When the right one walks out of the door...
It has been a sad week for us, music lovers. Rick Wright, one of the founding fathers of the band Pink Floyd, died of cancer. Wright was a member of the 1963 R&B cover band Sigma 6 that would grow, a couple of years later, into the next hip thing when Syd Barrett joined the gang. The hip thing would soon become a monster, a gravy train, a dinosaur, it had its up and downs, it was praised and loathed by the so-called serious music press.
I am not good at obituaries, and who am I to write one anyway, so I’ll pass the word to David Gilmour, not only a colleague but also close friend of him.
In the welter of arguments about who or what was Pink Floyd, Rick's enormous input was frequently forgotten.
He was gentle, unassuming and private but his soulful voice and playing were vital, magical components of our most recognised Pink Floyd sound.
I have never played with anyone quite like him. The blend of his and my voices and our musical telepathy reached their first major flowering in 1971 on 'Echoes'. In my view all the greatest PF moments are the ones where he is in full flow. After all, without 'Us and Them' and 'The Great Gig In The Sky', both of which he wrote, what would 'The Dark Side Of The Moon' have been? Without his quiet touch the Album 'Wish You Were Here' would not quite have worked.
In our middle years, for many reasons he lost his way for a while, but in the early Nineties, with 'The Division Bell', his vitality, spark and humour returned to him and then the audience reaction to his appearances on my tour in 2006 was hugely uplifting and it's a mark of his modesty that those standing ovations came as a huge surprise to him, (though not to the rest of us).
Taken from: http://www.davidgilmour.com/
I admit I was one of those many fans who sheered louder for Rick than for the others on David’s last tour. Hearing him sing Echoes with David was probably my best Floydian encounter ever, topping Dogs that Roger Waters used (and still uses) to sing on his solo tours.
Roger Waters, normally a man of many words, has put the following appropriate statement on his website:
Julianindica (aka Julian Palacios) wrote some great stuff about Wright at Late Night:
Wright’s keyboard style had a unique melancholic grandeur. He had an ear for exotic sounds, bringing in Middle Eastern Phrygian scales into his mix. Never one to play lightning fast or pound the notes out, Wright conjured up his unique style with patience. What was left out was as important as what stayed in, and Wright took a calm and methodical approach. The influence of Davis sideman Bill Evans introspective, melancholic piano was strong. Modal jazz had minimal chords and relied on melody and intervals of different modes. A slow harmonic rhythm opened space in the music, in contrast to bebop’s frenzy.
The full text can be found at Late Night.
The time is gone, the song is over, thought I'd something more to say...
Rick Wright portrait by Huug Schipper (1974) from the (unauthorisedl)
The Pink Floyd Songbook, ca. 1978.