Love In The Woods (Pt. 2)
The so-called Lost in the Woods movie, that was part of the Knebworth pre show documentary, is a mix coming from different people, at different places, on different occasions. The Church quotes archbishop Dark Globe, who has scrutinized the movie before:
There's footage of Syd larking around in a garden with friends in 67, the 'lilac shirt' footage of Syd (late 67/68?) in which Lyndsay Corner also appears, and the blue suit/yellow ruffled shirt footage of Syd in the woods with two girls (Iggy and a mystery brunette) from 69.
The home movie footage is multilayered and you can catch glimpses of different footage superimposed on top of the main footage.
During the bit of Syd in the woods with Iggy, there's some footage of Syd with an acoustic guitar (at least that's what I can see). The flashbacks movie only shows tantalising glimpses of the Syd home movie footage. (taken from Late Night.)
The home movie snippets are used twice in the Knebworth documentary.
The documentary starts with Pink (Langley Iddens) pouring a glass of wine. For the next 39 seconds several vintage clips, taking no longer than a couple of frames, will be intercepted with shots from the actor. The first home movie scenes have already ended when the documentary is just one minute old. The main bunch seems to be filmed at a garden party.
The second home movie scenes arrive about 10 minutes later and will go on for 42 seconds. The main footage has Syd walking in a park with Iggy and a mysterious brunette, Syd and Iggy climbing trees, the two woman running hand in hand, Syd acting funny with a stick in his hand… The park footage is intercepted a few times by other home movies from other occasions…
Part 1: Garden fun – blowing bubbles
Several garden shots have been used in this compilation. There is a scene with a girl on a swing, people blowing soap bubbles and generally having fun, Syd eating a - very hard to spot - banana…
The Church tried to identify the people in the movie with the help of the worldwide web, posting screenshots at several anorak fora, and Dark Globe took it upon him to show these pictures to David Gale and Matthew Scurfield after a reading at the City Wakes festival this year.
|Hester Page. It could be that screenshots 1 and 2 depict the same person. She remained unidentified until Dark Globe showed the pics to David Gale who recognised picture 2 as ‘Hester’. Barrett fan julianindica could narrow this down to Hester Page. Hester Page gets mentioned in the Syd Barrett biography by Julian Palacios, aptly called Lost In The Woods, as part of the 101 Cromwell Rd incrowd. That two-storey flat in Kensington was the place for many Cantabrigians to sleep, meet and greet. Syd Barrett and Lindsay Corner lived there for a while and Pink Floyd used the place to rehearse (much to the annoyance of painter Duggie Fields). It was also somewhat of an LSD epicentre and a ‘critical nexus for Underground activities of every shade and stripe’.|
|David Gale. This man is David Gale. To quote his own words at the City Wakes – it’s the hooter that gives me away. Gale was a schoolmate of David Gilmour and a friend of Syd. In 1965 David’s parents went to Australia for a 6-month period leaving the house and its garden in the safe hands of their son. It didn’t take long before the Cambridge jeunesse would meet there and there is a chance that the first part of the Syd Barrett Home Movie has indeed been shot in the garden of David Gale’s parents. Nigel Lesmoir-Gordon and Storm Thorgerson had film cameras so one of them may have shot the footage (NLG made the iniquitous Syd’s First Trip movie where David Gale can be seen). It was also at David Gale’s place that Syd Barrett had a cosmically encounter wit a plum, an orange and a matchbox, as witnessed by Storm Thorgerson who would later use this for a record sleeve and for a concert movie.|
|Lyndsay Corner. David Gale and Matthew Scurfield identify the girl on a swing as Lyndsay Corner.|
Part 2: the Lost In The Woods footage
|Mick Rock. When Syd and Iggy are walking in the woods a face is superimposed. It is Mick Rock who has (probably) shot the movie. Iggy is wearing the same necklace as on the Madcap Laughs photo sessions and (perhaps) the same clothes. Syd however has another shirt than in the Psychedelic Renegades book. The Lost In The Woods scenes have been edited on the Knebworth documentary and carry parts from at least 3 other home movies.|
Unknown. Syd and another man walking & talking in a garden in front of a house. Identity Unknown.
|Unknown. Syd and a girl blowing bubbles in a park. Identity unknown.|
|Lyndsay Corner. Close-up of Lyndsay Corner (in a park).|
Mysterious brunette. 3 people can be identified on the Lost In The Woods movie: Syd, Iggy and Mick Rock. In several shots with Iggy and Syd we see a second woman, the mysterious brunette, whose identity we don’t know yet.
Update: on second thought, she could be Hester Page (see first picture above), although it is a wild guess.
JenS, however concludes that the girl is not Hester Page. Gretta Barclay does not recognise her either: "I do not recognise the brunette – the name Jennie Gordon came to mind, but in truth, I simply have no idea of who she is."
Pop-art painter Duggie Fields, who still lives in the same apartment, and Mick Rock have testified that Iggy only stayed at Syd’s place for a couple of weeks. When Mick Rock showed Syd the pictures of the photo sessions for the cover of The Madcap Laughs she was already long gone…. According to Duggie Fields, a homeless and drug-addicted couple, Greta and Rusty, took the vacant place, much to the aggravation of the painter who had to bring Greta to the hospital after an overdose.
Update 2010: in an exclusive interview to the Church Margaretta Barclay absolutely denies the above. Please consult: Gretta Speaks and Gretta Speaks (Pt. 2)
Neither Mick Rock nor Storm Thorgerson give the exact date when The Madcap Laughs photo shoot was made: the closest thing they can come up with is Autumn 1969. Syd Barrett and David Gilmour met at the studio on the 6th of October to sort out the running order of the album. Other studio work, that didn’t need Syd’s presence, was done the same month: banding the LP master (9 October) and cutting the LP (16 October). After hearing the master Malcolm Jones ordered a recut early in November. The record was officially released on the second of January 1970.
Malcolm Jones recounts:
One day in October or November I had cause to drop in at Syd's flat on my way home to leave him a tape of the album, and what I saw gave me quite a start. In anticipation of the photographic session for the sleeve, Syd had painted the bare floorboards of his room orange and purple. Up until then the floor was bare, with Syd's few possessions mostly on the floor; hi-fi, guitar, cushions, books and paintings. In fact the room was much as appears on the original 'Madcap' sleeve. Syd was well pleased with his days work and I must say it made a fine setting for the session due to take place.
Based on this information most anoraks radiocarbon the photo shoot date in the second half of October, although November is also a possibility. The Lost In The Woods home move with Syd, Mick, Iggy and the mysterious brunette should thus be pinpointed to that period (this was written in December 2008).
Update: But... as the Holy Church would find out the next year (January 2009) the above photo shoot date appears to be wrong. It is pretty sure that Iggy left Syd in April 1969. Further analysis of the Madcap pictures show that several details point to spring 1969, rather than autumn. For a complete report please consult: Anoraks and Pontiacs.
(This is the second part of the Love In The Woods post. Part 1 can be found here: Love in the Woods (Pt. 1))
An image gallery with stills of the Lost In The Woods home movies can be found at the gallery.
Sources (other than the above internet links):
Blake, Mark: Pigs Might Fly, Aurum Press Limited, London, 2007, p. 141.
Jones, Malcolm: The Making Of The Madcap Laughs, Brain Damage, 2003, p. 13.
Palacios, Julian: Lost In The Woods, Boxtree, London, 1998, p. 241.
Parker, David: Random Precision, Cherry Red Books, London, 2001, p. 154-158.