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The BBC describes its program Songs
of Praise as 'inspiring hymns and songs, together with uplifting
stories of faith from around the UK and beyond' This is what we
immediately thought of when church-member Rich
Hall from Illinois send us a copy of his song The Reverend.
In our humble opinion there is no other day better than Easter to listen
to this gem that perfectly describes the Church, its Reverend and our
prime object of adoration, Iggy Rose.
Here it is in splendid hi-res, hi-fi and 25 frames per second. As it is
a Flash presentation, it might not be visible on your portable phones
and other overpriced Apple stuff like that. A fast internet line is
recommended.
The Reverend (hi-res Flash version)
The Reverend. Music: Rich Hall. Video: felix Atagong. High resolution,
Flash version.
And as this is Easter and Songs of Praise we hereby give you the text,
so that you can all join in this magnificent hymn.
The Reverend
Oh, congregation Standing here before me I offer you this simple
sermon
You can trust in Iggy She's never led me wrong In Iggy we trust
Don't put your faith In medieval superstitions Believe in
something that matters
Release your inhibitions Sit back; let it envelope you Soon you'll
feel Iggy's love
Out in the snow The wind was starting to blow As the sun went down And
the fire began to glow
Have you ever looked for someone so long You have
to wonder if they even exist
Here in my igloo with Iggy the Eskimo Watching the
snow falling down
Devoted listeners Hanging on my every word I give you Iggy's love
No need to look we further We can stop the inquisitions Iggy's
message is love
Don't be afraid to let yourself go give in to Iggy's love
You'll feel it wrap around you It's all you'll need to keep you warm You're
no longer alone.
Have you ever looked for someone so long You have
to wonder if they even exist
Here in my igloo with Iggy the Eskimo Watching the
snow falling down
Have you ever looked for someone so long You start
to wonder if they even exist
Here in my igloo with Iggy the Eskimo Watching the
snow falling down
For those who haven't got a Flash-enabled webbrowser, let's try it
another way. Here is a, somewhat downgraded, version on Youtube. Even if
this was created using a 2.64 Gigabyte AVI file, it has some stuttering
and, unfortunately, the music came out not entirely synchronised with
the graphics. But don't let that spoil the fun.
Happy Easter!
Richard Michael John Hall is a self-publishing artist in the
'alternative' or 'indie rock' genre with about ten releases on his name.
It is rumoured that his next release will be a concept album about the
weird world of Barrett anoraks. Website: Richard
Michael John Hall BandCamp channel: RichMFHall SoundCloud
channel: RichMFHall YouTube
channel: RichFMHall
The Church wishes to thank: Amy Funstar, MAY, Brett Wilson for their
(un)willing cooperation in the making of the videoclip. Thanks to
Rich Hall and Joe Perry for making music. ♥ Iggy ♥ Libby ♥
(This article contains a much concealed review of the Rich Hall album Birdie
Hop and the Sydiots, to immediately access it, click here.)
The Holy Church of Iggy the Inuit celebrates its fifth birthday.
An official statement by the Reverend:
The Holy Church of Iggy the Inuit is five years old. It has always taken
an independent road and has maintained an ironic and satirical view on
the Syd
Barrett phenomenon and its fans.
We will, however, never spit on the fans. We have embraced the term Sydiot
as our Geusenwort,
meaning that we have reappropriated this derogatory nickname as an
honorary title.
While we have the utmost respect for the casual Barrett fans, the cosmic
brides (persons [m/f] who claim to have a relationship with Syd of some
kind, often crossing spiritual boundaries) and the Sydiots, we
intuitively question the official Barrett
organisations, record companies and nincompoops who circle around Syd
like vultures. We will not automatically endorse their websites, their
records and their books... and this has not always been appreciated. It
seems that nothing has changed much since those days in 1967 when Norman
Smith was reprimanded by his boss:
EMI
were ignorant, lazy and paranoid. I'd once been carpeted by Sir
Joseph Lockwood, almost fired, told to stay away from courting Pink
Floyd. But I took no notice.
If Norman Smith had obeyed we would never have had The
Piper At The Gates Of Dawn. Taking no notice was, is, and will
always be the Holy Church's attitude, even if this puts us in the firing
line of some of the minor half-gods and makes us wonder if this Church
was just a waste of time. But:
This is my church This is where I heal my hurt It's a natural grace Of
watching young life shape It's in minor keys Solutions and remedies Enemies
becoming friends When bitterness ends This is my church (Faithless,
God
is a DJ, 1998)
All tomfoolery aside, we are proud to have put a thing or two on the
Floydian agenda in the past five years that would otherwise have stayed
unnoticed. If we may lead you to one paragraph on this blog, that we are
particularly fond of, it is this
one and we constantly try to live by those standards. So-called
social media make witnesses easy accessible nowadays but this doesn't
give the Sydiot nor the Reverend a wildcard to constantly harass them
with questions about how 'Syd really was'. Remember:
A granddaughter's smile today is of much more importance than the faint
remembrance of a dead rock star's smile from over 40 years ago. (Taken
from: We
are all made of stars.)
And for those who don't agree the Church can only bring solace by citing
the following words of that great Cantabrigian band:
So I open my door to my enemies And I ask could we wipe the slate
clean But they tell me to please go fuck myself You know you just
can't win (Pink Floyd, Lost For Words, 1994)
But this speech has been going on for too long, so...
Let's party!
It's a fucking birthday godammit! And we have exactly the right party
album for that... and you can have yours too!
Rich Hall.
Birdie Hop and the Sydiots
Richard
Michael John Hall is a self-publishing artist in the 'alternative'
or 'indie rock' genre with about a dozen releases on his name. In March
2013 he surprised the world with his songs The
Reverend and Uncle Alex and it came to the Church's ears that this
was going to be a part of a quintessential concept album. Written in
about a month's time the album has been released a couple of weeks ago.
Birdies and Barretts
Birdie Hop and the Sydiots is named after a rather decent Facebook
group and its members who range from the wacky to the insane now
that an old cricketer has left the crease. Its first song, Birdie Hop,
is a pastoral tune about this relatively calm oasis and how it is a
reference to all who have enclosed Syd Barrett in their hearts.
I've seen your mother (and she's beautiful) is a track about our
most cherished and most hated family member. Rich Hall perfectly catches
that ambiguity (see also John
Lennon & Roger
Waters) but apparently that is not what the song is about. Let's
just resume by saying that Barrett fans come in different colours and
sizes. Cosmic brides are fans, who declare their unconditional love for
Syd and sometimes meet him on a higher esoteric level. It is good that
what happens in the spirit world cannot be seen by the naked eye
although sometimes weird erotomanic
anecdotes drip through. Cosmic brides are usually harmless, although
they can be annoying when they start messaging people with important
directives from the other side.
With Cheesecake Joe, a catchy hard rock tune built around one of
Birdie Hop's most flamboyant members, the Birdie suite lifts off into
the higher stratosphere. Cheesecake is the deadhead equivalent of the
Floydian fan. He is the UFOnaut who still claims Pink Floyd is a stoner
band and that their main message is to turn on, tune in & drop out...
The Reverend is the first highlight of the album, what a psychedelicate
song, what a fine realistic description of this genius, what an
adoration for Iggy the Eskimo, what a magic looking glass. But even
after having heard this song for about 45 times I still don't know if
the song really isn't an insult packaged as a gift. But walking the thin
line between praise and mockery is what the Holy Church is all about.
Great song. It should be a hit. Really.
A high-res Flash clip of this song can be found here.
The Reverend. Sound: Rich Hall. Vision: Felix Atagong. Hi-resolution Flash
movie.
And for those who prefer a somewhat lighter YouTube version:
Just when you think that it can't get any better there is Uncle Alex,
an ear-worm of a song. Not wanting to go too far into details I can only
say that some of the apparently throw-away lines are far closer to the
truth than you possibly can imagine. Rich Hall is a poignant observer.
This should even be a bigger hit.
A videoclip for this song can be found on the Reverend's YouTube channel.
Solo en las Nubes could be the theme song for a Sergio
Leone spaghetti western with Antonio
Jesús as the vengeful balded bad-ass. On his own this man is
responsible for most of the Barrett admiration in the Spanish-speaking
world and thus he is, by definition, regarded as a potential danger by
the powers that be. Speak out his name in a certain provincial
university town, close by the river Cam, in East Anglia and gallows are
spontaneously risen again. This is a song that should be played around
camp-fires all over the world. This is an urban hymn.
Jenny and Libby makes me think of the Television Personalities
for one thing or another. Throughout the song Rich Hall name-drops
several Birdie Hop alumni and their doings. I wonder if the artist has
amazing powers of observation and if he knew, when he wrote the song in
spring 2013, that the refrain was predictive for the shape of things to
come.
Jenny and Libby ends, what I call, the birdies section of the album.
This is being followed by the madcap suite, a trilogy about the darker
side of Barrettism where the weirdness, the madness and the
obsessiveness turns into a Stephen
King nightmare...
Blow Syd.
Madcap Laughter & Hammerings
Fuggitaboutit, build around a fifties teenage tragedy song, is
based upon the endless laments of certain self-proclaimed Barrett
scholars.
Your Significant Other is a track about those weird trolls who
infests groups with different aliases, spreading false information and
starting discussions, sometimes among themselves, just for the sake of
argument. So what's your name today, which identity will you choose?, is
the question Rich Hall asks. Based upon a true story.
Yer List Monger. Call it this album's The
Trial but with a haunting Twin
Peakish atmosphere, a hot burning sun, a mad priest preaching on the
telly about sin and redemption, a fat red-neck orating conspiracy
theories at the end of the bar, suddenly spitting out the venomous
question: are you real Syd Barrett fans? Dwarfs are passing by,
walking backwards and speaking in tongues. Meet the Hannibal
Lecter of the Syd Barrett world.
A Cry From The Outside
Birdie Hop and the Sydiots has its coda with a rather alienated version
of Barrett's Feel
that leaves me with a bitter-sweet taste in the mouth. It's puzzling,
it's not nice. It's all dark, as a matter of fact.
At times Rich Hall's way of words makes me think of Jason
Lytle and Lee
Clayton, his music is a kaleidoscope of sounds that reminds my
fragile memory of T-Rex, neo-psych or garage rock. But of course Rich
Hall is at first Rich Hall and nobody else.
Throughout this article I have dispersed some quotes from Pink Floyd and
I did catch some resemblances here and there with themes from The Wall,
but that is probably because I've recently watched a Mr. Roger Waters
show. Let's hope this album will never grow into a monster and that a 69
years-old Rich Hall will not be obliged to lip-synch next to a 130
metres long plastic wall with hi-tech projections and a ridiculous
flying cactus balloon in the air.
You don't need to be a Birdie
Hop member to enjoy this album as all songs stand by themselves, but
if you grab this and listen to it why don't you let the birdies
know what you think of it.
Birdie Hop and the Sydiots July 2013 Instruments &
vocals by Rich Hall. Mixed by Rich Hall and Ron Bay. Mastered
by Ron Bay.
Thanks: Anonymous • Freqazoidiac • Solo En Las Nubes • Psych62 • Anni •
Bill • Euryale • Brooke • Jeff • Prydwyn • Chris • Helen • Sean •
JenniFire • Sadia • Herman • JenS • Vince666 • Nipote • Gretta • Viv •
Adenairways • Giuliano • Dolly • John • Babylemonade • Duggie •
Synofsound • Mark • Xpkfloyd • Rich • Brett • Krackers • Peter • Phil •
Zag • Warren • Listener • Bob • MOB • Nina • Dark Globe • Emily •
Retro68special • Natashaa' • Vic • Jenny • Neonknight • Lord Drainlid •
Ebronte • Simon • Ian • Will • Motoriksymphonia • NPF • Greeneyedbetsy •
Anton • Hallucalation • PF Chopper • Lee • Felixstrange • Michael •
PhiPhi • Eva • Cicodelico • Julian (Gian) • Denis • Dallasman •
Emmapeelfan • Paro नियत • Ewgeni • Matt • Kiloh • Elizabeth • Alexander
• Kirsty • Paul • Mohammed (Twink) • Nigel • Rusty • Braindamage •
Pascal • Mark • Stanislav • Anthony • I Spy In Cambridge • Mick • Alain
• Wrestling Heritage • Bloco do Pink Floyd • Moonwall • Rod • Charley •
Amy • Joe • Griselda • Eternal • Dominae • Russell • Beate • KenB •
Dan5482 • Tim • Antonio • Party of Clowns • Anne • Late Night • Lori •
Colleen • Brian • Christopher • Jose • Göran • Jancy • Banjer and Sax •
Ron • Vicky • ...and all those we have forgotten to mention!
Happy New Year, sistren and brethren of the Holy Church of
Iggy the Inuit. Another year has passed by, with ups and downs, with
happiness and grief, with joy and pain... In our Inuit realm some people
passed away unfortunately, and luckily some new ones were born...
welcome Vasilisa Alla... to this world of magnets and miracles...
Browsing through our scrapbook with unfinished articles, pictures and
movies for the Church we noted this report from our fashion department.
It is a 1969 documentary about Ossie
Clarke with Lindsay Corner as one of the models.
To quote our fashion specialist:
In the first bit Lindsey Corner is on the left, then in the yellow dress
with the blonde in blue, then in the middle with a long pink thing, then
again in yellow with the blonde. She's the one with darker blonde wavy
hair basically.
And yes we are aware of the rumours that circle about Lindsay Corner and
Gala Pinion since a year or two. And no, we don't know when this will
see the light of day...
2013
2013 was a weird year for the Church and its Reverend. Again we thought
we would not be able to write anything for our lustrum, but in the end
we clocked down at 20 slightly stupendous articles.
We started anoraky enough with an article about Syd's hair-length in the
early Seventies, this to please the female audience of our little cult: Hairy
Mess. Sometimes the Reverend regressed into Brian
Eno mood and then he wrote some ditty texts about sweet nothings: King's
Road Chic(k).
The Church's biggest scoop this year was made in collaboration with the
Spanish Sole
En Las Nubes blog. Not only did Antonio Jesús find back the article
that started the infamous Oseira rumours, but he also managed to
interview the author of the hoax, Jose Ángel González. The Church merely
harvested Antonio's excellent work, like churches mostly do: Spanishgrass.
Facebook's thriving Syd Barrett community, Birdie
Hop, organised a meeting in Cambridge with several young and less
younger Barrett fans, friends and lovers. It was a most amazing meeting
in remembrance of a man who wrote the most peculiar kind of tunes: Birdie
Hop: wasn't it the most amazing meeting?
Did Syd leave us a message in a letter from a decade ago? Sometimes the
truth is more beautiful than the legend: Making
it clear...
2014
And that is what we will continue to do in 2014, make it a fantastic
year, boys and girls! And everything seems so much brighter... Let's
party! Thanks Men
On The Border!
Many thanks to Alexander, Amy Funstar, Anonymous, Antonio Jesús,
Babylemonade Aleph, Baron Wolman, Birdie Hop, Bob Archer, Brett Wilson,
Cambridge News, Christopher Farmer, Col Turner, Dion Johnson, Elizabeth
Voigt-Walter, Stanislav, Euryale, Göran Nyström, Herman van Gaal, HYGIY,
Joanne 'Charley' Milne, Joe Perry, Jon Felix, Jonathan Charles, Jose
Ángel González, Julia, Kiloh Smith, Kirsty Whalley, Late Night, Laughing
Madcaps, Lori Haines, Mark Blake, MAY, Men On The Border, Michael
Rawding, MvB, No Man's Land, Phil Etheridge, Psych62, Radharani Krishna,
Rich Hall, Rod Harris, Ron Cooper, Simon Hendy, Stefan Mühle, USA
National Register off Historic Places, Viper, Vita, Wolfpack,
Younglight, Yves Leclerc... Love you Swoonies!
And if I go insane, And they lock me away, Will you still let me
join in the game?
In November of last year, Rich Hall (from 'Birdie
Hop and Sydiots' fame) got in contact with Peter
Jenner and wanted to know if Syd Barrett fans could ask him some
questions. Jenner agreed, not fully realising what would hit him.
A message was put on two Facebook groups and in less than a week over
one hundred different questions had been proposed by its members.
When Jenner got hold of the questions he was 'struck by the quantity'
and kindly asked to slim them down a bit. Peter travels around a lot and
preferred to have the interview over the phone. Diaries were put side by
side to find some free space in our busy agendas and finally a date and
time were agreed on.
And so, on a Friday afternoon a willing volunteer took a deep breath and
dialled the number with trembling fingers. But it turned out to be a
most amazing meeting, a Birdie's journey through space and time...
Peter Jenner, 2013 (courtesy of Wikipedia).
An Innerview with Peter Jenner Concept: Rich Hall -
Interview: Felix Atagong
BH: Thank you for according this interview, Mr. Jenner, we at Birdie
Hop are mainly a bunch of weirdos...
PJ: Yes, a bunch of eccentrics...
BH: ...and when we heard that we could have an interview with you
our members gathered about one hundred and twenty different questions to
ask to you...
PJ: Oh my goodness me...
BH: But we toned it down to about 10.
PJ: Otherwise it would go on forever.
BH : Most of the detailed questions were all about the recordings that
are apparently lingering somewhere in the vaults of EMI or Pink Floyd...
PJ: I don't know where they have gone. I have to say some did
escape from me and got to... what was the name of the guy who did this
Barrett group in the Seventies?
BH: Bernard White?
Bernard
White started the Syd Barrett Appreciation Society and issued
the legendary Terrapin
magazine.
PJ: He could have been the one... Anyway I do know that some
tapes did escape from my collection, because I just thought they were so
good. So I hope that they are still around and that people can get them.
But they are around, aren't they? Scream Thy Last Scream and Vegetable
Man.
BH: They are still around and it is generally believed Bernard
White released them.
PJ: It might be, but anyway there was someone who used to be in
touch with me and somehow he managed to find those tapes. I don't know
why they never got officially released. I don't know if the family
objected but I think it might have been the Floyd. I think it was Roger
(Waters) and Dave (Gilmour) who stopped it but I don't know what their
position was or why they did it. If it had been the family that would
have been fair enough. Perhaps people have been overprotective.
To me these tracks are like the Van Gogh painting with the birds over
the wheat field, that's what Syd's brain was at. Try to look at the
disturbance of Van Gogh through his paintings. If you want to understand
Syd, if you want to know what was going on with him, you have listen to
those tracks in the same way...
Van Gogh - Wheat Field with Crows (1890). Mashup: Felix Atagong.
Together with Jugband Blues they seem to me as a sort of an x-ray
into his mind and so I do hope they will come out some day, but if not I
do hope you people will keep them moving around, because I think they
are important works.
BH: The thing is that Scream and Vegetable Man have been
bootlegged so many times now, that there is perhaps no point any more in
releasing them officially?
PJ: It is good they are around, but it would probably be better
if they were officially available and at some time they will.
BH: Let's hope so, are you aware of any live shows that were
taped? Apparently some of the gigs in America were...
PJ: Were they, I have never heard any?
BH: There was a rumour that all concerts in Fillmore were taped...
PJ: They were indeed. But perhaps that started later, because the
Floyd were there quite early. Weren't the archives of the Fillmore
called Bear Tapes or something...
Owsley
'Bear' Stanley, the Grateful Dead's soundman, allegedly had over
13000 tapes of the San Francisco scene, from 1965 and later, most of the
Dead but he did record other bands as well if he happened to handle the
soundboard. We checked the Grateful Dead touring dates of that period
and theoretically it is possible that Bear might have taped Pink Floyd.
According to David Parker in Random Precision Bill Graham routinely had
all Fillmore gigs taped and a Pink Floyd soundboard recording of their
April 1970 Fillmore show
does exist.
BH: But nothing ever of The Pink Floyd has been released or...
PJ: I've not known of anything reliable... I think there were
some tapes of the stuff Syd did with Twink
in Cambridge but I've never heard them. I don't know what they're like.
BH: Well we can always ask him.
Easy Action records will (finally!) release the Last
Minute Put Together Boogie Band recording late May 2014. Other
rehearsals and performances tapes may have been made by Victor Kraft who
followed the band but these have never surfaced.
PJ: And there was some stuff around, semi-live stuff recorded by Peter
Whitehead.
PJ: There were a couple of film stuff that was done, but that is
all I know about it.
BH: In our group we discussed the sessions Syd Barrett recorded
for the film The
Committee, and it was said that you were in possession of those
tapes. Is this true?
PJ: As far as I know I am not in possession of these tapes, I
might have been given a copy, but I surely not the masters. What was the
name of the director.. my memory!
BH: It was in an article on the online publication Spare Bricks
with Max
Steuer. He claims you were given the tapes after the sessions. The
director was Peter
Sykes, by the way.
PJ: It was indeed Max Steuer, and he may have given us the tapes.
But I do not remember them. But many things disappeared with the sudden
collapse of Blackhill. My recollection is that they were less than
amazing. However if I come across anything I will let you know.
Syd Barrett & Peter Jenner (67-ish).
BH: Thanks, that would be nice. There still is a lot in the
vaults though.
PJ: Yeah, if they're not already out. Somewhere. If I look on
your list: Double O Bo, I don't know that. I got Stoned
rings a bell. She was a Millionaire that certainly was a tape
which we thought might become a single. Andrew and I both liked that
one. Reaction in G, I don't know about that. In the Beechwoods rings
a bell. I'm a King Bee and Lucy Leave, I don't know what
they were or where they came from.
Because when I was doing sessions with him they were very chaotic, you
know. She Was a Millionaire was knocking around. Golden Hair was
the most articulate, at the time I didn't realise those weren't his
lyrics... It was from James Joyce, wasn't it?
BH: Yes indeed.
PJ: I was hoping that it would get finished, but with Syd it was
really bits and pieces that would come through, bits of songs and bits
of riffs and bits of lyrics. They would just come and then they would go
and occasionally they would came back again... It was incredibly
frustrating.
And I think that Roger and Dave did a lot to it, I don't know how much
Syd really was involved in those tapes. You know we also tried to do
some things with a band. “Syd, try this, try that.” There were various
things we tried but none really worked.
BH: That's a pity... but that was how things were going...
PJ: Yes.
BH: There have been these rumours that Syd was influenced by Keith
Rowe from AMM.
PJ: Well yes, I did take him to see Keith Rowe.
BH: Oh really?
PJ: Yes indeed, and I do think he saw Keith Rowe rolling a
ballbearing up and down his guitar. It certainly did influence some of
Syd's guitar playing, the zippos and things... and I think that the
improvisational part of Pink Floyd was influenced by AMM and Keith Rowe.
I knew these guys, I liked what they did and we were involved with the
AMM record. Syd was also aware of them and perhaps even heard the tape.
In a same way we also took them to the Radiophonic
Workshop at the BBC to meet Delia
Derbyshire. Again how far that influenced Syd or got into his head
or that of the others, I have no idea.
Peter Jenner (courtesy of Moviestarnext).
BH: Did Keith Rowe and Syd Barrett actually meet or discussed
music?
PJ: I don't know. I think they may have seen each other but in a
sense I don't think you would need to discuss music. It was obvious what
Keith Rowe was doing. And you don't need to sit there and discuss it.
What's in the question of what chords you are using. It is all about the
approach and the improvisational aspect.
I think Interstellar Overdrive was very influenced by that kind
of stuff. That's an approach to improvisation. Presumably you know
Interstellar Overdrive was recorded twice and mixed together, it was
recorded simultaneously on top of each other.
BH: It is also very interesting to hear the different versions,
because the first version was the one from the movie of Peter Whitehead.
PJ: Yes.
BH: And there is a big difference between both versions. The
early one is still R&B influenced...
PJ: Yes.
BH: And the version on Piper is much more experimental...
PJ: Yes. They were experimenting, they recorded it in the studio
and then they played the song again, listening to the earlier take. It
was double-tracked.
BH: I think lots of people were surprised when they first heard
it on the record.
PJ: I would think so.
BH: In the middle of '67 however things started to go wrong. The
question that fans still ask today is: did anyone try to get into his
mind or ask what was going wrong?
PJ: We certainly suggested, and I can't quite remember whether we
ever got to him, but we certainly did want him to see Ronny
Laing. But he clearly was unhappy and getting chaotic. The key thing
that I remember was when they came back from America. Andrew (King), my
partner, said that it had been a nightmare. Syd had become hard to
manage and refused to do as would be expected. Things like: “Syd, it's a
TV show, can you play a song?”, that all became very difficult. Andrew
knows much more about that than I do because he was there. He and the
rest of the band. The Hendrix tour was after that, wasn't it?
BH: Yes.
PJ: That is when it became clear that there really was a major
problem with Syd. That is where Syd started not always being there for
the pick-up and where we had the show with Dave
O'List instead of him. By then he'd moved to Cromwell Road, hadn't
he? Unfortunately by that time I saw less of him, I was close to him
when he was in Earlham Street. Once he'd moved out and ended up in
Cromwell Road... I never knew the people who... and I only know the
legends, the rumours... that Syd was given a lot of acid, that there was
acid every day. It certainly coincides with him becoming more and more
weird.
And then he subsequently moved to stay with Storm and Po. So we thought
that might be better and that it might help, but it didn't... So we were
aware there were problems, the band became increasingly aware of the
fact there were performance issues and that it was very hard for them to
work with him... and that is where the breakup with Blackhill occurred
because we were so keen on trying to keep Syd with the band.
Syd wrote all these great songs and there was a lot of pressure during
the summer of '67 for him to write more songs. Which is Why She Is A
Millionaire was knocking around. That is why we ended up with things
like Apples and Oranges, because we needed a follow-up to See
Emily Play. That is when pressure started to get to Syd really.
Having a hit, doing TV shows, being interviewed, posing for magazine
front covers... things started to be more work than he could handle.
BH: Do you think it was something that gradually happened or was
there something like a lost weekend with a massive overdose...
PJ: I think gradually, that was certainly the impression one had.
He just became weirder and weirder and we thought that it was maybe just
a question of fame.
BH: People have said that when they came back from America, Roger
Waters asked you to have Syd fired. Was the band indeed thinking of...
PJ: No, Roger didn't ask to get him fired but it became clear
they were finding it very difficult to work with Syd. It was more my
recollection that they were looking for means to make it work. So that
is when Dave was introduced. What we were doing in a sense was the Brian
Wilson and The Beach Boys solution. We were consciously thinking: “Well
maybe Syd can go on if we take the pressure off him.”
We could all see that he wasn't well, so if we reduced the pressure
maybe he still would be able to write songs and keep the band on the
road. Because none of the band really wrote much. Roger did a little
bit, but these songs weren't, you know... The one single they put
together which wasn't a Syd song did not very well, It Would Be So
Nice (written by Rick Wright) was not a great song. Pow R Toc H
and Set The Controls To The Heart Of The Sun weren't that great
either, in my opinion. We certainly felt that there was a problem with
the songs on the second album which was why there was a certain pressure
to get Vegetable Man and Scream Thy Last Scream on it, they got recorded
because we needed them for the album.
But our ways were parting and I think the band always thought these
songs were too much. By the time the Saucerful record finally got put
together we weren't really working with them any more and we were slowly
moving into history. The rest of the band put that record together,
while I was still working with Syd. My wife and myself, we were trying
to help, help him to stabilise and write...
BH: Was there any truth in the rumours that Syd and Rick tried to
form a band?
PJ: I don't think so, I have never heard that. I mean, once
things were starting to go weird there was no question of anyone wanting
to work with Syd. But we were all close to Syd and we were certainly
hoping that Syd would get back together. That said, Rick and Syd were
quite close, Juliette (Gale, Rick's wife) was sort of sympathetic and we
were close to Juliette... Also, Rick was the other major musician in the
band, because at that stage Roger was not much of a musician.
Roger didn't write very much, but he was already conceptual, to come up
with some of the things he came up with later. But he couldn't really
sing and he couldn't tune his bass guitar. He was not a sort of natural
musician, which makes it all the more remarkable in my book the way he
got to with it all.
BH: Is it true that the Christmas On Earth show, on the 22nd of
December '67, was the turning point and that it was decided then to put
Syd on a 'Brian Wilson' status?
PJ: Was that in Olympia?
BH: Yes. Apparently you took the money and ran...
PJ: I think it was a financially very strange show. It was all a
bit questionable what was happening. I can't really remember what
exactly happened, but I do recall it was all a bit of a disaster. There
wasn't a lot of people there and I think that was really the problem.
Not a lot of people also meant not a lot of money and by that time we
were getting short of cash so we needed whatever we could get.
June Child (67-ish).
BH: Legend goes that June
Child cashed the money before Pink Floyd started and that she ran
away with it. After two or three songs the promoter came to you to
reclaim it, because the Floyd was so bad...
PJ: Well, I don't think we ever paid them back! I don't think
that ever happened. It was all a bit too rough, they were wrong as well.
Congratulations to June for getting the money. I'm sure we were all
involved in telling her to go and get it and then... run for it... It
wasn't a great gig.
BH: Apparently not.
PJ: I don't mean just the Floyd, but the whole organisation. It
was a disaster, it was run by an amateur who just thought it would be a
good thing. Because there weren't that many professional promoters, if
you thought you could do it, you did it. After all, Hoppy
(John Hopkins) had done things and Joe
Boyd had done things and neither of them had ever been promoters
before. And we did things and we never had been promoters. It was all
very new, so you did what you thought you could do. Then things like
Middle Earth came along and that was all done by people who never had
done that before. So a lot of people trying things out who did not know
what they were doing, including me...
The Christmas On Earth show was filmed but only a few snippets have
survived. On one of these, an interview with Jimi Hendrix, you can hear
Pink Floyd on the background. Rumour goes the camera crew bought old
film to spare some money, but unfortunately the film negative was so
degraded that most of it was for the rubbish bin. A rough cut was made,
which was seen by Joe Boyd, but nobody knows if it still exists. Anyway,
it is not even clear if the Pink Floyd show was actually recorded or not.
BH: Shortly after that the Floyd went their own way with A
Saucerful of Secrets and Syd Barrett went his way with The Madcap
Laughs.
PJ: Well, in a way he never really made The Madcap Laughs. He did
a series of sessions where I tried to get some recordings from him but
only bits and pieces came together. Nothing ever got to the point of:
"Well that's a record." So we had to try again but everything just
dribbled away. We were thinking: “We'll try some sessions and see what
comes out of it.”, but after we did the sessions we realised we really
hadn't got very much. So then I thought it would be better if we'd leave
Syd for a bit, to wait until he got himself a little bit better and then
try all over again. Eventually we did but still nothing much happened.
We tried to do some things with a band as well, I think we got a band
in, and some musicians to come and play with him, but he couldn't...
that really didn't work either.
I had a second lot of sessions with Syd, a few years later, when Bryan
Morrison asked me to have another go.
BH: That was in 1974 then?
PJ: Yes.
BH: But apparently, nothing really much came out?
PJ: The same thing, nothing really much came out. Because Syd
never had any songs, there would just be these glimpses of songs, it was
really very chaotic.
BH: Some of the material of the 1974 sessions are in the open,
they have been bootlegged.
PJ: Right.
BH: Some of the tunes he plays are just blues standards. He is
just covering them, if you'd like.
PJ: Well I don't think he was covering them, that was just what
came out (laughs).
BH: Songs he used to listen too when he was 16, 17 years old.
PJ: Probably. He would just play things... working with him on
those sessions was like things coming in and out of fog. At first
nothing much would happen but then the fog would come down and then
there were signs of something. I would think: “Ah, it's going to
happen!” and then it would disappear again. It was just the most
frustrating and difficult thing I have ever been involved in my life.
Because there were signs of things... “Look, it's gonna come, no, no...
it's not.” It's like waiting for the rain during a drought or waiting
for the sun during the winter.
BH: What's your opinion about The Madcap Laughs?
PJ: Well, I think Dave and Roger tried to fish out what they
could fish out and turn it into whatever they could turn it into. And I
was surprised at how good a job they did of it. A lot in there is their
work rather than Syd's, it was them trying to imagine what it was he was
trying to do.
BH: You personally didn't feel it weird that they redid Golden
Hair and Octopus, which was first called Clowns And Jugglers.
They redid it after you had already recorded it on your sessions.
PJ: Golden Hair was the only one from my sessions which almost
might have been a song. There were some old tunes that he had, that I've
heard him play, like Octopus. He had a book of songs and every now and
then we'd go through the old ones. I can't remember what they all were
but they were very childlike, a lot of them, Effervescing Elephant
and things like that. And there was this sort of very childlike aspect
to Syd which was very charming but also, I think, quite disturbing in a
way.
BH: Opel, that was recorded by Malcolm Jones, was
forgotten for the album.
PJ: Yes, and maybe a couple of other things that were half-done
but that weren't dug up. You know, I never had produced anything, I
didn't know what I was doing. I was just there trying, hoping to capture
something. Cause that was what we had been doing with the Floyd. We
didn't know what was going on, songs would just come. I don't think
anyone of us knew what we were doing. Syd had some ideas about the
songs, Norman
(Smith) had some ideas. We tried to work them out and surely Norman
helped a lot. The Piper At The Gates Of Dawn sessions were fine but
later we could only see the rot set in. What it was and why it was will
always be one of those mysteries, so I don't know...
The Rolling Stones in Hyde Park. Charlie
Weedon (left), Rolling Stones roadie, friend of Syd Barrett.
BH: Somebody also wanted to know about the famous Rolling Stones
show, at the Hyde Park festival. Everybody says it was a Rolling Stones
show but apparently it was a whole festival with a lot of groups.
PJ: After the Floyd had left we did some shows at the Festival
Hall, perhaps even at the Queen Elisabeth Hall, I'm not sure about that,
and then at Hyde Park.
In June 1968 the Floyd and Roy Harper played and I even think we managed
to put on four different free festivals that summer. The Floyd did the
first one, which was actually quite small, and they returned a couple of
years later (in July 1970). The second summer we had Blind Faith (in
June 1969), that one was really huge and very successful and it launched
Blind Faith into stardom and that was when the Rolling Stones said they
could do it as well. And that was already organised a few weeks later,
wasn't it?
BH: The Stones was in July 1969.
PJ: I think so.
BH: Blackhill started as a bunch of enthusiast amateurs with an
amateur band, but in two years time you had become a very big company.
PJ: We were not a big company! No, no, no, no. We were small, but
we just did it. Somebody said: "Let's do that" and we did it. By the
times the Stones came it had turned into a big show but it was still
very amateurish. There was no security, there was hardly any police. No
public litters. No admission either, it was just a free concert and it
was pretty weird.
BH: It probably was still the time that one could contact the
Rolling Stones to ask them things like that.
PJ: Well, it was a hippy era and they asked us, they wanted us to
do it.
BH: Really?
PJ: We didn't ask them, The Rolling Stones asked us, I think Mick
had worked out that was a way they could relaunch themselves as a live
band.
BH: One of the rumours is that Syd Barrett was also on that
concert, he was even driven by someone of your company there. I don't
know if you know that.
PJ: That might have been the case but I can't remember.
Personally I wouldn't think so, by the time of the Rolling Stones gig he
was pretty far gone. He wasn't, as it were, under our control or care or
anything, he had gone off into his own world. We were happy to have been
part of his world but he didn't seem to want us to be part of his world.
So he might well have been there but he certainly wasn't there for me.
BH: Thank you very much, Mr. Jenner, it was nice talking to you...
Many thanks to Rich Hall, Peter Jansens, Peter Jenner.
End Credits: Concept & idea: Rich Hall Proposed by Rich
Hall at Birdie Hop & Laughing Madcaps (Syd Barrett Facebook groups) Inspired
by questions from: Al Baker, Alexander P. Hoffmann, Allen Lancer, Andrew
Charles Potts, Bruno Barbato Jacobovitz, Cathy Peek Collier, Clay
Jordan, Ewgeni Reingold, Gaz Hunter, Gian Palacios-Świątkowski, Göran
Nyström, Jenny Spires, Kiloh Smith, Lisa Newman, Mark Sturdy, Matthew
Horsley, Memo Hernandez, Paul Newlove, Peter 'Felix' Jansens, Rich Hall,
Richard Mason Né Withnell, Stanislav V. Grigorev, Steve Czapla, Steve
Francombe, Tim Doyle. Preparation: Felix Atagong & Rich Hall Interview:
Felix Atagong Rough draft: Felix Atagong Editing: Felix Atagong &
Rich Hall Publication: Birdie Hop, The Holy Church of Iggy The Inuit Thanks
to Giulio Bonfissuto and Raymond John Nebbitt for spotting errors!
Sources Peter Jenner top picture. Source: Wikipedia,
taken by Ralf Lotys (Sicherlich). Van Gogh, Wheat Field with Crows &
Syd Barrett mashup. Source (painting): Wikipedia,
public domain. Mashup: Felix Atagong. Syd Barrett & Peter Jenner
(cropped). Source: June
Ellen Child, The Cosmic Lady. Originally published in Nick Mason's Inside
Out biography. Peter Jenner third picture. Source: Pasado,
presente y futuro de la música según Peter Jenner @
Movistarnext. June Child (cropped). Source: June
Ellen Child, The Cosmic Lady. Originally published in Nick Mason's Inside
Out biography. The Rolling Stones, Hyde Park. Source: The
Stones in the Park @ Ukrockfestivals, taken by John Leszczynski. Charlie
Weedon, watching the Stones. Source: unknown.
The Birdie
Hop Facebook group has also a side project where people with a
certain arty je-ne-sais-quoi are trying to get something on the
rails. For the moment it is still vague and too preliminary to predict
what may come out of it, but there are some ideas floating around and
these tend to trigger other ideas, and perhaps one day it will surprise
the world.
Opel, 2014
In contradiction to the Reverend, Rich
Hall - one of Birdie's administrators and the creator of the amazing
tribute album Birdie
Hop and the Sydiots - didn't sit on his lazy ass while Alex was
frolicking with the girls around the British landscape (see part one of
this article: A
sunny afternoon with Iggy). He took Syd's Opel track and
added several guitar layers to the original version to make it sound a
bit more finished. Of course it still has the quirky singing, but Rich's
attempt is something of a definitive version and one that could be put
on any Syd Barrett compilation album to come.
Update 2016 06 17: Soundcloud deleted this version a while ago,
but it can be found on Facebook as well:
In Cambridge Alex had the opportunity to meet some people who already
had an advance copy of the Last Minute Put Together Boogie Band
album that will come out any day now. Another reason to join Birdie Hop
is that you read and hear things first, straight from the horse's mouth,
so to speak. And, with Alex's blessing, we publish here what well could
be the very first review of this record in the entire world!
A big thanks to my friend and Punjabi brother Warren
Dosanjh who sent me the Last Minute Put Together Boogie Band CD (I
had to look three times on the cover to write that correctly).
Of course, the sound and recording quality is not the best, but not as
bad as I feared. It is much better than the 1967 live recordings we have
of the early Pink Floyd. The main members Jack
Monck and Twink
do a great job in all songs, no doubt. The singer, Bruce Michael Paine,
makes some of the songs sound like a special performance of Uriah
Heep or Steamhammer
(obviously). The track listing is a collection of late fifties or early
sixties blues / rock 'n' roll / boogie tunes and a little bit of early
seventies hard rock as well.
I can only hear two guitars.
I hear the perfection of Fred
Frith in the first four songs and again in track 8 and 9, I´m not so
sure of #8 though. Frith is nearly a perfect guitarist and can almost
play nearly everything, nearly (lol)!
I definitively hear Syd Barrett in tracks 5 to 7. But he is not there
for just a little bit, he is almost dominating the songs. He is strong
and good and I´m sure he had practised a lot before, probably at home.
Syd doesn't has the perfection of Frith but he is full of ideas and he
is able to play parts that others can´t play or that others have not the
craziness to play these parts. But at other times he plays
conventionally and fits in perfectly with the song´s structures.
All in all this is much more than I had expected. I only listened to it
once, but I didn't want to withhold you of my opinion.
A last word. How we look at the quality of the performed songs has got a
lot to do with our viewpoints of today. Today we are spoiled by good
concerts and good audio productions, but I'm sure we would all have been
very happy to be there on the 27th of January 1972 in the Cambridge Corn
Exchange!
Perhaps my expectations were so low that I sound a little bit too
enthusiast now. But I am surprised by Syd´s guitar playing. I never
thought that he was in such a good shape as a guitar player. This lets
me believe that Twink is right and that the Stars concerts were far
better than what was written later by people who weren't there.
A detailed review with a full background story and an interview with
Twink will appear later on, simultaneously at the Church and Birdie Hop.
This is part two of Alexander's adventures in the UK, for part one, go
here: A
sunny afternoon with Iggy This is also a prequel of
our Last Minute Put Together Boogie Band article series: LMPTBB
The Last Minute Put Together Boogie Band Six Hour Technicolour Dream
gig, on January the 27th 1972, was not, as you probably know, Syd's last
gig, nor was it his last recording. Actually, Syd never joined LMPTBB
but gigged with them twice as a surprise guest. How the tape survived
into the twenty-first century and was finally published by Easy
Action records is a story you can read here: The
Last Minute Put Together Reel Story.
Bruce Michael Paine, LMPTBB lead singer.
Apparently the vibes were so good that two out of three LMPTBB members
started dreaming of a post-Floyd Barrett band, not very much to the
amusement of singer Bruce Paine if we may believe Joly MacFie
(Twink's business partner in the Cambridge music club Juniper Blossom
and Stars roadie annex sound-man):
I was sharing a house with Twink and Paine. Paine was a somewhat vain
and career oriented American who went on to join Steamhammer. He wasn't
compatible with Syd. When Twink showed more interest in Syd, Bruce got
pissed off and moved out and that was the end of the band. (Taken from
So what's with 1972 Stars reel? @ SBRS (forum no longer active.))
Stars
was formed shortly later and would gig about five times, dates and
venues can be found at the Pink
Floyd Archives:
Date
Venue
City
Band
1972 01 26
King's College Cellars
Cambridge
LMPTBB
1972 01 27
The Corn Exchange
Cambridge
LMPTBB
1972 02 05
The Dandelion Coffee Bar
Cambridge
Stars
1972 02 12
Petty Cury, Market Square
Cambridge
Stars
1972 02 12
The Dandelion Coffee Bar
Cambridge
Stars
1972 02 24
The Corn Exchange
Cambridge
Stars
1972 02 26
The Corn Exchange
Cambridge
Stars
Pink Floyd biographer Mark
Blake tried to find out more about the mythical Stars tapes, that
have been rumoured to exist, and posted his finding on the Late
Night and Syd Barrett Research Society forums (here edited a bit):
Rehearsal tapes - Twink has mentioned on more than one occasion that Syd
recorded the early practices. It goes without saying that these tapes
must be long lost. Dandelion Cafe - lots of people (Twink, Jack and
possibly Joly [MacFie]) remember Victor Kraft sitting there with his
Nagra tape machine at the Dandelion, and possibly the Corn Exchange as
well. Market Square - recorded, supposedly, by a friend of someone
who mentioned it on the Laughing Madcaps list. The tape, supposedly, is
at the taper's parents' house in Oxford. [Note from FA: this is probably
the tape mentioned at Fortean Zoology. All efforts to make the blogger
move his lazy ass have been effortless: Beatles:
Off topic but not really.] Final Corn Exchange show (with Nektar)
- according to Joly MacFie, his co-roadie Nigel Smith had a friend
called Chris who taped this show.
Although some YouTube videos claim to contain Stars tapes these are
believed to be either fakes
or mislabelled Barrett solo concerts, so it is still waiting for the
real deal, if they not have been buried in the vaults of Pink Floyd Ltd.
But the good news is that the Six Hour Technicolour Dream tape has been
released by Easy Action, that Syd Barrett stars (sorry, we couldn't
resist the joke) on three of its tracks and although the sound quality
is only slightly more than average, the fun is dripping out of our
stereo boxes. Mythical drummer Twink, who is currently recording a
follow-up of his legendary Think Pink album (1968), lend us some of his
time to tell us the following...
Twink (2013).
An innerview with Mohammed Abdullah John Alder, better known as Twink
BH: Of course we all know this record is interesting for Syd
Barrett's performance, but the real discovery on the Last Minute Put
Together Boogie Band is that amazing singer, Bruce Paine. How did you
and John Lodge (Honk) meet up with him and how did the band come
into place?
MAJA: I first met Bruce Paine in the autumn of 1971 at Steve
Brink's boutique "What's In A Name" in Union Rd just before he rented a
room in Steve's cottage which was situated next to the shop. We talked
very briefly about putting a band together because at that time I was
just helping Hawkwind out from time to time. Once Bruce had moved
into the cottage the band came together quite quickly. I recruited John
"Honk" Lodge as our bass player who was living in London but that didn't
seem to get in the way of the band project. Other members included Dane
Stevens (The Fairies & The Cops And Robbers) on vocals & Adam Wildi on
congas but both only lasted one show. We called the band The Last Minute
Put Together Boogie Band.
BH: Who came up with the idea of naming it the Last Minute Put
Together Boogie Band? Is there any explanation for the band's name?
MAJA: Bruce came up with the name and I think it was simply that
the band came together quite quickly once show offers began to come in.
BH: After a record deal with Polydor had failed, Honk left the
band and was replaced by Jack Monck.
MAJA: Yes, "Honk" left immediately the Polydor deal fell through.
I think he was disheartened because Polydor's A&R department made it
clear that after the demos we did for them, we were in. The whole thing
fell down at the contract stage because the contracts manager there was
having a bad day. He refused to raise the contracts and kept playing Led
Zeppelin at full volume which drove us out of his office. He apologised
to me about a month later just after he had been fired from his job. But
the damage was done and there would be no record deal for The Last
Minute Put Together Boogie Band.
BH: Did you meet Syd in Cambridge before the Eddie Guitar Burns
gig? Did you know that Syd was going to jam with LMPTBB on the 26th of
January 1972 or were you as surprised as the audience?
MAJA: I was surprised and happy to see Syd arrive at the Eddie
"Guitar" Burns gig with Jenny and carrying his guitar case. He arrived
while we were sound checking, came to the back of the stage area, took
his guitar out of its case and started to tune up. We had been friends
since 1967 but we had lost touch in '68. It was wonderful to see him
again. The following day Syd came to The Six Hour Technicolour Dream
where The Last Minute Put Together Boogie Band was supporting Hawkwind &
The Pink Fairies. Again I was surprised to see him there with his guitar
case. Syd was keen to play so we invited him to join us on stage along
with Fred Frith from the band Henry Cow who was guesting with us
that night.
BH: It must not be easy trying to remember a gig from 40 years
ago, but there are two different testimonies about the Kings Cellar's
concert. One witness says that LMPTBB played twice on that concert.
According to him, the opening support gig had Syd, Monck and you. After
the Eddie Guitar Burns gig, LMPTBB returned, this time with Bruce Paine.
According to Terrapin magazine Syd jammed with LMPTBB after the Eddie
Guitar Burns show. Not that it really matters, this only shows how
anoraky we are.
MAJA: The Terrapin report is correct however it is possible the
Syd, Jack & I tuned up together but that was not part of the show.
BH: Now to the Six Hour Technicolour Dream concert of the
following day. How did Fred Frith come on board? Did he know Syd Barrett
was going to be there as well? What was his reaction? What was your
opinion after the gig had ended?
Twink (2014).
MAJA: We had a lot of contact with Fred Frith & Henry Cow who
frequently played at The 10p Boogie Club which was run by Joly MacFie &
myself at Fisher Hall in Cambridge having taken over the venue from
Jenny Spires & Jack Monck and renamed it Juniper Blossom.
The Last Minute Put Together Boogie Band often played there and so did
Henry Cow. Fred Frith guested with The Last Minute Boogie Band there
too. Fred guesting with us at The Six Hour Technicolour was more formal
and when it was decided that Syd would guest too he was welcomed by all
concerned with open arms. Our performance was well received and with
Syd's enthusiastic participation at both the Eddie "Guitar" Burn gig &
The Six Hour Technicolour Dream our creative wheels began to turn
resulting in the formation of STARS with Syd Barrett, Jack Monck &
myself a few days later.
BH: Was this the LMPTBB's last gig? Did anyone say, this is it,
last gig, finished?
MAJA: The Last Minute Put Together Boogie Band continued after
Jack & I left for STARS with replacement musicians.
BH: Did you, at one point or another, think of asking Syd to join
LMPTBB?
MAJA: It was Jack & Jenny that thought about forming a band with
Syd.
BH: If our information is correct you have been pulling some
strings to make this release possible.
MAJA: The only things that needed sorting out were group members
and song details as well as contract details to include both Bruce Paine
& Roger Barrett's Estates. Then there was restoring, mastering and the
cover to achieve as well. Everyone was very helpful.
BH: As you probably know, Pink Floyd (or EMI) have another copy
of the LMPTBB tape, however at one point there were rumours this tape
actually contains a Stars concert rather. know what they really have?
MAJA: I have no idea what EMI have. It's possible they have a
STARS tape.
BH: Any chance that the LMPTBB Polydor tapes will ever see the
light of day? Does anyone know where these demos are?
MAJA: It is possible The Last Minute Put Together Boogie Band
demos will be released as they are probably sitting in Polydor's
archives. I think Honk may well have a copy tape.
BH: In retrospect, what was the band you were happiest with? If
you could go back to these days what would you have changed to make it
better?
MAJA: Playing with The Pretty Things made me happy and I wouldn't
want to change a thing.
BH: Many thanks, Mohammed, and good luck with Think Pink 2!
End of part four of our LMPTBB
series. If you don't stop us, there will probably be a part five. You
have been warned.
Many thanks to Mohammed Abdullah John Alder, Rich Hall, Peter Jansens.
Inspired by questions from: Mike Baess, Rick Barnes, Andre Borgdorff,
Anita Buckett, Rich Hall, Jane Harris, Alexander P.H., Peter Felix
Jansens, Raymond John Nebbitt, Lisa Newman, Göran Nystrom, Anni Paisley,
Cheesecake Joe Perry, Paul Piper, Michael Ramshaw, James Vandervest.
A couple of weeks ago Iggy and the Reverend browsed through a stash of
mid-seventies photos and selected nearly 60. They have been (and will
still be for quite a while) simultaneously published at Iggy's Facebook
page and at the Holy Church of Iggy the Inuit Tumblr
site under the Magical Iggy flag.
How, you didn't know that existed? Here it is again, you ignorant people: The
Holy Church of Iggy the Inuit Tumblr
blog, its Magical
Iggy section and the Archive.
In less than an hour it will be Iggy's birthday. The Reverend fought
blizzards, storms and packs of hungry wolves to go to Louvain's postal
station to find out, then, that he had forgotten Iggy's birthday card at
home.
Should you not know it by now, it is Iggy's birthday! So this is the
time and place to shout:
HAPPY BIRTHDAY IGGY ROSE!
Partytime Iggy
LET'S PARTY!!! Please enjoy this mix of tracks that have been made the
past few years to celebrate our goddess. Swedish band Men
On The Border were so kind to let us use one of their songs from
their latest album Jumpstart.
Thanks guys, you rock!
In 2013 Rich hall made a concept album that has this fine pearl...
(click on the image below for the hi-res Flash version)
The Reverend by Rich Hall (hi-res, Flash).
For those who haven't got a Flash-enabled webbrowser, let's try it
another way. Here is a, somewhat downgraded, version on Youtube, but
don't let that spoil the fun.
Iggy's Electronic Birthday Card (2011) contains a few seconds from a
super-secret mid-Seventies home movie (and we added a nice tune as
well). Flash link (warning: 5 MB!): Happy
Birthday Iggy Rose!or YouTube:
Crystal Blue Postcards
An electronic book of poems and art, dedicated to Syd and his muses, by
Denis Combet, with a little help from his friends Constance Cartmill and
Allison Star. Digital artwork by Jean Vouillon and some tinkering from
Felix Atagong (more about Denis Combet and his Iggy poem(s): Catwoman).
Crystal Blue Postcards, Denis Combet (Flash pageFlip presentation, 2011).
Guitars and Dust Dancing by Rescue Rangers
In 2011, Pascal Mascheroni, from the stoner power trio Rescue Rangers
donated the haunting (& slightly psychedelic) power ballad Guitars
and Dust Dancing from the album with the same name (buy your copy at
iTunes: Guitars
and Dust Dancing). In the meanwhile enjoy this Youtube clip with the
smashing artwork from Jean Vouillon.
WHY DON'T YOU WISH IGGY A HAPPY BIRTHDAY?
Instead of reading and watching all this you should be heading at
Facebook where you can leave your messages, poems, songs and images at: The
Holy Church of Iggy the Inuit and of course on Iggy's
personal page as well.
Let's make this a birthday to remember, brethren and sistren
and don't do anything that Iggy wouldn't do!
The Church wishes to thank Constance Cartmill, Denis Combet, Phil
Etheridge, Amy Funstar, Rich Hall, Pascal Mascheroni, MAY, Goeran
Nystroem, Allison Star, Anthony Stern, Jean Vouillon, Brett Wilson and
all the others that we seem to have forgotten... ♥ Libby ♥ Iggy ♥
Happy New Year, sistren and brethren of the Holy Church of
Iggy the Inuit. 2014 is gone and again what a long strange trip it has
been, to quote – once again - musician, lyricist and poet Robert
Hunter. Syd Barrett is dead all right and unfortunately his
legacy hasn't been ageing gratefully at all last year. An enlightened
visionary once said that if you put two Barrett fans together they will
start a group and if you'll put three they will start a fight. This is
past year's history in a nutshell and enough reason for the Reverend to
say adieu to all Facebook Syd Barrett groups, without exception, even
the ones he co-founded. 2014 showed they are as unique as Pepsi is to to
Coca Cola, perfect clones and excelling in superfluous and sickly sweet
mediocrity. This crusty dinosaur needed to get rid of the bickering, the
hijacking of each other's members, the shouting to and fro, the arrogant
standpoint of people who never heard of Syd Barrett three months before
but who feel it their constitutional right to surpass their ignorance
and insult the old farts for the only reason they can.
Luckily there are still some free minds around who do the things they
do, unburdened, in all artistic freedom and who we can call our friends. Rich
Hall comes to mind, over the years this multi-instrumentalist has
acquired an impressive back catalogue of indie records, with of course
the impressive Birdie
Hop & The Sydiots that appeared in 2013.
This year he surprised the lethargic Syd Barrett world with an enhanced
version of the Barrett track Opel. Opal, as some people claim it should
be, is a haunting tune and has some of Barrett's finest verse (crisp
flax squeaks tall reeds) but it only exists as a demo. Hall added
additional layers of guitar, thus creating something that could be close
to the definitive Opel / Opal version.
Opel (upgrade) by Rich Hall. Opens in a separate window.
In the privacy of the confessional Rich had already whispered into the
Reverend's ears that he was of the opinion that Barrett's seminal 1974
sessions could be turned into something more coherent and because nobody
believed him, the Reverend included, he decided to give these tapes the
Opel treatment as well.
The
Dark Side of the Moon had made Pink Floyd a supergroup and
their record companies decided to earn some quick cash, surfing on the
success of the million seller. The first budget release was A
Nice Pair (1973) that combined the Floyd's first two records, The
Piper At The Gates Of Dawn and A
Saucerful Of Secrets, although American copies had some alternative
mixes of some of the tracks. Actually this was not such a bad idea,
because in America Pink Floyd had been a relatively unknown band till
then. The compilation hit the Billboard top 40.
For the first time American kids heard of Syd Barrett and his two solo
albums, that had never crossed the ocean, were re-packaged in 1974 as a double
album with a 'founder member of Pink Floyd' sticker on the front.
The album rose to position 163 in the American charts, which was an
unexpected success and made the record executives hunger for more at
both sides of the Atlantic.
Bryan Morrison, who was still Barrett's agent, convinced Syd to get back
in the studio with Peter Jenner (who we interviewed this year: An
innerview with Peter Jenner) to start a third studio project, but it
only resulted in some hastily shambolic recordings. But now, in 2014,
Rich Hall took the 1974 demos, added extra guitar, bass, drums and
sleigh bells (where would rock music be without sleigh bells?) and here
is how it sounds. The result is still best described as your drunk uncle
torturing his guitar on Christmas eve after his fourth coffee cognac,
but kudos to Hall for enriching the demos. At least we hear now where it
could have led into if only Barrett would have had the balls...
Tracklisting:
Start
Boogie #1 (with a trace of Bo Diddley’s ‘Pretty Thing’)
0'00
Boogie #2
1'28
Boogie #3
2'58
If You Go #1
4'24
If You Go #2
6'38
Untitled
8'25
Slow Boogie
9'40
Fast Boogie
12'22
Ballad
13'30
John Lee Hooker (actually Lighting' Hopkins' Mojo Hand)
15'20
Chooka-Chooka Chug Chug
18'18
Endless Insults
Opposed to a band called Pink Floyd there is a company with the same
name that seems to have other interests than to serve the band it
represents, even going as far as insulting and legally threatening
webmasters and active forum members (read: über-fans)
because they dare to write something that doesn't fit into saint David's
money scheme, who thinks he is the caretaker of all things Syd Barrett,
which – in reality – means buying all possible Barrett-related items,
movies and recordings and hiding them in a storage place, out of sight
of the public and the fans. Ted Shuttleworth about his Crazy Diamond
movie script in 2011:
Presently, the script is with a guy who has been placed in charge of the
Syd Barrett estate. He is also David Gilmour's manager, and ostensibly
Pink Floyd's manager as well. I have no idea if he's ever read it. I
imagine he hasn't. But if a movie about Syd is ever going to seriously
happen, he is the man who is going to give the first OK. Maybe one of
these days he'll call me back. (Taken from: Ted
Shuttleworth and the "Crazy Diamond" Movie)
Well, in the case of the Crazy Diamond movie, that was equally trashed
down by Roger Waters and by David Gilmour, this might have been a good
thing.
Last Minute Put Together Boogie Band.
The Last Minute Never Mentioned Boogie Band
Not that the webmasters of the Pink Floyd fan sites are any better. The
three big Pink Floyd fan-sites, two of them serious and a third who
copies all from the others, wet their trousers whenever a Floyd member
or Floyd collaborator does a 'thing' however trivial that 'thing' might
be. The Igquisition made a nice table about some recent Floydian
events, counting the times they have been mentioned.
Of course we don't mind that Snowy
White selling his 1957 Goldtop Standard Les Paul guitar
gets a mention, it can be heard on the 8-track version of Animal's Pigs
On The Wing (this track was later re-issued on Snowy's Goldtop
compilation).
It is not more than normal that Nick Mason, sitting in on drums on a
(frankly dreadful) Kirsty Bertarelli Christmas single (The
Ghosts Of Christmas Past), or David Gilmour, joining
Bombay Bicycle Club at the last gig ever on Earls Court, is documented
on the fan-sites, that is what fan-sites are for.
But that Andy
Jackson's solo album gets mentioned 5 times more by the fan-sites
than the The
Last Minute Put Together Boogie Band, with Syd Barrett guesting on 3
tracks, is frankly unbelievable. The original tape of this concert was
confiscated in 1985, in a rather NSA-shaped way, by a Pink Floyd black
suit and then hurled into the maelström they call their archive (see: The
Last Minute Put Together Reel Story). Luckily a second copy of this
tape was found back in 2005 and issued by Easy
Action records after nearly a decade of legal struggle.
When I am A Good Dog They Sometimes Throw Me A Bone In
That Neptune Pink Floyd is not aware of this release is probably just a
sign of their overall ignorance. However it is more problematic for A
Fleeting Glimpse not mentioning it. Col Turner, by his own words a fan
of Pink Floyd since 1966, should be well aware of Syd Barrett's
importance and legacy. His website, that has attracted over 50 million
visitors and whose forum has over 13000 members, brags that it is the
most accurate, the most informed and the first to come out with
officially confirmed news. Not mentioning the Last Minute Put
Together Boogie Band could be a sign that Col T only publishes what
his One
Fifteen puppet master allows him to publish, as the Endless River
incident has clearly proven past year (see: The
loathful Mr. Loasby and other stories...).
Update 2015 08 02: Browsing through the Late
Night forum we came across a post from Lee
Wood who made the Syd's Cambridge DVD Box Set, limited to 100
copies, in 2009. He send a copy of the box to one of the leading Pink
Floyd fan-sites but was informed by the webmaster that they would not
review the release. Lee Wood:
"The Management" of PF seems to like total control. I sent a review copy
of the box set to Brain Damage whom I always thought were a good source
of information but they couldn't run a review until they got permission
from official sources. Needless to say it's been several months and
nothing has appeared. So perhaps its not worth looking to them for
unbiased information or any form of news of interest to fans. (Source: Syd's
Cambridge Box Set.)
Oh by the way, the official Syd Barrett website
never mentioned the Last Minute Put Together Boogie Band release either.
But they are a One Fifteen product as well, and as such only interested
in selling t-shirts, some of those are quite nice even.
The Holy Church of Iggy the Inuit published several articles
about this record, with interviews of Carlton
Sandercock, Mohammed
Abdullah John Alder (Twink for short) and Fred
Frith. Pearls for the swine, one might say, because even the
self-proclaimed Syd Barrett fans largely ignored this release and were
openly shouting for the tracks to be illegally published on YouTube.
Spanishgrass album 2014.
Caca Del Toro
When a Mexican Syd Barrett fan asked the Church, in May 2012, if we knew
anything about a third solo album, allegedly recorded in a Spanish
monastery, we didn't know this old urban legend would rip the Barrett
community open like zombies with their entrails gushing out of their
bellies.
All the Church did was looking into this (obvious) myth and reporting
about it. The research was taken a step further by Antonio Jesús from
the phantasmagorical blog Solo
En Las Nubes who not only tracked down the rumour to its source, an
article in a satirical magazine, but also managed to interview the
person who started this hoax. What we thought was a fine piece of
investigative journalism, taking months of research (the last articles
were published in 2013), was considered inappropriate by those people
who fill their time by studying the hair-length of Barrett (see: Hairy
Mess) on coloured photographs that were once published in magazines
back home.
However, the myth was far from over. In August of this year, four
reel-to-reel tapes were sent in a luxury 'immersion' box to 4 people on
3 continents containing a 2014 re-imagination of the record. Two of them
were the people who had published the Spanishgrass files on their blogs:
Antonio Jesús & the Reverend. The two others were Rick Barnes, record
collector, music investigator, administrator of the Facebook Syd Barrett
group Birdie Hop and Stanislav Grigorev, whose Floydian con-artistic
artwork even fooled the professionals that are Barrett's management.
Obviously the Church reported and commented about this (quite intriguing
and musically excellent) record and published a review when it was
streamed on Bandcamp (see: Spanishgrass
by Spanishgrass, a review of the 2014 album). Useless to say that it
was mostly disregarded by those fans who squawk orgasmically over
photoshopped Barrett images where it looks as if someone has just
vomited a bowl of three-coloured pasta all over him.
The general disinterest and the continuous backstabbing was a sign o'
the times, so thought the Reverend, to seek up new pastures and to say
goodbye with a cheerful bless you all.
Lost for words. That is what we are this year, with only a few hours
left to celebrate Iggy’s birthday, on the fourteenth of December. Next
to a legend, she is also a good personal friend and an incorrigible
prankster. Today as well she managed to confuse us with one of her
practical jokes that made us shake our head in disbelief. She’s a real
sweetie, our Ig.
So, dear sistren and brethren, followers of the Holy
Church of Iggy the Inuit, let us raise our glasses high to the Eskimo,
because without her this earth would be quite a dreary place.
Birthday Greetings, Felix Atagong.
HAPPY BIRTHDAY IGGY ROSE!
And because traditions are traditions, and meant to be kept alive, we
will continue with our annual sing-along and poetry reading that turn
this birthday into a real birthday bash.
Partytime Iggy
LET'S PARTY!!! Please enjoy this mix of tracks that have been made the
past few years to celebrate our goddess. Swedish band Men
On The Border were so kind to let us use one of their songs from
their latest (studio) album Jumpstart.
Thanks guys, you rock!
In 2013 Rich hall made a concept album that has this fine pearl...
(click on the image below for the hi-res Flash version)
The Reverend. Sound: Rich Hall. Vision: Felix Atagong. (hi-res, Flash)
For those who haven't got a Flash-enabled webbrowser, let's try it
another way. Here is a, somewhat downgraded, version on Youtube, but
don't let that spoil the fun.
Iggy's Electronic Birthday Card (2011) contains a few seconds from a
super-secret mid-Seventies home movie (and we added a nice tune as
well). Flash link (warning: 5 MB!): Happy
Birthday Iggy Rose! or YouTube:
Crystal Blue Postcards
An electronic book of poems and art, dedicated to Syd and his muses, by
Denis Combet, with a little help from his friends Constance Cartmill and
Allison Star. Digital artwork by Jean Vouillon and some tinkering from
Felix Atagong (more about Denis Combet and his Iggy poem(s): Catwoman).
In 2011, Pascal Mascheroni, from the stoner power trio Rescue Rangers
donated the haunting (& slightly psychedelic) power ballad Guitars
and Dust Dancing from the album with the same name (buy your copy at
iTunes: Guitars
and Dust Dancing). In the meanwhile enjoy this Youtube clip with the
smashing artwork from Jean Vouillon.
WHY DON'T YOU WISH IGGY A HAPPY BIRTHDAY?
Instead of reading and watching all this you should be heading at
Facebook where you can leave your messages, poems, songs and images at: The
Holy Church of Iggy the Inuit and of course on Iggy's
personal page as well.
The Church wishes to thank Constance Cartmill, Denis Combet, Phil
Etheridge, Amy Funstar, Rich Hall, Pascal Mascheroni, MAY, Goeran
Nystroem, Allison Star, Anthony Stern, Jean Vouillon, Brett Wilson and
all the others that we seem to have forgotten... ♥ Libby ♥ Iggy ♥
And because traditions are traditions, and meant to be kept alive, we
will continue with our annual sing-along and poetry reading that turn
this birthday into a real birthday bash.
Partytime Iggy
LET'S PARTY!!! Please enjoy this mix of tracks that have been made the
past few years to celebrate our goddess. Swedish band Men
On The Border were so kind to let us use one of their songs from
their latest (studio) album Jumpstart.
Thanks guys, you rock!
In 2013 Rich hall made a concept album that has this fine pearl...
(click on the image below for the hi-res Flash version)
The Reverend. Sound: Rich Hall. Vision: felix Atagong (hi-res, Flash).
For those who haven't got a Flash-enabled webbrowser, let's try it
another way. Here is a, somewhat downgraded, version on Youtube, but
don't let that spoil the fun.
Iggy's Electronic Birthday Card (2011) contains a few seconds from a
super-secret mid-Seventies home movie (and we added a nice tune as
well). Flash link (warning: 5 MB!): Happy
Birthday Iggy Rose!or YouTube:
Crystal Blue Postcards
An electronic book of poems and art, dedicated to Syd and his muses, by
Denis Combet, with a little help from his friends Constance Cartmill and
Allison Star. Digital artwork by Jean Vouillon and some tinkering from
Felix Atagong (more about Denis Combet and his Iggy poem(s): Catwoman).
In 2011, Pascal Mascheroni, from the stoner power trio Rescue Rangers
donated the haunting (& slightly psychedelic) power ballad Guitars
and Dust Dancing from the album with the same name (buy your copy at
iTunes: Guitars
and Dust Dancing). In the meanwhile enjoy this Youtube clip with the
smashing artwork from Jean Vouillon.
WHY DON'T YOU WISH IGGY A HAPPY BIRTHDAY?
Instead of reading and watching all this you should be heading at
Facebook where you can leave your messages, poems, songs and images at: The
Holy Church of Iggy the Inuit and of course on Iggy's
personal page as well.
The Church wishes to thank Constance Cartmill, Denis Combet, Phil
Etheridge, Amy Funstar, Rich Hall, Pascal Mascheroni, MAY, Goeran
Nystroem, Allison Star, Anthony Stern, Jean Vouillon, Brett Wilson and
all the others that we seem to have forgotten... ♥ Libby ♥ Iggy ♥
It is the darkest period of the year, literally and figuratively. Today,
the 27th of December 2017, Iggy's funeral takes place at Worthing
Crematorium. We can only wish for strength for Iggy's husband, her
family, her friends... A big thank you for the Birdies and Nesters who
have supported Iggy all these years...
Catharsis
After most funerals, people sit together and commemorate the deceased,
and slowly the tears are being replaced with laughter, when funny
remembrances and anecdotes fill the atmosphere... It is a necessary part
of the grieving process and we are pretty sure that people can go on for
hours recalling Iggy's funnier moments.
Sydiots
A couple of years ago, 2013 already!, multi-instrumentalist and
Barrett-buff Rich Hall recorded an album called Birdie
Hop & the Sydiots. Its concept was to catalogue the wacky
aspects of Barrett fandom, including cosmic brides, silly reverends and
goofing administrators of various Syd Barrett Facebook groups.
One of the highlights of the album was a track called The Reverend,
clearly a reverie about the Holy Church of Iggy the Inuit and its main
obsession: Iggy the Eskimo. For Iggy's seventieth birthday Rich, with
some help of his dog Porthos, recorded an acoustic version of the song.
Unfortunately Iggy never heard it and as such the song has now become a
fitting tribute. From Rich to Iggy, from Porthos to Doogle, we present
you Iggy's message that is love.
Gigolo aunts & uncles
Back in better days, June 2015, Iggy was invited to Cambridge at the
second Birdie
Hop meeting. Men On The Border joined as well, giving an exclusive
concert at the Rathmore Club. After the gig there was some time for an
acoustic sing-a-long with the band, fans, Cantabrigian mafia rockers and
a pretty unstoppable Iggy. Revive it here... original videos from Göran
Nyström and Solo En Las Nubes blogger Antonio Jesús Reyes.
Happy belated birthday Iggy. Hundreds of fans will never forget you.
Many thanks to: Rich Hall, Men On The Border, Göran Nystrom, Antonio
Jesús Reyes. ♥ Iggy ♥ Libby ♥ Paula ♥
Last year we didn’t wish Iggy a happy birthday, for reasons that are
well known, but why stop with a fine tradition that has been going on
for many years?
We don’t mean to be disrespectful and obviously we think about the
tragedy that happened just before midnight on the thirteenth of December
2017, but to us and to many others Iggy will always be the
personification of life and joy and happiness. So here we go:
Birthday Greetings, Felix Atagong.
Iggy Rose’s Fantastic Birthday Bash
Iggy’s online birthday festivities started in 2011 as Iggy
Rose's Fantastic Birthday Bash! Its instigator was not the Church,
but – and we quote – "artist and general troublemaker Jenni
Fiire who promised an online celebration to show Iggy Rose how much
we love and appreciate her on her birthday. A groovy electronic party!"
The result was that literally hundreds of messages reached Iggy Rose
that day. Whatever happened to Jenni Fiire, we sometimes wonder? She
disappeared without a trace.
Something to watch: Iggy's Electronic Birthday Card
An electronic birthday card that we made in 2011 featured a home-movie
of Iggy and the wishes at the end show the bumpy ride that history often
makes. Does anyone remember the Facebook groups Clowns & Jugglers
and No Man’s Land? Supposedly this was even before Birdie
Hop was created and many of its members are still around.
Blah F. Blah. Anyone? All these memories coming back, by browsing old
Church posts.
Crystal Blue Postcards
Also in 2011 an electronic book of poems and art, dedicated to Syd and
his muses, was published at the Holy Church. These poems were written by
Denis Combet (with some help from Constance Cartmill and Allison Star).
Digital artwork by Jean Vouillon, image tinkering and book design: Felix
Atagong.
This booklet includes From Quetesh To Bastet, dedicated to Iggy.
For more information about this release (and the 'original' French
version of the Iggy poem De Quétesh à Bastet), check: Catwoman.
In Iggy We Trust, Rich Hall & Porthos
Last year Rich Hall brought an acoustic rendition of his
mulit-million dollars selling hit In Iggy We Trust (aka The
Reverend), with some valuable assistance from his dog Porthos. It
was meant to be included in our annual Iggy Birthday post, but it became
a fitting eulogy instead.
Suddenly there’s a tear in my eyes. Those dust devils, n’est-ce
pas?
HAPPY BIRTHDAY IGGY ROSE!
We've got from a very good source that Brian, Jimi, George and Syd are
preparing a surprise party. There will be a helluva time in heaven, we
guarantee you that.
The Church wishes to thank Constance Cartmill , Denis Combet, Jenni
Fiire, Rich Hall, Porthos, Allison Star, Jean Vouillon and all the
others that we seem to have forgotten... ♥ Libby ♥ Iggy ♥
Iggy always had a certain flair for pomp and circumstance and as such it
never surprised us that she went out - with a bang - minutes before her
birthday. And although there is sadness in our hearts we - as the
Reverend of the Holy Church of Iggy the Inuit - think that celebration
is better than mourning. So move those chairs and tables and join us for
our annual whoopee! But first:
Birthday Greetings, Felix Atagong. Jenni
Fiire autoportrait (sort of).
An Ongoing Tradition
Iggy’s online birthday festivities started in 2011 when there were those
mythical groups around like Clowns & Jugglers, No Man's
Land, Birdie Hop and other swoon rooms. It was artist and
general pain-in-the-arse Jenni Fiire who organised the first Iggy
Birthday Bash to show 'how much we love and appreciate her'.
Hundreds of messages reached Iggy Rose that day.
2013 had multi-instrumentalist Rich Hall create a song about that
wacky Church and its even wackier followers. Originally titled The
Reverend, the song pretty well sums up what Iggy stood - and still
stands - for, because In Iggy We Trust.
HAPPY BIRTHDAY IGGY ROSE!
Iggy.
The Church wishes to thank Jenni Fiire, Rich Hall and everybody still
reading this. Catch Rich Hall's latest record at Bandcamp: In
the summer, the sun never sets. ♥ Libby ♥ Iggy ♥
The document belongs to an ‘anonymous’ associate of the band who
describes the song as follows.
To me these tracks are like the Van Gogh painting with the birds over
the wheat field, that’s what Syd’s brain was at. Try to look at the
disturbance of Van Gogh through his paintings. If you want to understand
Syd, if you want to know what was going on with him, you have to listen
to those tracks in the same way…
The above quote has literally been taken from a 2014 innerview
I had with Peter
Jenner (with many thanks to co-author Rich Hall). It was
simultaneously published at the Holy Church and Birdie Hop,
but Bonhams doesn’t find it necessary to say where they took this quote
from.
Vegetable Man Lyrics Sheet (original)
Vegetable Man
The handwritten lyrics for Vegetable Man include the chord breakdown of
the song, all in Syd Barrett’s hand. Unfortunately, the picture on the
Bonham website and catalogue is very difficult to decipher unless you
enhance the contrast between the light blue ink and the white paper. And
of course, this is what has been done, for instance in the Yeeshkul
forum, by user Axefeld.
Vegetable Man Lyrics Sheet (enhanced by Felix Atagong)
Chords
On the same forum, Goldenband concludes that the chords on the lyrics
sheet are not the chords Pink
Floyd plays on the record.
What Syd noted down as "| D Db | A G# | E | A B | E |" is,
on the recorded version "| Eb Db | A G# | E | G# A | B E |". The
BBC version is also a bit different, namely: "| Eb D | A G# | E | G#
A | B E |".
Don’t worry if this reads like Chinese to you, it reads like Chinese to
me as well.
Lyrics
We have had multiple discussions about Syd’s lyrics over the decades,
and even Rob
Chapman’s book, aptly titled ‘The Lyrics of Syd Barrett’, has gotten
it wrong on different occasions. (See our review at: The
Syd Barrett Cookbook) The handwritten lyrics of Vegetable Man reopen
the discussion of what Syd meant.
Detail from the Vegetable Man Lyrics sheet (taken from Yeeshkul).
Axefeld:
I see some words there that I can't hear on the recordings: "my
haircut looks so ----". I'd always heard "bad" , but there's a different
word here, possibly 4 letters? Same goes for: "so I change my gear
and I find my -----". I'd heard "feet", the word here is possibly 5
letters?
Other Syd anoraks have chimed in: Blackstrat01: I always thought it
was "Find my niche." Lennyif: I have always heard it as
"Find my knees."
Blackstrat01: I always thought it was "My haircut looks so rare." Goldenband:
I think it might be "My haircut looks so fair." Jaman57: I
always heard "My haircut looks so fab."
For your information, Rob Chapman lists those as: "I bind my knees." and
"My haircut looks so bad."
Detail from the Vegetable Man Lyrics sheet (taken from Yeeshkul).
Early Years
Several (bootlegged) versions of Vegetable Man exist. In 2011, the
Church published an article where some of these differences are
mentioned: Scream
Thy False Scream. Of course, in 2016, the fairly overpriced Early
Years box set saw the first official release of the track.
We continue with a quote from the Bonhams catalogue:
It is believed this is the first time a complete set of Syd Barrett's
handwritten lyrics have been offered at auction. This set was acquired
by Pink Floyd’s first manager at the time the song was written and has
been in his possession since.
Authenticity
Some idiots (not Sydiots!) with brains smaller than a rat claim the
Vegetable Man lyrics sheet is a fake. Over at Birdie Hop, LX - that old,
grey and wise grandfather of Sydolatry - posted the following
message.
I know from his family that this document is 100% genuine. I even
know who is selling it and why this person is selling it. I will not
disclose that under any circumstances.
Van Gogh - Wheat Field with Crows (1890). Mashup: Felix Atagong.Rino
Di Lernia.
Pricing
If you are interested in purchasing this piece of rock ‘n’ roll history
be sure to have a fat wallet. The auction prices have been estimated at
£30,000 – 40,000, €34,000 – 46,000, US$33,000 – 44,000. See you on the
16th of November 2022 at 13:00 GMT.
Bonhams Auction House Syd Barrett / Pink Floyd: A Rare Set Of
Handwritten Lyrics For Vegetable Man, circa. 1967,
Birdie Hop member Rino Di Lernia visited Bonhams and took some pictures.
(Thanks, Antonio Jesús Reyes for warning us.) The Church activated some
Paint Shop Pro magic on it and here is the result.
Vegetable Man Lyrics. Original picture by Rino Di Lernia. Paint Shop Pro
magic by Felix Atagong.
Auction Day
The auction took place on the 16th of November where the highest bid
stranded at £22,000 - €25,120 - US$25,980, or about 3 quarters of the
minimum bid. Thanks to Philippe Spadaccini from Pink
Floyd Collectors we have the following screenshot.
Bonhams Online Auction, vegetable Man stranded at £22,000.
Sold, or not?
There seems to be some confusion whether the lyrics have been sold of
not. The minimum bid, believed to be £30,000, was not reached. The
Bonhams site is pretty vague and mentions 'amended' on the
Vegetable Man page, whatever that may signify. But it needs to be said
that the lots that have been sold all carry a 'sold' tag on their
page and that is not the case for VM.
Bonhams auction results for lot 93.
Syd Hype
Whatever it is, the big Syd Barrett hype is perhaps over, something we
have been witnessing before. Portrait of a Girl reached £6,500: Missing
Person found. On the other hand Syd's Orange Dahlias in a Vase,
auctioned in 2021, was sold for a whopping £22,000, while it was only
estimated at £3,000! See: Orange
Dahlias in a Vase.
This article will be updated if more news shows up. Some (enhanced) pictures will be published on our Tumblr
page, with the “Vegetable
Man” tag.
The Church wishes to thank: Axefeld, Blackstrat01, Birdie Hop, Bonhams,
Goldenband, Rich Hall, Alexander 'LX' Peter Hoffmann, Jaman57, Peter
Jenner, Lennyif, Rino Di Lernia, Lisa Newman, Göran Nyström,
PinkSydFloyd, Antonio Jesús Reyes, Philippe Spadaccini and all the
beautiful people we have forgotten. ♥ Libby ♥ Iggy ♥
Sources (other than above mentioned links):
Bonhams: Rock, Pop & Film (catalogue), Bonhams London, 2021,
p. 36-37. Chapman, Rob: The Lyrics of Syd Barrett, Omnibus
Press, London, 2021, p. 91.