS: None whatsoever, we have been dealing with the company that looks after Syd's affairs ‘One Fifteen’ and have a contract for his performance and they are helping us with marketing it. To be honest Syd is guest for three songs, this is NOT Interstellar Overdrive live!! This is a boogie band so it's really not going to worry Pink Floyd. Dave Gilmour's a nice bloke and is rightly protective of Syd's legacy, but because we have handled it in the correct manner and not adorned the album with stickers saying SYD in big letters or anything crass like that it's ok... It is what it is, an extraordinary document.

BH: We understand that the Pink Fairies gig is still in the vaults. Will that gig ever be released as well?

CS: Bloody hope so, although we are hoping to add to that show and try and do a bigger, better Pink Fairies package... That reminds me, I must give Sandy (Duncan Sanderson) a call to get the ball rolling.

Bruce Michael Paine (lead singer LMPTBB)
Bruce Michael Paine, lead singer LMPTBB.

BH: The story of the Six Hours Technicolour Dream reel is spectacular, to say the least. One copy was found in 1985 and immediately confiscated, in Chuck Norris style, by an EMI suit. A second copy was unearthed in 2005 and ended up at Easy Action. But at one point FraKcman (aka Mark Graham from Spaceward Studios) contradicted his own story by saying that the first tape contained a Stars gig and the second a LMPTBB gig. Did Easy Action find out, during the negotiations with EMI and the bands, if both reels are identical, or not?

CS: Mmm, the men in black... sounds great doesn't it? I was told an original copy was indeed made of the boogie band years ago, but before the audio restoration that we did. It was very rough indeed and was ignored... I'm not sure it was Stars. I think it was an unrestored version of this show. Just my opinion though.

BH: How are sales figures so far? Is there any interest from the fans? Are they better or worse than the Hawkwind gig?

CS: Well, it hasn't flown out the door at all. We thought pre-orders would be huge and that it would then die down to a trickle once it's been copied and shared free of charge online... I'd say cult interest only and not as big as the Hawkwind album... As I said before it is not Syd performing any of his songs... It IS perhaps the last ever recorded performance of Syd Barrett... maybe Floyd fans don't see it as important.

BH: Did you, in your struggle to release this gig, hear about other tapes that still exist, for instance Stars, or early demos from Barrett with Cantabrigian bands?

CS: Ha ha ha. I fuckin' wish! Not a bleedin' sausage and yes, I did ask... I do think, seeing as we have released this show legally with the Barrett estate fully on board and we haven't tried to sell this as a Syd album or anything tacky like that, should anything crop up, I think we would get a call...

BH: We, Birdie Hoppers, hope it for you, Carlton, many thanks for this interview.

© Birdie Hop & The Holy Church of Iggy the Inuit, 2014.

End of part three of our LMPTBB series. If you don't stop us, there will probably be a part four. You have been warned.


Many thanks to Rich Hall, Peter Jansens, Carlton Sandercock.

♥ Iggy ♥ Libby ♥ Birdie Hop


2014-07-26

An innerview with Mohammed Abdullah John Alder, better known as Twink

Last Minute Put Together Boogie Band
Last Minute Put Together Boogie Band.

We first had the idea of Birdie Hop members asking some questions to Mohammed Abdullah John Alder, also known as Twink, but most of those had already been asked in previous interviews that lay scattered all over the web (see our list underneath). Then the Last Minute Put Together Boogie Band record came out and Twink's exclusive interview in the Six Hour Technicolour Dream booklet only triggered more questions from us.

The Last Minute Put Together Boogie Band Six Hour Technicolour Dream gig, on January the 27th 1972, was not, as you probably know, Syd's last gig, nor was it his last recording. Actually, Syd never joined LMPTBB but gigged with them twice as a surprise guest. How the tape survived into the twenty-first century and was finally published by Easy Action records is a story you can read here: The Last Minute Put Together Reel Story.

Bruce Michael Paine
Bruce Michael Paine, LMPTBB lead singer.

Apparently the vibes were so good that two out of three LMPTBB members started dreaming of a post-Floyd Barrett band, not very much to the amusement of singer Bruce Paine if we may believe Joly MacFie (Twink's business partner in the Cambridge music club Juniper Blossom and Stars roadie annex sound-man):

I was sharing a house with Twink and Paine. Paine was a somewhat vain and career oriented American who went on to join Steamhammer. He wasn't compatible with Syd. When Twink showed more interest in Syd, Bruce got pissed off and moved out and that was the end of the band. (Taken from So what's with 1972 Stars reel? @ SBRS (forum no longer active.))

Stars was formed shortly later and would gig about five times, dates and venues can be found at the Pink Floyd Archives:

Date Venue City Band
1972 01 26    King's College Cellars    Cambridge    LMPTBB
1972 01 27    The Corn Exchange    Cambridge    LMPTBB
1972 02 05    The Dandelion Coffee Bar    Cambridge    Stars
1972 02 12    Petty Cury, Market Square    Cambridge    Stars
1972 02 12    The Dandelion Coffee Bar    Cambridge    Stars
1972 02 24    The Corn Exchange    Cambridge    Stars
1972 02 26    The Corn Exchange    Cambridge    Stars

Pink Floyd biographer Mark Blake tried to find out more about the mythical Stars tapes, that have been rumoured to exist, and posted his finding on the Late Night and Syd Barrett Research Society forums (here edited a bit):

Rehearsal tapes - Twink has mentioned on more than one occasion that Syd recorded the early practices. It goes without saying that these tapes must be long lost.
Dandelion Cafe - lots of people (Twink, Jack and possibly Joly [MacFie]) remember Victor Kraft sitting there with his Nagra tape machine at the Dandelion, and possibly the Corn Exchange as well.
Market Square - recorded, supposedly, by a friend of someone who mentioned it on the Laughing Madcaps list. The tape, supposedly, is at the taper's parents' house in Oxford. [Note from FA: this is probably the tape mentioned at Fortean Zoology. All efforts to make the blogger move his lazy ass have been effortless: Beatles: Off topic but not really.]
Final Corn Exchange show (with Nektar) - according to Joly MacFie, his co-roadie Nigel Smith had a friend called Chris who taped this show.

Although some YouTube videos claim to contain Stars tapes these are believed to be either fakes or mislabelled Barrett solo concerts, so it is still waiting for the real deal, if they not have been buried in the vaults of Pink Floyd Ltd.

But the good news is that the Six Hour Technicolour Dream tape has been released by Easy Action, that Syd Barrett stars (sorry, we couldn't resist the joke) on three of its tracks and although the sound quality is only slightly more than average, the fun is dripping out of our stereo boxes. Mythical drummer Twink, who is currently recording a follow-up of his legendary Think Pink album (1968), lend us some of his time to tell us the following...

An innerview with Mohammed Abdullah John Alder, better known as Twink
Twink (2013)
Twink (2013).

An innerview with Mohammed Abdullah John Alder, better known as Twink

BH: Of course we all know this record is interesting for Syd Barrett's performance, but the real discovery on the Last Minute Put Together Boogie Band is that amazing singer, Bruce Paine. How did you and John Lodge (Honk) meet up with him and how did the band come into place?

MAJA: I first met Bruce Paine in the autumn of 1971 at Steve Brink's boutique "What's In A Name" in Union Rd just before he rented a room in Steve's cottage which was situated next to the shop. We talked very briefly about putting a band together because at that time I was just helping Hawkwind out from time to time. Once Bruce had moved into the cottage the band came together quite quickly. I recruited John "Honk" Lodge as our bass player who was living in London but that didn't seem to get in the way of the band project. Other members included Dane Stevens (The Fairies & The Cops And Robbers) on vocals & Adam Wildi on congas but both only lasted one show. We called the band The Last Minute Put Together Boogie Band.

BH: Who came up with the idea of naming it the Last Minute Put Together Boogie Band? Is there any explanation for the band's name?

MAJA: Bruce came up with the name and I think it was simply that the band came together quite quickly once show offers began to come in.

BH: After a record deal with Polydor had failed, Honk left the band and was replaced by Jack Monck.

MAJA: Yes, "Honk" left immediately the Polydor deal fell through. I think he was disheartened because Polydor's A&R department made it clear that after the demos we did for them, we were in. The whole thing fell down at the contract stage because the contracts manager there was having a bad day. He refused to raise the contracts and kept playing Led Zeppelin at full volume which drove us out of his office. He apologised to me about a month later just after he had been fired from his job. But the damage was done and there would be no record deal for The Last Minute Put Together Boogie Band.

BH: Did you meet Syd in Cambridge before the Eddie Guitar Burns gig? Did you know that Syd was going to jam with LMPTBB on the 26th of January 1972 or were you as surprised as the audience?

MAJA: I was surprised and happy to see Syd arrive at the Eddie "Guitar" Burns gig with Jenny and carrying his guitar case. He arrived while we were sound checking, came to the back of the stage area, took his guitar out of its case and started to tune up. We had been friends since 1967 but we had lost touch in '68. It was wonderful to see him again. The following day Syd came to The Six Hour Technicolour Dream where The Last Minute Put Together Boogie Band was supporting Hawkwind & The Pink Fairies. Again I was surprised to see him there with his guitar case. Syd was keen to play so we invited him to join us on stage along with Fred Frith from the band Henry Cow who was guesting with us that night.

BH: It must not be easy trying to remember a gig from 40 years ago, but there are two different testimonies about the Kings Cellar's concert. One witness says that LMPTBB played twice on that concert. According to him, the opening support gig had Syd, Monck and you. After the Eddie Guitar Burns gig, LMPTBB returned, this time with Bruce Paine. According to Terrapin magazine Syd jammed with LMPTBB after the Eddie Guitar Burns show. Not that it really matters, this only shows how anoraky we are.

MAJA: The Terrapin report is correct however it is possible the Syd, Jack & I tuned up together but that was not part of the show.

BH: Now to the Six Hour Technicolour Dream concert of the following day. How did Fred Frith come on board? Did he know Syd Barrett was going to be there as well? What was his reaction? What was your opinion after the gig had ended?

Twink (2014) with Marco Conti, Dane Stevens, Jon Povey. Photo by Carinthia West.
Twink (2014).

MAJA: We had a lot of contact with Fred Frith & Henry Cow who frequently played at The 10p Boogie Club which was run by Joly MacFie & myself at Fisher Hall in Cambridge having taken over the venue from Jenny Spires & Jack Monck and renamed it Juniper Blossom.

The Last Minute Put Together Boogie Band often played there and so did Henry Cow. Fred Frith guested with The Last Minute Boogie Band there too. Fred guesting with us at The Six Hour Technicolour was more formal and when it was decided that Syd would guest too he was welcomed by all concerned with open arms. Our performance was well received and with Syd's enthusiastic participation at both the Eddie "Guitar" Burn gig & The Six Hour Technicolour Dream our creative wheels began to turn resulting in the formation of STARS with Syd Barrett, Jack Monck & myself a few days later.

BH: Was this the LMPTBB's last gig? Did anyone say, this is it, last gig, finished?

MAJA: The Last Minute Put Together Boogie Band continued after Jack & I left for STARS with replacement musicians.

BH: Did you, at one point or another, think of asking Syd to join LMPTBB?

MAJA: It was Jack & Jenny that thought about forming a band with Syd.

BH: If our information is correct you have been pulling some strings to make this release possible.

MAJA: The only things that needed sorting out were group members and song details as well as contract details to include both Bruce Paine & Roger Barrett's Estates. Then there was restoring, mastering and the cover to achieve as well. Everyone was very helpful.

BH: As you probably know, Pink Floyd (or EMI) have another copy of the LMPTBB tape, however at one point there were rumours this tape actually contains a Stars concert rather. know what they really have?

MAJA: I have no idea what EMI have. It's possible they have a STARS tape.

BH: Any chance that the LMPTBB Polydor tapes will ever see the light of day? Does anyone know where these demos are?

MAJA: It is possible The Last Minute Put Together Boogie Band demos will be released as they are probably sitting in Polydor's archives. I think Honk may well have a copy tape.

BH: In retrospect, what was the band you were happiest with? If you could go back to these days what would you have changed to make it better?

MAJA: Playing with The Pretty Things made me happy and I wouldn't want to change a thing.

BH: Many thanks, Mohammed, and good luck with Think Pink 2!

End of part four of our LMPTBB series. If you don't stop us, there will probably be a part five. You have been warned.

© Birdie Hop & The Holy Church of Iggy the Inuit, 2014.


Many thanks to Mohammed Abdullah John Alder, Rich Hall, Peter Jansens. Inspired by questions from: Mike Baess, Rick Barnes, Andre Borgdorff, Anita Buckett, Rich Hall, Jane Harris, Alexander P.H., Peter Felix Jansens, Raymond John Nebbitt, Lisa Newman, Göran Nystrom, Anni Paisley, Cheesecake Joe Perry, Paul Piper, Michael Ramshaw, James Vandervest.

Some Twink interviews over the years (back to text):
Ivor Trueman, Opel Magazine, 1985 (mirror)
It's Psychedelic Baby, 2012
Laughing Madcaps, 2013
Sophia On Film, 2014
Punk News, 2014
Hit Channel, 2014

♥ Iggy ♥ Libby ♥ Birdie Hop