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Moviemaker Anthony Stern, who knew Iggy before she met Syd, has confirmed that the person at the Granny Takes A Trip boutique on the IN Gear movie is indeed her. On his turn he will present a home movie called Iggy, Eskimo Girl at The City Wakes festival in Cambridge. A short teaser can be found on YouTube.

According to Mick Rock Syd was touched when she left him:

Once I’d developed the film (from The Madcap Laughs photo session, note by FA), I went round to show Syd the pictures. He took this one opposite (page 21 in the PR-book, note by FA) and scratched some lines and his name onto it. I think there was a bit of negativity directed at Iggy. He just started scratching the print, with a big grin on his face. (Taken from Psychedelic Renegades.)

It could be that the scratches on the picture were destined at Iggy, but why did Syd Barrett scratch (more or less) around her figure? Not (and I hope my shrink will never read this) her face or body, in my garbled opinion the logical thing to do if one would try to express negative or revengeful feelings on a photograph. Syd’s body and face is far more scratched than Iggy’s and Barrett also cut the letters SYD on the picture... Perhaps he was just trying to make clear to Mick Rock that he wanted to get rid of his pop-life alter ego.

Mick Rock writes further that he heard from Duggie Fields, the painter who was Syd Barrett’s roommate and who still lives in the same apartment today, that ‘she later went off with some rich guy in Chelsea and lived a very straight life’.

On an old and abandoned blog (and also on the Late Night forum) I wrote that none of the Pink Floyd biographers have been really looking for Iggy. Mark Blake, author of Pigs Might Fly, responded: “I can't speak for all the PF or SB biographers, but I certainly tried.”

The only bit of new info I found was that there was a chance 'Iggy' may have gone to school in the South London area, as she was known as one of the regular teenage girls at the dancehalls around Purley and Caterham. This would have been around 1965. Duggie Fields recalls seeing her some time after the Madcap Laughs photo session and she was looking a lot more "sloaney". Most of the people I spoke to who knew her believe Iggy married a rich businessman and doesn't now want to be 'found'. (Taken from The Holy Church of Iggy the Inuit on Late Night.)

Although scarce the above information is about the most relevant we have had from a biographer in about 30 years.

The most famous dancehall in Purley was the Orchid Ballroom where The Who, The Troggs and The Hollies gigged a couple of times. It started as a regular dance hall (and concert and sporting events hall) in the Fifties and had a local house band The Jackpots in 1963 and 64.

In the mid Sixties (1964 – 1966) the Orchid Ballroom was the meeting place for the Croydon mods who would assemble every Monday night. Witnesses remember Mike (?) Morton, Tony Crane, Jeff Dexter and Sammy Samwell spinning the records. Pete Sanders and Mickey Finn used to be part of the crowd.

Not all these names ring a bell. I could not trace back Mike Morton, but Lionel Morton was the singer and lead guitarist from the Four Pennies who had a hit in 1963 – 1964 with Juliet. Tony Crane was a member of The Mavericks, a band that became famous when they changed the name to The Merseybeats, later The Merseys (David Bowie would cover their Sorrow on his Pin-Ups album, a tune they had borrowed from The McCoys). Mickey Finn could be the man who was the drummer of T. Rex and who also played on the record made by Hapshash and the Coloured Coat, the people who were behind the Granny Takes A Trip boutique.

Elizabeth Colclough used to work at the bar in 1968: "It was the place to go to meet friends old and new, weekday evenings and also at the weekend. We saw some great bands, some who are still going strong today.”

Another witness recalls how Cathy (Mc Gowan), the queen of the mods and presenter of the ever popular Ready Steady Go! Show, came to the Orchid Ballroom to spot for dancers to appear in her show. Seen the fact that Iggy was present at an RSG!-party, organised by the show's main choreographer, it is not improbable that she may have been present at some RSG! television-shows as well, as a dancer or as a pretty face in the public.

A book about the history of the Orchid Ballroom has been made and the Church will try to contact its author, there is the (very small) chance that Iggy is mentioned in it.

Update August 2009: Brian Roote, who studied the history of The Orchid confirmed later to the Church: 'I have no knowledge of this girl whatsoever'.

An image gallery with stills of the Iggy, Eskimo Girl movie.

Sources (other than the above internet links):
McAleer, Dave: Beatboom!, Hamlyn, London, 1994, p. 57-59.
Rock, Mick: Psychedelic Renegades, Plexus, London, 2007, p. 20.

On September the 17th the Croydon Guardian, a weekly free local newspaper covering South London, devoted an article to Iggy after the Church had revealed that Iggy had probably been a regular visitor at the Purley dancehall The Orchid. The article was brought to my attention by Matthew Taylor from Escape Artists who was so kind to point me to a scan of the article, neatly hidden in a dark corner from the (long deleted) City Wakes website.

It all started with a remark on the Late Night forum why no one had ever tried to locate Iggy. Pink Floyd biographer Mark Blake promptly denied this and added some extra titbits to the Iggy enigma. He had found out that she was probably a South Londoner who used to go dancing in dancehalls in or around Purley. More about the Church’s quest to locate Iggy’s dancing habits can be found on a previous entry on this blog: Shaken not stirred.

This ended with the promise that the Church would try to find some more information about the place and the people who visited it. A mail was send to a historian of the Bourne Society but without success. The same message however to a journalist of the Croydon Guardian was immediately replied. Some initial information was exchanged and journalist Kirsty Walley did an excellent job by getting testimonies, not only from Anthony Stern, but also from a DJ who used to spin records at the Orchid, Jeff Dexter, and who still remembers Iggy.

So, where did she go to, our lovely?
By Kirsty Whalley

In the Swinging 60s she was an iconic model who broke the heart of Pink Floyd's Syd Barrett. Known only as Iggy she is thought to have lived in Thornton Heath and was a regular at the Orchid Ballroom in Purley between 1963 and 1967. Then she vanished and for the past three decades the former 60's in-crowd has wondered where she went?

Former friends, director and artist Anthony Stern and DJ Jeff Dexter, are both searching for the enigmatic model, who featured naked on the cover of Barrett's solo album Madcap Laughs. She was nicknamed "the Eskimo" because it was thought that she was part Inuit. DJ Jeff Dexter, who regularly played at the Orchid, vividly remembers the beautiful girl who used to talk to him while he played his set. He first noticed her in 1963. He said: “Iggy was part of a group of very wonderful looking south London girls. She was unusual because she did not look like anyone else at the time. Since she disappeared, she has become a bit of an enigma.”

Dexter says that he met the director and artist Anthony Stern in 1967 and that Iggy became involved with him at about the same time. Anthony took many pictures of the model and also made a film of her, which will be shown for the first time at the City Wakes festival this October in Cambridge. Stern said: “Iggy was my muse. I met her at a Hendrix gig at the Speakeasy. She was a lovely inspiration and free spirit. I never knew her real name.” “We used to hang out together, occasionally dropping acid, staying up all night, going for walks at dawn in Battersea Park.” The artist said he recently discovered photographs that he took of Iggy on a houseboat near Lots Road in Chelsea. “She entirely captures the spirit of the Sixties, living for the moment, completely carefree.”

Photographer Mick Rock remembers turning up at Barrett’s to take photographs for his solo album cover. At an interview in 199 he said: “Syd was still in his underpants when he opened the door. He’d totally forgotten about the session and fell about laughing. Iggy the Eskimo was naked in the kitchen making coffee. She didn’t mind either. They both laughed a lot and it was a magical session.” The most iconic images of her appear on the album, where she poses naked in the background.

After she broke up with Barrett she disappeared. Felix Atagong, who has set up a website in her honour, said: “According to the painter Duggie Fields, she got married to a rich guy from Chelsea and led a ‘decent’ life after that.”

Anthony and Jeff both admit they have spent time looking for her. “the truth is, if she has not come forward by now, she probably doesn’t want to be found,” said Anthony.

(picture insert: It-crowd icon: Iggy the Eskimo). An online version of the article can be found here.

An entirely new and previously unreleased picture of Iggy accompanies the newspaper article. This comes out of the personal collection of Anthony Stern. It is believed that more pictures from his collection may be unearthed on a later date.

Sammy Samwell

Delving deeper into the history of the The Orchid Ballroom (Purley) one cannot go around two musical partners in crime: Jeff Dexter and Sammy Samwell.

Ian ‘Sammy’ Samwell had been a member of The Drifters, the backup band for Harry Webb. They would become a wee bit more successful when Harry changed his name to Cliff Richard (it was Samwell’s idea to cut the final S from Richards to give the pseudonym extra spice). At the same time the backup band was renamed to The Shadows (as there was already an American band call The Drifters). When Hank Marvin joined the band Ian Samwell stepped aside and concentrated on composing hits, producing and disk jockeying.

Samwell was probably the first to acquire a star status as a DJ, before that the DJ had always been the invisible nobody who turned a few singles when the bands on stage were switching places. For the first time in history people came to The Lyceum to see the DJ at work instead of the house band.

As a producer Ian worked with Aynsley Dunbar, Georgie Fame, John Mayall, The Small Faces and he would also be known as the man 'who discovered America'. Ian 'Sammy' Samwell passed away March 13, 2003.

Jeff Dexter

As a youngster Jeff Dexter wasn’t into pop music at all, but dancing with girls was, so he simply gave in. At The Lyceum (1961-ish) he met DJ Sammy Samwell and they soon became friends. Not long after that Jeff made quite a name because he was barred from the dance floor for making an attempt at The Twist, originally a Hank Ballard B-side. When a few weeks later The Twist became a Chubby Checker superhit The Lyceum hired the mod they had banned before. He became a professional dancer and had to instruct the dance crazy public the moves of the week.

Around 1962 – 1963 Jeff moved to The Orchid Ballroom, the biggest ballroom in Europe with four different bars.

Chicken & Chicks, as they called it. Fish bar. Chicken bar. They had this big ice igloo where they sold ice cream sodas. They had an upstairs bar. And they had a roundabout which was another bar, a revolving bar, all in this wonderful huge building. (Taken from DJHistory.)

Jeff Dexter noticed Iggy in 1963.

Iggy was part of a group of very wonderful looking south London girls. She was unusual because she did not look like anyone else at the time. Since she disappeared, she has become a bit of an enigma. (taken from the Croydon Guardian.)

While Ian Samwell was the main DJ at The Orchid Jeff worked as a dancer and singer of the house band and as an occasional DJ. This would become his prime profession and later on he would also spin records at Tiles, UFO and Middle Earth (where John Peel was another DJ).

As a member of the Underground in-crowd, (the index of Days In The Life gives him 20 entries), he would witness the raise and fall of the movement that wasn’t a movement to begin with and the hostile reaction of the powers that be.

Middle Earth closed after the horrible scenes of the police raid. We had had a private party that night and somebody had brought along their children. The police raided, found the children and told the Covent Garden porters we were crucifying children in there. So they smashed the place to pieces. (…) Jenny Fabian and I were locked in the box office while they wrecked the place.

In Jenny Fabian’s semi-auto-biographical account of her Groupie days Jeff Dexter appears as Len although Dexter maintains: “I was the only one she didn’t fuck”.

Sources (other than the above internet links):
Bacon, Tony: London Live, Balafon Books, London, 1999, p. 101.
Green, Jonathon: Days In The Life, Pimlico, London, 1998, p.222, p. 283.

To all followers of the cult of Iggy: a happy new year!

The Church received a nice mail from Anthony Stern last week:

I see that you have continued to update your website and that the cult of Iggy is snowballing. Although my Iggy photos were shown on City Wakes website nobody was interested in buying the framed prints.

If you are still looking for a belated Xmas present: Anthony’s Iggy pictures are on sale, signed, numbered and framed: £225 for the Triptychs, individual pictures for £175 (plus postage). For more info please contact Anthony Stern Glass. (The Church is not affiliated with or endorsed by this company.)

Another message came from Mark Blake, author of the Pink Floyd biography Pigs Might Fly:

Good luck with the Iggy hunt. I spoke to Ant Stern and Jeff Dexter again last week. They're no nearer to finding her than they were before. I think it's funny that nobody even knew her real name.

For that matter we don’t even know if she was Eskimaux or not.

My good old encyclopaedia Brittanica divides the people that we commonly describe as Eskimo in two categories: Eurasian and Western Arctic people. The Western Arctic people are the Eskimo (including Inuit and Yupiit) and the Aleuts who originate from North America, Greenland and part of Siberia. Amongst the Eurasian arctic people are the Sami (or Lapps) from northern Fennoscandia and several other cultures dispersed over the Ural Mountains and Siberia.

According to the Narwhal Inuit Art Education Foundation there are no Inuit currently living in England (confirmed to the Church by mail). Is it more logical to believe that Iggy’s roots originate from Europe rather than America or Siberia? In that case Iggy, the Eskimo really had to be nicknamed Iggy, the Lapp by her contemporaries.

Translating these into politically correct terms The Church of Iggy the Inuit really had to be baptised the Holy Church of Iggy the Sami to begin with.

As Mark Blake stated above, we don’t know if Iggy was her real name. Iggy could be an alias or perhaps an anglisized version of a foreign name.

If she has Sami roots her name could be Ing, originally meaning progenitor, ancestor, leader – which of course she is for the Church – Ingegerd or one of the many variants such as Inge, Ingine, Yngva, Ingar, Iŋgir… The more popular Ingrid also has its roots in the Nordic countries and this could have easily been shortened to Iggy by her relatives or friends.

The problem is that not a lot of Sami people have the so-called Inuit look Iggy is famous for. There is however a part of Europe (although geographically it belongs to North America) that was originally populated by Inuit people and was later on colonised by Iceland, Norway and Denmark. The Church is of course referring to Greenland.

The Inuit are believed to have crossed from North America to northwest Greenland, the world's largest island, between 4000 B.C. and A.D. 1000. Greenland was colonized in 985–986 by Eric the Red. The Norse settlements declined in the 14th century, however, mainly as a result of a cooling in Greenland's climate, and in the 15th century they became extinct. In 1721, Greenland was recolonized by the Royal Greenland Trading Company of Denmark. (taken from Infoplease)

In November of last year 3 out of 4 Greenlandic voted yes on a referendum that could eventually lead to the complete independence of the country. About 88% of the Greenland population has Inuit(-mixed) roots. The following link shows a (slow-loading) picture of premier Hans Enoksen voting for Self-Governance in Greenland with 5 year old Pipaluk Petersen (added here to show the Inuit characteristics).

So Iggy’s ancestors could have come from Greenland.

Well perhaps... at least one other Iggy enthusiast believes she is not Inuit at all, but (partly) Japanese, probably belonging to the Ainu people of Hokkaidō (who had their own language and were maybe the first settlers on America). Iggy could then be a nickname for Igumi.

And aside from that there might be a very slim chance that Iggy hides behind the Philippine Maria Ignacia as another author from a Floydian biography has whispered in the Church's confessional box.

Update: the above post is somewhat redundant as Iggy Rose's mother came from the Himalayas: Little old lady from London-by-the-Sea 
Update March 2018: Iggy's mother did not live in the Himalaya's, but at the Lushai Hills, a mountain range in Mizoram and Tripura, India.

When JenS, who may well have been the person who introduced Iggy to Syd Barrett, told the Church that they both went to a Dusty Springfield party the Reverend was absolutely certain that he had found a solid path to unravel more about Iggy’s past (see: When Syd met Iggy).

Iggy was a bit older than the Cantabrigian underground gang and had already been active in the London club scene for a couple of years.
Update: this is not true, as we would find out later.

DJ Jeff Dexter had already noticed Ig in 1963 in The Orchid at Purley, where she used to go clubbing until 1967. Kathy McGowan and her RSG!-team raided the place to ‘spot for dancers to appear in her show’ (see: Where did she go?).

In 1966 Iggy was spotted on a party at The Cromwellian that was (partly) organised by the main choreographer of the RSG!-show. We will not go further into that as this story has already been told on this blog before (see: Bend It!).

Dusty Springfield started her solo career in 1963 and was voted the Top British Female Artist in the New Musical Express reader's poll in 1964, 1965, and 1968. She appeared a couple of times at the RSG!-show as presenter and would, in total, appear 24 times on the show. In 1965 Springfield hosted a special Motown edition of the RSG!-show and some while later she had her own Dusty show at the BBC.

The Church found it relevant to investigate if there really had been an Iggy – Dusty – RSG! connection somewhere and if some witnesses still remembered her.

The first person to get in touch with the Church was Douggie Reece, bass player (and singer) of The Echoes, Dusty Springfield’s backing band (watch him singing Mockingbird with Dusty). It was Reece who contacted the Reverend after the Church had asked amongst fan-circles if anyone could remember Ig being in and around the Dusty Springfield scene.

I don't remember her at all.
Or the Dusty Springfield scene.
I spent most of the 60's with Dusty maybe I went out to get some cigarettes or something and missed the whole occasion!!!
LOL
Douggie xx

Although it was suggested that it would be a nice name for a tribute band there has apparently never been a Dusty Springfield scene to begin with as far as Douggie Reece remembers, if Ig did ever meet Dusty it may have been purely coincidental.

Another Dusty connoisseur advised the Church to contact Vicki Wickham. Vicki and Dusty had been friends since 1962 and even shared a flat at London's Westbourne Grove. After a brief stint on the radio (as a secretary) Vicki was hired by Ready Steady Go! as talent manager and producer. When Dusty told her friend she had heard a nice Italian song at the SanRemo festival Wickham (co-)translated the tune into English and named it You Don’t Have To Say You Love Me. It would become Dusty’s first number one hit (1966) and was covered quite a few times by other artists, including Elvis Presley (1970, #1 at Billboard Country & Western and #11 at Billboard Top 100) and Guys’n Dolls (#5, UK, 1976). In total more than 80 million copies of the song have been sold worldwide.

After her RSG!-days Wickham moved to America and although she didn’t have a clue how to do it she successfully managed Patti LaBelle, Nona Hendrix, Marc Almond, Morrissey, Holly Johnson and of course, her long-life-friend Dusty Springfield.

It took the Church quite a while to trace Vicki Wickham, and after a trail of bounced faxes and mails, the Reverend wrote a letter in the good old-fashioned way. It pleases the Church a great deal that Vicki Wickham cared to reply:

I am the last person to ask about anything from the 60s 'cos mostly I don't remember!
But definitely do not remember this girl.
Can't help.
Best.
Vicki Wickham

At least we can now say with a certain certitude that Iggy did not belong to the inner circle of Ready Steady Go! but this does not mean that she never has been at the show. The crew of RSG! visited dance halls to recruit good looking youngsters for the audience and organised dance and singing contests where the participants could win ‘passports’ to the show. In the few years that the show existed thousands of people passed through the temple of the mods and Ig may well have been one of them.

Authorised subsidiaries:

The Holy Church of Iggy the Inuit Youtube channel
The Holy Church of Iggy the Inuit Facebook Fanpage
The Holy Chuch of Iggy the Inuit on Twitter

As if the world has suddenly been hit by a temporal rift in spacetime the March 2010 issue of Mojo music magazine has inundated the stores bearing a big (slightly photoshopped) portrait of a mister Syd Barrett. The well-written and rather accurate cover article, by Pat Gilbert, ranges from page 70 to 81 and tells the story of The Madcap Laughs, Syd Barrett’s first solo album.

Two other articles are of particular interest to the Church as they describe the mythical presence of a ‘girl whose naked body graced the back cover of The Madcap Laughs’.

Who’s That Girl (page 76 insert) is written by Mark Blake, author of the Pink Floyd biography Pigs Might Fly, and an occasional visitor (and contributor) of the Church. Out of courtesy (and for copyright reasons) the Church will not publish the article as long as the magazine is for sale in the shops.
Update: Direct link to the article: Mojo March 2010 (hosted at the Church as the article was removed from the official Barrett website in 2016).

People reading magazines with binoculars will find an odd reference to the Church as the Croydon Guardian article from the 17th September 2008 has been reproduced as well, however in such small print that one needs to xerox it in blow-up mode to distinguish individual letters. The article in full can be consulted at the Church (Where did she go?) but is also still present on the archives of the Croydon Guardian (Where did she go to our lovely?).

Mark Blake writes in Mojo:

In 2008, (Jeff) Dexter and (Anthony) Stern tried to trace the elusive Iggy, and were interviewed in the Croydon Guardian for leads to the whereabouts of the “carefree girl who captured the spirit of the ‘60s”.

Actually the motor behind this article were not Dexter and Stern but the Holy Church of Iggy the Inuit, after - truth has to be acknowledged – Mark Blake had revealed earlier that Iggy ‘was known as one of the regular teenage girls at the dancehalls around Purley and Caterham’ (see also: Shaken not stirred ).

Researching The Orchid dancehall in Purley, the Reverend found two articles that had appeared in the Croydon Guardian: In dance hall days (9th August 2006) and We remember the Orchid (29th August 2006).

The Church tried to contact Brian Roote in September 2008, an amateur historian writing a book about the Purley dancehall, but this resulted more than a year later in the simple comment: ‘I have no knowledge of this girl whatsoever'.

The Reverend had more chance with journalist Kerry McQueeney author of the two Orchid articles, but no longer working for the Croydon Guardian. He passed the story to Kirsty Whalley who was now editor of the Heritage pages of the newspaper. On the 3rd September of 2008 she replied:

We would like to feature this story in the newspaper next week and hopefully it will prompt a few people to call in.

In the same mail she also asked if the Church could give some leads and amongst the people to contact the Reverend mentioned the names of Mick Rock and Anthony Stern. Kirsty Whalley did an excellent job and did not only interview both men, but also Jeff Dexter who had been a DJ at The Orchid.

The next sermon at the Church will cover the second Iggy-related article from Mojo 196. In My Room, written by Paul Drummond, contains interviews with Duggie Fields, Mick Rock, Storm Thorgerson and Jenny Spires.

The Madcap Laughs Again (Mojo Tribute CD)

Mojo 196 comes with a Madcap Laughs cover CD as interpreted by (amongst others): R.E.M., Captain Sensible, Hawkwind, Jennifer Gentle, Marc Almond and Robyn Hitchcock. Reviews of this CD can be found at Late Night: The Madcap Laughs Again, including the one written by the Reverend.

The Mojo website contains a Syd Barrett top 20 jukebox and three YouTube links to Syd's legendary unreleased material. One of those fan-made videos (Lucy Leave) has been created by limpidgreen aka dollyrocker, a much appreciated Late Night forum member. Way to go, dollyrocker! (All links dead, we're afraid.)

Tranquillity is slowly descending upon the Holy Church of Inuit like smog upon Victorian London. Several brethren and sistren of the Church, and one-time visitors who entered through the front gate to study its baroque interior, have passed some valid information to the Reverend and these will be further investigated in the future. The Reverend also wants to apologise to the people that have been contacted (and interviewed) last year, especially those associated with The Cromwellian club. The articles about The Crom have been postponed due to the unexpected result the Mojo Syd Barrett article created, but they will - one day - hopefully appear.

To all our readers: please keep on going on giving the Church information, how futile it may be, but remember that the Reverend will not break its own rules that stay unchanged even now that Iggy (Evelyn) has been found. Especially now that Iggy (Evelyn) has been found.

The Reverend is not a souvenir collector who will ring at her bell like all those so-called (and in the Reverend's eyes: messed up) true fans used to do at Syd Barrett’s door. Evelyn's wish to be left in peace is and will be unconditionally granted. The same goes for other witnesses of the Barrett era, the Church will send them a nice note from time to time, as a reminder of its presence, but will not break their privacy. Some will call this bad journalism but the Church is not dependent from sold issues and follows a strict deontological code.

Croydon Guardian

On the thirteenth of February of this year The Croydon Guardian published a short, hastily noted down, interview with (a quite reluctant) Iggy, titled: Croydon Guardian tracks down elusive rock star muse. Here it is in full (with some comments from the Reverend):

Croydon Guardian tracks down elusive rock star muse
By Kirsty Whalley

An iconic model who stole Syd Barrett’s heart in the 1960s has been found after three decades of anonymity. Known only as Iggy, the enigmatic woman was immortalised posing naked for the Pink Floyd star’s solo album, Madcap Laughs. She disappeared in the late 1970s and has been living in West Sussex, oblivious to her iconic status. In September 2008, the Croydon Guardian appealed for information about the model and, more than a year later, we managed to track her down.

The story of how the Holy Church of Iggy the Inuit convinced The Croydon Guardian to assign some place in its columns for the Iggy enigma can be found at Where did she go? and (I've got my) Mojo (working...).

She inspired artist Anthony Stern, who filmed her dancing in Battersea Park and also took striking photographs of her on a houseboat in Chelsea. They were released at the City Wakes festival – a tribute to Syd Barrett – in October 2008, in Cambridge.

The above has of course been extendedly covered by the Church as well: Anthony Stern.

Mr Stern said: “Iggy was my muse. I met her at a Hendrix gig at the Speakeasy. She entirely captures the spirit of the Sixties, living for the moment, carefree.”

Jimi Hendrix gigged quite a few times at The Speakeasy and was spotted there on other occasions as well, for instance on the 22nd of February when he attended a press conference for The Soft Machine.

Jimi Hendrix

The club has been described in the (excellent) London Live book from Tony Bacon as follows (most information about the club has been taken from that book).

When The Speakeasy was opened by Roy Flynn around the end of 1966 in Margaret Street, just north of Soho, the rock elite soon discovered a handy new watering hole, a prime early-hours jamming post, and an altogether useful hanging-out kind of place.

By May 1967 the club was part of the London spot-the-celebrity circle next to - amongst others - the Scotch (of St. James) and of course the Crom. On a good night you could having a drink next to The Bee Gees, Jeff Beck or The Who, although, keeping up his avant-garde experimental jazz appearance, Robert Wyatt from The Soft Machine couldn't care less: "Rock groups meeting in expensive clubs that are difficult to get into? What's all that crap?"

On the 19th of January 1967 Jimi Hendrix gave the first of 3 concerts at The Speak. On top of that he would also jam a few times with other people on stage, including Jose Feliciano and Georgie Fame. That night in January he tried to get into Marianne Faithfull's pants with the seductive remark: "What are you doing with this jerk, anyway?" The jerk in question was of course Mick Jagger who wanted to check out the new kid in town.

Yes-fans will know the club for its owner Roy Flynn. When, on the 13th of December 1968, Sly And The Family Stone didn't show up for their gig an impromptu band was found to take their place. When Roy Flynn saw Yes's performance he was so thrilled that he became their manager for a while. The band eagerly agreed, not because he had some managerial skills but because the restaurant at The Speak had an excellent reputation:

Roy had never managed a band before and he kind of took us on and then the whole world of the Speakeasy opened up (laugh). It was a great club, I mean, it was a wonderful club, it used to close at 4 AM and we would not only rehearse there, we would play there some nights, and of course after a gig if we were playing within, let's say 150 miles from London, we would rush and go to the Speakeasy and eat there, and most of the meals were completely free. So for about a year I ate pretty good. Most of the evenings I ate there. Because that was the life style, we would be in the Speakeasy after 3 AM and the kitchen still would be opened and the food was not fantastic but thanks to Roy Flynn we would get free food and quite a lot of few drinks as well. (Peter Banks, who invented the band's name and left the group in 1970)

The extensive Jimi Hendrix gig database located at Rich Dickinson only mentions 3 genuine Jimi Hendrix performances in 1967: the aforementioned gig on the 19th of January 1967 and two more in March: 8th March 1967 and 21st March 1967. So Iggy (and Anthony Stern) must have attended one of these. For the completists amongst us the Church gives now the complete list of Hendrix sightings at the Speakeasy (1967):
67-01-19: Gig.
67-02-22: Press reception for the Soft Machine.
67-03-08: Gig.
67-03-16: Launching party for Track records (Jimi gives three interviews).
67-03-21: Gig.
67-04-17: Jam (on bass) with Georgie Fame (on organ) and Ben E. King (drums).
67-05-08: Brian Auger Trinity Concert.
67-06-04: Jose Feliciano concert and onstage jam.
67-12-06: Party for The Foundations.
67-12-22: Musicians from Christmas on Earth and Hendrix jam until the morning hours.
67-12-31: New Year's Eve Party where Jimi plays a thirty minute 'Auld Lang Syne'.

London Live

There is quite an intriguing picture on page 103 of the London Live book, showing co-managers Roy Flynn and Mike Carey, sitting at the Speakeasy bar, accompanied by two ladies. According to CowleyMod one of the women undoubtedly is Ig. Although most of the members of the Church do not think it is her the Church wants to give Cowleymod the benefit of the doubt and the visitors of the Church the chance to make up their own mind (click here to see the full picture).
Update (November 2010): it has been confirmed to the Church that the person on the picture is NOT Iggy / Evelyn.

Iggy said: “I cannot believe there is a film of me, that there are photos of me.”
 
Iggy spent a brief part of the 60s living in Croydon with DJ Jeff Dexter, who used to play at the Orchid Ballroom. She said: “The Orchid Ballroom was the place to be, the atmosphere was fantastic. I loved going there, I loved to dance. Jeff wanted to turn me and two other lovely girls into the English version of the Supremes, but that never happened.”
 
She does not like to talk much about Syd Barrett, but admits she lived with him in Chelsea in the late 1960s. She said: “Syd was so beautiful looking. We had a relationship, I lived with him for a while.”

Although the Reverend is aware of at least four witnesses who have confirmed in different biographies (and directly to the Church) that Iggy and Syd weren't an item this is now contradicted by Evelyn herself.

It was at that time she became known as Iggy the Eskimo. She said: “In part I made up the nickname. The rest was the photographer Mick Rock, who asked where I was from. I said ‘my mother is from the Himalayas’ and he said ‘we will call you Iggy the Eskimo’.”

Update March 2018: Iggy's mother, so was confirmed to us, didn't live near the Himalaya's, but at the Lushai Hills, a mountain range in Mizoram, Mizoram, situated at the North-East of India, sharing borders with Bangladesh and Myanmar.

The Church will not deny that Mick Rock may have thrown around the 'Iggy the Eskimo' nickname to describe the mysterious girl on his pictures but the epithet dates from much earlier. It was first spotted in the NME magazine from the 25th of November 1966 (more than 2 years earlier) where Evelyn was described as 'Another Bender - model IGGY, who is half-Eskimo': Bend It! 

Mick Rock took the pictures for Madcap Laughs. Iggy said: “When Mick turned up to take the photos I helped paint the floor boards for the shoot, I was covered in paint, I still remember the smell of it. In the pictures my hair looks quite funny, I remember hiding my face behind it because I did not want my mum and dad to see it."

Again other witnesses tell other stories. They claim that Syd (with a little help from Iggy) painted the floor boards early in the year, certainly before April 1969. As Syd only started recording mid-April it is a bit weird that he painted the boards especially for the album cover, unless - of course - he (and with him Mick Rock) already had the cover in mind before the recording sessions started. A theory that is not implausible.

She broke up with Syd Barrett shortly after the photo shoot and moved to Brighton. She said: “I have just been living very quietly, I left London in the 70s and I got married in 1978. I met so many people in the 60s – the Beatles, the Who, the Rolling Stones and Rod Stewart. I was a free spirit. I have left that life behind me now.”

The Church would gladly accept to publish her memoires though. But until that happens, my dear sistren and brethren, don't do anything that Iggy wouldn't have done…

A new gallery has been uploaded containing the complete Come with NME for a pic-visit to THE CROMWELLIAN article and pictures from New Musical Express 1037, 25 November 1966. Photographs by Napier Russel & Barry Peake. Words by Norrie Drummond. (Just another world exclusive from the Holy Church of Iggy the Inuit.)

---

Sources (other than the above internet links):
Bacon, Tony: London Live, Balafon Books, London, 1999, p. 101-104.

Words: Mark Blake.
Pictures: Storm Thorgerson, Iggy Rose, Rank Organisation.
Date: 20 January 2011.
Previously published on mojo.com.

If there is one image of Syd Barrett that never ceases to fascinate it's the back cover of his debut album, The Madcap Laughs. The reason: the mysterious naked woman perched on a stool with her head thrown back and face obscured by swathes of long dark hair. Syd's companion was known only as "Iggy The Eskimo". But as Barrett fans have been wondering since 1970 - who was Iggy and where did she go?

Photographer Mick Rock believed that his cover girl had "married a rich guy and moved off the scene". Barrett's old flatmate, the artist Duggie Fields, heard that "Iggy had become involved with one of the voguish religious cults of the time", before adding to the mythology with a story of once seeing her disembarking from a Number 31 bus in Kensington, wearing a 1940s-era gold lamé dress, and very little else.

In 2002, Mick's coffee-table book Psychedelic Renegades featured more shots of Syd and Iggy posing outside the Earls Court mansion block, alongside Barrett's abandoned Pontiac. Rock's photos found their way onto most Pink Floyd fansites, where Iggy had acquired cult status. Before long, The Holy Church Of Iggy The Inuit, a fansite in her honour, had appeared, its webmaster, Felix Atagong, sifting through ever scrap of information gleaned from MOJO and elsewhere with a forensic scientist's attention to detail. Among Felix's discoveries was a November 1966 issue of NME which featured a photo of "Iggy who is half eskimo" dancing at South Kensington's Cromwellian club.

While researching my Pink Floyd biography (2007's Pigs Might Fly: The Inside Story Of Pink Floyd) I quizzed everyone about Iggy's whereabouts. Anthony Stern, formerly a schoolmate of David Gilmour's, told me he had met her at a Hendrix gig and had just discovered photos he had taken of her on a houseboat in Chelsea; Anthony had also filmed Iggy dancing in Russell Square. Meanwhile, former Middle Earth club DJ Jeff Dexter recalled meeting "the mysterious-looking" Iggy in 1963, when she was a "part of a group of very wonderful looking South London girls" that danced at The Orchid Ballroom in Purley. Jeff even hatched a plan with his friend, the late DJ and Shadows songwriter Ian "Sammy" Samwell, to turn Iggy and two of her friends into "a British version of The Supremes. We booked a studio but unfortunately none of them could sing." Believing that Iggy may have gone to school in Thornton Heath, Jeff and Anthony contacted The Croydon Guardian, who ran an article - So Where Did She Go To, My Lovely - enquiring after the whereabouts of the girl "who entirely captured the spirit of the '60s".

Then, in March 2010, MOJO received a letter from ex-Cambridge mod Pete Brown, who had "shared some wild nights on the town with Iggy in the 1970s". Pete informed us that Iggy had been last heard of in the '80s "working at a racing stables... and has since been keeping her whereabouts quiet." Pete sent a copy of the letter to The Croydon Guardian, whose reporter traced Iggy through the stables and phoned her out of the blue. Their subsequent article included a handful of quotes from its reluctant subject, including the words: "I have now left that life behind me." Which is why it came as a surprise when my mobile rang late one Saturday night. "It's Iggy!" declared the voice at the other end, as if I would have known that already. "I've been reading what you wrote about me in MOJO... about the pictures of my bottom."

The local newspaper's call had prompted Iggy to borrow a neighbour's computer and go online for the first time. She was amazed to discover MOJO, the fansites, the photos, and the wild speculation and misinformation about her time with Syd Barrett. Which is why, in October 2010, I found myself stepping off a train at an otherwise deserted Sussex railway station to be met by the woman that had once graced the cover of The Madcap Laughs. Three hours in a local gastro-pub and countless phone calls later, Iggy pieced together her story. Some of it was printed in MOJO 207, the rest is here...

Firstly, why Iggy? "My real name is Evelyn," she explains. "But when I was a child, my neighbour's young daughter could never pronounce Evelyn, and always called me Iggy. Now everyone calls me as Iggy. But 'The Eskimo' nickname was a joke. That was something I told the photographer from the NME when he took my picture at The Cromwellian." Iggy's father was a British army officer, who served alongside Louis Mountbatten, and attended the official handover ceremony from Great Britain to India's first Prime Minister, Jawaharial Nehru in 1947. "My father also knew all about Mountbatten's wife's affair with Nehru," she adds mischievously. During a spell of leave, he had travelled to a remote village in the Himalayas "where he met the woman that would become my mother." Iggy was born in Pakistan, and attended army schools in India and Aden, before the family moved to England. But not, as believed, Thornton Heath. "I grew up by the seaside," she reveals. "I went to art school. I became a mod in Brighton, and saw the fights with the rockers, and I met The Who when they were on Ready Steady Go! I loved soul music, loved The Righteous Brothers, and I loved dancing, so I used to go to all the clubs - The Orchid Ballroom in Purley, where I met lovely Jeff Dexter, The Cromwellian, The Flamingo, The Roaring Twenties..."

It was at The Cromwellian that Iggy encountered Eric Clapton. "I didn't know who he was at first," she insists. "He took me to meet Lionel Bart and to a party at Brian Epstein's place..." By the mid-'60s Iggy had become a Zelig-like presence on the capital's music scene, sometimes in the company of Keith Moon, Brian Jones, Keith Richards.... She saw Hendrix make his UK debut at the Bag O' Nails in November '66, and in February '67, narrowly avoided the police raid at Richards' country pile, in West Wittering: "The night before, I decided not to go, thank God." A year later, still in the Stones' orbit, she found herself watching the recording sessions for what became Sympathy For The Devil.

By then, Iggy had made her film debut. In 1967, IN Gear was a short documentary screened as a supporting film in cinemas around the country. Its theme was Swinging London, including the chic Kings Road clothes shop Granny Takes A Trip, a place, according to the breathless narrator that "conforms to the non-conformist image of the !" A mini-skirted Iggy can be seen in one silent clip, sifting through a rack of clothes and chatting with Granny's co-owner Nigel Waymouth.

By 1967, pop music had changed. The summer before, Iggy had met Syd Barrett's girlfriend Jenny Spires, and drifted into the Floyd's social clique, showing up at the UFO club nights where Pink Floyd played regularly: "When I recently watched that Syd Barrett documentary [The Pink Floyd & Syd Barrett & Story] and saw Syd in the kaftan, chanting [on Pow R Toc H], the memories came rushing back," she explains. "I'd been there. I'd seen that." In April '67, Iggy joined the counter-culture throng in Alexandra Palace for The 14-Hour Technicolor Dream - "all 14 hours of it!" - where Floyd played a hypnotic set at dawn.

By early 1968, though Barrett had been replaced by David Gilmour, and, according to many, was on a drug-fuelled downward spiral. Towards the end of the year, he moved into a new place with his level-headed friend, the would-be artist Duggie Fields. The pair took over a two-bedroom flat at 29 Wetherby Mansions in Earls Court. Around January '69, at Jenny Spires' suggestion, Iggy, needing a place to stay, moved in. She hooked up with Barrett, but shared a musical bond with Fields: "Duggie and I were into soul music, and Syd used to laugh at me dancing around to Motown."

As Iggy told MOJO 207: "I didn't know Syd had been a pop star." Elaborating further, "I didn't make the connection between him and the person I had seen at UFO. I knew he was beautiful looking and he had real presence, but that was all." Once, when she picked up his acoustic guitar, fooling around, he took it off her and started playing properly. "I was overwhelmed. The way he played the guitar, the way he moved. He said, 'Do you think I look good?'," she laughs. "I said, 'You look amazing. Wow!' He then said, 'Would you listen to this?' And he bought out this big, old-fashioned reel-to-reel tape recorder, and said, 'Tell me what you think'." Syd then played her the songs that would end up on The Madcap Laughs. One track, Terrapin, made an immediate impression. "I said, 'That's quite catchy', and, of course, I don't think Syd was really into catchy...It was a long tape, and he didn't demand any opinion, but just asked if I thought it was OK. At the end he said 'Someone at EMI - I cannot remember the name - wants me to make a record. How would you feel about having a rock star boyfriend?'"

Click here for Part 2

Previously published on mojo.com. Many thanks to Mark Blake for allowing us to host this article.
♥ Iggy ♥ Libby ♥

(This is Part 2 of Mark Blake's Iggy the Eskimo article, for part one click: EXCLUSIVE: The Strange Tale Of Iggy The Eskimo.)

Words: Mark Blake.
Pictures: Iggy Rose, Chris Lanaway.
Date: 20 January 2011.
Previously published on mojo.com.

While there are many reports of Barrett being withdrawn and even aggressive at this time, Iggy remembers it differently. "People talk about Syd's madness and his dark side, but I never saw it," she states. "We had a wonderful giggly time. There were no sinister moments." Only briefly did she glimpse a more troubled side to his personality. "One day, he said to me, 'How do you feel? Are you sad?' I was naked, and he went and got some paint and painted two great big eyes on my breasts with two tears coming down, and on my belly button he painted an arrow and underneath that a picture of me with a big belly, and said, 'There could be life in there. I could give you life.' But I didn't want that at all. So I panicked, and scrubbed it off." He was also uncomfortable with some aspects of fame, as Iggy discovered on a night out with Syd to The Speakeasy, a music-biz haunt in Margaret Street. "We'd persuaded Syd to go, but it was full of posers," she admits. "There were a few of us there. Someone asked the DJ to put on See Emily Play, which was a stupid thing to do." A hit for Pink Floyd more than two years before, the dance-floor cleared. "So I went on and started dancing, but Syd ran off. He was obviously very sensitive about it all."

"We had a wonderful giggly time. There were no sinister moments."

In March '69, Barrett began recording The Madcap Laughs at Abbey Road, but his erratic behaviour in the studio resulted in Roger Waters and David Gilmour helping to oversee the sessions. Gilmour was now living in Richmond Mansions, a block so close to Wetherby Mansions that he could almost see into Syd and Duggie's kitchen window. One evening, Syd announced that he had to go out. Iggy wanted to go with him, but Barrett insisted she remain at the flat. "I think I thought he was seeing another woman," she says. "I got a bit jealous, a bit pouty - very silly. Duggie knew where Syd had gone but wouldn't tell me." With Syd gone, Iggy decided to pay a visit to David Gilmour instead. Fields helped Iggy back-comb her hair, plaster her face with make-up and paint her lips black. "I looked like Medusa. Like a banshee. Duggie then took me round to Dave's place. Dave was very beautiful and very cool, and his flat was nicer than Syd and Duggie's - it was warmer for a start. Dave opened the door, took one look at me, but didn't bat an eyelid."

When Iggy walked in, she saw Syd sat in Gilmour's living room. "I went in, shouting, 'OK, where is she?' thinking there was a woman hiding in one of the rooms. But, of course, the meeting had been with Dave about the record they were making together." Barrett left Iggy with Gilmour, but rather the worse for wear, she knocked the stylus on his record player accidentally scratching his copy of Pink Floyd's brand new album. "I have no idea what album it was, only that it was their new album," Iggy sighs. (The likely candidate seems to be Soundtrack From The Film More) "So Dave threw me out... If he ever reads this I would like to say sorry for scratching his record." Back at Wetherby Mansions, Barrett was unfazed by her planned defection: "Syd just said, 'Come in love, and I'll make you a cup of tea'. How sweet."

By now, Barrett had prepared his bedroom for The Madcap... cover shoot, painting most of the floorboards orange and mauve. On the morning of the shoot, Syd asked Iggy to help finish the job. "He jumped off the mattress and said, 'Quick, grab a paint brush.' He did one stripe and I did another. If you look at Mick Rock's pictures, I have paint on the soles of my feet." When Rock arrived with the Floyd's sleeve designer Storm Thorgerson to take the photos, a naked Iggy went to put some clothes on. "But Syd said, 'No, don't'. That was his wicked sense of humour. I put the kohl around his eyes that day and tousled up his hair: come on Syd, give us a smile, moody, moody, moody! But he knew exactly what he was doing. He was as sharp as anything. He set the tone. He was the manipulator."

"Syd just said, 'Come in love, and I'll make you a cup of tea'. How sweet."

Iggy joined Syd for further photos outside the flat. Later, Rock recalled showing Barrett one of the pictures and Syd mysteriously scratching around Iggy's image; an act that has acquired some significance among Barrett's more earnest devotees. "They're making something out of nothing," she insists. "Later on, Syd showed me one of the pictures and said, 'You like that one, don't you? I know why, because of your cheekbones'. I think I was sucking on a cigarette, and, yes, I was being vain, I liked the way my cheekbones looked. So he tore the pic in half and gave it to me. There was nothing more to it than that." Strangely, Iggy also recalls other photographs being taken that day, which have never appeared since. "I don't think Storm and Mick were very impressed by them. If you've ever seen the cover of the Rod Stewart album, Blondes Have More Fun, they were a bit like that... Of me and Syd. There were others of me and Syd, as well, which remind me of the picture of John and Yoko [on Two Virgins] which came out later. I'd love to see those pictures now."

Before long, Iggy had drifted out of Wetherby Mansions and out of Syd's life as quickly as she had drifted in. When she returned later, Duggie told her: "Syd's not here. He's gone back to Cambridge. Don't bother trying to find him." She never saw him again, and is adamant she only became aware of her presence on the cover of The Madcap Laughs after being phoned by the Croydon Guardian: "I went to a boot sale with my husband... When I saw the cover, I thought, Oh yes, that is my bottom."

Although the stories of her marrying a rich banker and joining a religious cult are untrue, there is a kernel of truth: after Syd, Iggy began seeing a wealthy businessman who was also a scientologist. However Duggie Fields' recollection of spotting Iggy climbing off a bus in a gold lamé dress is not in dispute: "It was a beautiful dress that cost £50." Still a fixture on the music scene, Iggy recalls accompanying Pink Fairies' drummer Twink to the Isle Of Wight Festival and turning up "for the very first Glastonbury... ". But in 1978 Iggy married her husband, Andrew, and "left that life behind me".

"I heard on the radio that Syd died, and I felt sad, but it was so long ago," she says. Since reading about those times in MOJO, the memories of the people and the places have slowly come back to her. "Mick Rock took some beautiful picture of me," she smiles. "But, of course, I wish I'd been paid some money for them. Still, it is amazing that people have been looking for me... and that someone has even set up a website. I still don't know what to make of all this." The fascination continues. Last week, Iggy called to tell me she had found a poem online written about her by a professor at a university in Missouri. "And it's in French," she said, sounding astonished. "'Iggy l'esquimo, Fille De Le Space'...it goes. I never believed anyone would ever write a poem for me."

by Mark Blake (www.markrblake.com)

Thanks to: Felix Atagong, Jeff Dexter and Anthony Stern

Previously published on mojo.com. Many thanks to Mark Blake for allowing us to host this article.
♥ Iggy ♥ Libby ♥

Prologue

Let's start with what you are all waiting for. At the left you find another unpublished picture, from the mid Seventies, Iggy was so friendly to mail us. The recent interviews at Mojo, probably the best music magazine in the world, by Mark Blake, probably the best music journalist in the world, has triggered a gentle snowfall of friendly reactions all over the web.

At night, before going to sleep, you notice but a few snowflakes falling down and you think: is this all? But the next morning the garden has been transformed in a peaceful white blanket only disturbed by the parallel stepping marks of a passing Lucifer Sam.

The Church has gathered some of these heartwarming reactions. Let's start with one from the city of light:

I’ve just read Mark Blake’s article and I am extremely moved to read Iggy’s words about those months with Syd in 1969 and extremely moved to see her on a brand new photo. She looks like an attractive lady.

Some elements are quite interesting : the fact that Syd wanted Iggy to be naked on the photos and the fact he decided not to smile on the photos are a great new perspective on that shooting.

Also the fact that she confirms she and him were together (which some people seemed to doubt about these latest years) is a lovely confirmation. And when she says he wasn't a dark-minded man and used to laugh a lot with her, this is so cute...

By the way, the article ends with Iggy saying she’s very flattered to discover she hasn’t been forgotten by everyone: what a pity we have no (mail) address to write a small message to her, to tell her that not only many of us hadn’t forgotten her at all but, on the contrary, her photos and especially the album sleeve have been part of our lives. (Taken from: The Holy Church of Iggy the Inuit @ Late Night.)

Questions for Iggy

The past year several questions have been submitted to be asked to Iggy, for the then unlikely event an interview would take place. Some of those have been asked by Mark Blake and were (partially) answered in the Mojo extended interviews:

I would just ask her what she remembers about Syd...
Dear Iggy, do you have anything of Syd's that I can have?
Did you think there was anything wrong with Syd mentally?
Do any particular discussions stand out for you... were they deep and philosophical, did you discuss current events or just what you needed at the market...
In his song "Dark Globe" Syd Barrett says: "I'm only a person with Eskimo chain". Do you think that is/could be a reference to you?
Maybe you have some personal photos/snapshots of Syd.
Was Syd violent towards you like he was with others girlfriends?
Were you at the 14 Hour Technicolour Dream at the Alexandra Palace? If yes could you tell us your impressions about that?
What do you think happened to Syd in 1967/1968?
What happened to you after you last saw Syd?
Would you prefer to be called Iggy or Evelyn?

Mark Blake added to this:

Off the top of my head, (…) Iggy doesn't have any snapshots of her and Syd, or any of his possessions (unfortunately, she no longer has the photo she had of the two of them, which he tore in half, mentioned in some of the books). She was at the Technicolour Dream '"all 14 hours of it!" - and tried but couldn't spot herself in the documentary DVD. She was also at the Isle Of Wight festival in 1970 (went with Twink of the Pink Fairies) and the first Glastonbury Fayre. (Taken from Questions for Iggy @ Late Night.)

People and places

The recent interviews show that Iggy met a lot of people and visited lots of places in Swingin' London. The Croydon Guardian and Mojo articles mention Brian Epstein, Brian Jones, Eric Clapton, Jimi Hendrix, Keith Moon, Keith Richards, Rod Stewart & other assorted Beatles, Who and Rolling Stones. Oh yeah, and of course also a bloke named Syd Barrett.

The clubs she visited did not only include the Cromwellian, the Flamingo, the Orchid Ballroom, the Roaring Twenties and the Speakeasy, but in a mail to the Church Iggy also remembers other places like the Alexandra & Crystal Palace, Annabel's, Bag O'Nails, Embassy, Garrick & Hurlingham private clubs, Roundhouse (Chalk Farm), UFO, Marquee, Middle Earth, Tramps (Tramp Club?) and generally everything that was located in or around Carnaby Street. Needless to say that we try to look further into that for the next couple of months.

But after the many pages the Church and Mojo have dedicated to Evelyn, it is perhaps better to let Ig speak for herself. She send a long mail to the Church and we hope she doesn't mind that we will publish some of its heartwarming highlights here. Ig doesn't have an Internet account so the mail was written and send by a friend. The Church took the liberty of omitting some names and places.

Iggy wishes to express her thrill and excitement for putting this factual and honest portrayal of her and is enchanted by your unwavering interest. She is utterly flabbergasted of the magnitude of it all.

Many thanks to Mark Blake, for his perseverance and the genuine way he has cared for and protected Iggy.

Many thanks go to Ig's wonderful husband and to her most trusted and loyal friends [some deletions here by the Church] and Z., who was there for us right at the beginning by printing hundreds of pages on her computer.

But some old friends from the past haven't been forgotten either:

Iggy also feels the need to mention the charismatic Jeff Dexter, who has given so much of his precious time by always welcoming and receiving all her calls at all hours day and night.

Anthony Stern, Storm Thorgerson, Mick Rock, who created such amazingly beautiful images. To debonair Nigel Waymouth and the extraordinary couple Pete and Sue.

Many thanks and good love for the wonderfully exquisite description of Iggy. She is totally overwhelmed and humbled by the delightful memories of her.

Much love,
Iggy

Vintage groupies

Reading the pages that a good friend had printed for her, Iggy got hold of the Vintage Groupies website that also dedicated some space to her. She asked the Church:

Felix, would you do me a really big favour and contact vintage groupies (little queenies) to express my gratitude to all the lovely people who left all the nice comments about me.

Love from Iggy.

Immediately after it had been published several reactions arrived:

Wow, thanks so much Felix for the message, please tell to Iggy thanks so much from Little Queenies :)
This is so great, she is so kind to think about us :)
Warm regards to her and to you Felix
Elia & Violeta, Barcelona, Spain

Its wonderful, to hear from her.
Dancas

So amazing! Thank you so much for not only sharing the interviews but relaying the message to us here at Vintage groupies! So fantastic.
Lynxolita

Iggy the Eskimo 2011 photo shoot
by Chris Lanaway

The Mojo article had a recent Iggy picture, taken by Chris Lanaway. A second picture has recently turned up at his Tumblr account. Chris writes:

Here is a teaser from a recent series which will be viewable soon: Iggy the Eskimo.

A hi-res version of the picture in question can be found here.

This article has nearly ended, and we pass the word to Anne from Paris who passed us a letter for Evelyn:

Dear Iggy,

Because you told Mark (Blake) that you were surprised and flattered to discover that so many persons were interested in you (and I'd even say that they're your fans!), I want to tell you that many of us have got a great tenderness for you; you've been part of our lives during decades and were at the same time a magnificent mystery and a flesh and blood woman in Syd's life, two good reasons not to be able to forget you!

Of course, the fact that in these latest years, a great deal of beautiful photos of you appeared just increased the admiration and fascination about you.

I hope that the affection, admiration and fascination that many of us have been feeling towards you warm you up and that you'll stay in touch with us in any way you want ("us" means Felix, Mark, Syd's fans and even maybe, one day, the organization around Syd's memory in Cambridge).

Needless to say that not only was it a great relief and a great joy that you were found again last year, but it's also a great joy now to see new photos of you.

Friendly regards.
Anne (Paris, France)
(I've got the "Madcap laughs" since 1988, I was 17 then)

From an entirely different continent comes the following:

It was really nice to know that you are around and OK. My happiness is enormous! I’ve just loved your recent interviews and pictures. You are indeed a beautiful person! I hope you share with us some of your views and stories on those fabled years that influenced the cultural paradigms in so many ways and in so many countries. I wish you the best with all my heart.

Peace and Love,
Dan, Ottawa, Canada

And...

HI. My name is Griselda. I just wanted to say I am a big fan of Iggy. When I saw on your website that she was going to be on Mojo Magazine, I was so excited. I can't imagine how you felt!

You may find it strange that a 19 year old girl is so interested in Evelyn, but I really think she was a wonderful model. The pictures taken by Anthony Stern are really beautiful. She was such a free spirit, living in the moment. I think most models today are so polished up, their too skinny, or try to change their looks as much as possible to look like Barbies or something. That's why I love Iggy so much because she was a natural beauty, and she didn't have to try hard to look wonderful in pictures.

Take Care.
Griselda, USA

Space girl

The Mojo (extended) interview ends with an excited Iggy who phones Mark Blake out of the blue.

Last week, Iggy called to tell me she had found a poem online written about her by a professor at a university in Missouri. "And it's in French," she said, sounding astonished. "'Iggy l’Esquimo, Fille de l’espace.'...it goes. I never believed anyone would ever write a poem for me."

Although the professor actually lives in Manitoba, Canada, where the temperature descended to a blistering minus 41 degrees in January, the news arrived to him. Probably by sledge-dog express, driven by – who else? – an Eskimo.

In the summer of 2006 Denis Combet wrote a collection of poems as a tribute to the musician and painter Roger Keith Barrett who passed away in Cambridge on the 7th of July 2006. The poems highlight the life of the young artist as a nonconformist who preferred – or was forced – to withdraw from the music world for a more humble existence. They were published (in an English translation) in the online magazine Ecclectica of February 2007.

The Church got the permission to pick an Iggy dedicated poem out of the collection, not only in English, but also the original French version, that had never been published before: From Quetesh to Bastet / De Quétesh à Bastet .

Unfortunately these poems never went into print, because of the high cost involved for publishing poetry, that often sells no more than a few dozen of copies. But miracles sometimes do happen and hopefully we might read more from Denis Combet in the near future.

Epilogue

In the next post the Church will probably give a detailed analysis of the latest Iggy interviews, until then, sistren and brethren. We leave the last word to Anne from Paris:

I don’t think Iggy's mystery will be over from now on;
I do think the mystery that comes out of her photos in the 60’s just cannot die.

The Church wishes to thank: Anne, Dan, Dancas, Denis, Ela & Violetta (Little Queenies), Griselda, Jenny, Kieren, Lynxolita, Mark, Zoe, Late Night, Mojo magazine & Vintage Groupies and all others who commented and contributed.

Last but not least: ♥ Iggy ♥ and her loyal friends who pass her messages to and fro.

The Mark Blake Iggy tapes can be found at:
Iggy The Eskimo Phones Home (Mojo 207 article - hosted at the Church)
The Strange Tale Of Iggy The Eskimo - part 1 (hosted at the Mojo website Church, update August 2013)
The Strange Tale Of Iggy The Eskimo - part 2 (hosted at the Mojo website Church, update August 2013)

In January of this year Mojo published a (way too short) Mark Blake article about Iggy, who – in the Sixties - was metonymically but erroneously described as an Eskimo. There is a realistic chance that this blog, politically correct named the Holy Church of Iggy the Inuit, would never have seen the light of day if Iggy had been nicknamed something else.

Titled SYD BARRETT'S ENIGMATIC COVER COMPANION CLEARS UP SOME QUERIES the article actually added to the mystery, although Mark Blake is, of course, not to blame: Iggy is just mysterious by nature. And the more we find out, the more mysterious it gets.

The Church was erected for just that, to reveal the enigma behind an enigmatic woman but now that Evelyn has stepped into Mark Zuckerberg's limelight the Church has made a deliberate step backwards. Let it be known that the Church will be discreet about present Evelyn. She is not Truman Burbank and it is none of our business what she had for breakfast this morning anyway (bacon butties and a steaming hot cup of tea, if you wanna know, and the Reverend had some croissants and a cup of coffee).

Mark Blake also published an extended 'director's cut' of his interview and now the time for the Church has come to comment, amend or append on some of his poignant paragraphs. We will be cruel and ruthless although the reader should realise that above every line a virtual 'Well done, Mark Blake!' Church sign is blinking. A bit like this:

NME 1037

Before long, The Holy Church Of Iggy The Inuit, a fansite in her honour, had appeared, its webmaster, Felix Atagong, sifting through ever scrap of information gleaned from MOJO and elsewhere with a forensic scientist's attention to detail. Among Felix's discoveries was a November 1966 issue of NME which featured a photo of "Iggy who is half eskimo" dancing at South Kensington's Cromwellian club. (The Strange Tale Of Iggy The Eskimo Pt. 1, paragraph 3)

Mark gives the Reverend too many credits here. The Church mainly rips other people's ideas (not an uncommon practice with Churches, although they mostly prefer to rip other people's wallets) and the November 26, 1966 New Musical Express Iggy picture was not discovered by the Church. The scan was already floating around on the web. Neptune Pink Floyd, for instance, published it in November 2006, two years before the Church started.

However the Church did trace a copy of that particular NME, hoping there would be some extra news about Evelyn, but to our regret Iggy is not mentioned at all in the accompanying text (several scans of NME 1037 can be found in our gallery).

The Croydon Guardian

Believing that Iggy may have gone to school in Thornton Heath, Jeff and Anthony contacted The Croydon Guardian, who ran an article - So Where Did She Go To, My Lovely - enquiring after the whereabouts of the girl "who entirely captured the spirit of the '60s". (The Strange Tale Of Iggy The Eskimo Pt. 1, paragraph 4)

Time to pull the plug of that 'Well done, Mark Blake!' sign above we're afraid, as The Croydon Guardian was informed by none other than the Holy Church of Iggy the Inuit.

After the Church was informed that Iggy had been a regular visitor of The Orchid in Purley the Reverend googled and found two Croydon Guardian articles about the dance hall: In dance hall days (9th August 2006) and We remember the Orchid (29th August 2006).

The Church contacted Brian Roote, a historian from the Bourne Society who had been researching the history of the Orchid, but without success. Journalist Kerry McQueeney, author of the Orchid articles, passed the Church mail to Kirsty Whalley, editor of the Croydon Guardian Heritage pages. She replied the Church on the third September of 2008:

We would like to feature this story in the newspaper next week and hopefully it will prompt a few people to call in.

Kirsty Whalley also asked the Church for a decent Iggy picture and here is what the Reverend answered:

Probably the best way to get an (unpublished) picture of Iggy is to contact Anthony Stern (former boyfriend of Iggy in 1966) who made a movie with her that will be shown on The City Wakes festival in Cambridge, so more than 40 years after it was filmed. (Taken from: Visitor at Orchid Ballroom - 1965 – 1967, mail to Kirsty Whalley, 3 September 2008 22:04.)

Kirsty Whalley took the information, given by the Holy Church of Iggy the Inuit, to heart (probably the first time in the Reverend’s entire career that a woman actually listened to his advice) and interviewed Anthony Stern who also donated a previous unpublished picture of Evelyn, just like the Church had predicted. She then did an excellent job by contacting Jeff Dexter (or perhaps Jeff Dexter contacted her after having spoken to Anthony Stern) and wrote a damn fine article: Where did she go? 

It took over a year for someone to 'call in', because in February 2010 Kirsty Whalley published the very first Iggy interview in 40 years that even took the Church by surprise (see: Little old lady from London-by-the-Sea). What the Reverend doesn't understand though is why the Croydon Guardian journalist doesn't like to be reminded that it was the Church who gave her the scoop. So no pretty blinking Church sign for you, Kirsty!

From Dieppe to Delhi

Iggy's father was a British army officer, who served alongside Louis Mountbatten, and attended the official handover ceremony from Great Britain to India's first Prime Minister, Jawaharial Nehru in 1947. (The Strange Tale Of Iggy The Eskimo Pt. 1, paragraph 7)

Louis Francis Albert Victor Nicholas George Mountbatten, born in 1900 and killed by an IRA bomb in 1979, was destined to pursue a glorious military career. Like so many of his aristocratic peers this career was not per se based on actual military performances but on the amount of names he had been given at birth. After a military débâcle at Dieppe in 1942, where 3,623 out of 6,086 soldiers, mostly Canadians, were either killed, wounded, or captured by the Germans, Mountbatten was given a new military playground as Supreme Allied Commander South East Asia Command. The Dieppe raid (unauthorised by the general staff) provoked a schism between the Canadian and British army leaders during the second world war and the mistrust would linger on for decades to come.

In 1947 Mountbatten was nominated Viceroy and Governor-General of India and his principal task was to lead India (separated from Pakistan) in a peaceful way towards independence. This lead to one of the bloodiest massacres the subcontinent has ever seen. Muslims fled from India to Pakistan, Hindus and Sikhs from Pakistan to India and about 500,000 people lost their lives in the process (death toll numbers vary from 200,000 to a million).

Up the Khyber

"My father also knew all about Mountbatten's wife's affair with Nehru," she adds mischievously. During a spell of leave, he had travelled to a remote village in the Himalayas "where he met the woman that would become my mother." Iggy was born in Pakistan, and attended army schools in India and Aden, before the family moved to England. (The Strange Tale Of Iggy The Eskimo Pt. 1, paragraph 7)

In the night of 14 to 15 August 1947 India and Pakistan officially separated from London and because this had been supervised so well by Mountbatten, he was entitled to another promotion. From now on he could add the title of Governor-General of India on his business card. In other words: Mountbatten was now the de facto monarch of the new state.

Lucky there was still his wife, Edwina Cynthia Annette Mountbatten. Her part-time job was to visit the refugee camps her husband was so kind to fill up and to hump India's prime minister Jawaharlal Nehru, although there are some biographers who maintain that their relationship was purely platonic.

But enough politics. Around that time Iggy's father, posted in Pakistan, went for an evening stroll in the Himalaya's where his spell of leave soon developed in a spell of love. It is believed that in March 1947 the couple did exchange something more than friendly kisses. The Church always believed that Iggy was somewhat older than Syd Barrett (see: When Syd met Iggy), but this new evidence shows she is nearly two years younger than him (and, should this be of any interest to anyone, both Syd and Ig were born on a Sunday).

If Ig attended school in Pakistan, the family must have been there until early 1950. Although the country was independent several hundred of British officers stayed in Pakistan until the Pakistan army had enough officers to take care of its own. There was a 1st Battalion Wiltshire Regiment at Rawalpindi (Pakistan), with Indian bases at Amritsar, Calcutta, Jhansi, Jullunder (Jalandhar) and Lahore (Pakistan) but the Church's research couldn't link Ig's father to this battalion. The Wiltshire Regiment left the Indias in October 1947, but her father stayed in Pakistan for a couple of years longer.

Update March 2018: Iggy's mother, so was confirmed to us, wasn't from Pakistan, but from Mizoram, situated at the North-East of India, sharing borders with Bangladesh and Myanmar. Probably that is where Iggy was born and went to school. The 'evening stroll' of Iggy's dad did not take place in the Himalaya's, but at the Lushai Hills, a mountain range in Mizoram and Tripura, India.

The garden of Aden

It is not that weird either that the family was dispatched to Aden. Before 1937 Aden was an (overseas) part of British India and after that it became a separate British Crown colony, much to the enjoyment of philatelists from all over the world. It would stay under British reign until 1963 and in 1967 it was absorbed by the People's Republic of South Yemen.

Kids could go to the Khormaksar primary and secondary school (close to the RAF airport base), but there was the (Roman-Catholic) Good Shepherd Convent School for girls as well, the Isthmus School and the Selim Girl's School that was badly damaged in the anti-Semitic pogroms from 1947.

There are quite a few blogs and forums about Aden with hundreds of pictures of the fifties and sixties, but the Reverend couldn't find Iggy back, yet. The Mojo article has a picture from Ig at Worthing Beach, in the early Sixties, so around 1963 they may have returned to England.

London Underground

In January 1969 Iggy met Syd, thanks to their common friend Jenny Spires. The outside world didn't always realise that Ig and Syd became an item. Ig was unaware that Syd had been a pop star, but then one day:

He [Syd] then said, 'Would you listen to this?' And he bought out this big, old-fashioned reel-to-reel tape recorder, and said, 'Tell me what you think'." Syd then played her the songs that would end up on The Madcap Laughs. One track, Terrapin, made an immediate impression. "I said, 'That's quite catchy', and, of course, I don't think Syd was really into catchy...It was a long tape, and he didn't demand any opinion, but just asked if I thought it was OK. At the end he said 'Someone at EMI - I cannot remember the name - wants me to make a record. How would you feel about having a rock star boyfriend?'" (The Strange Tale Of Iggy The Eskimo Pt. 1, paragraph 12)

This may have happened in the weekend of 12 and 13 April 1969 after Malcolm Jones and Syd had started working on the new album:

During the tea break we discussed going back to some of the songs started the previous year, in particular 'Golden Hair', and perhaps 'Late Night' although the original version of that had been destroyed, it seemed. We returned to the studio and started work on another new song, 'Terrapin'. In one take Syd laid down a guitar and vocal track that was to be the master! At my suggestion Syd double tracked his vocal part, and that was it!

One day Syd Barrett disappeared from the flat and Iggy, in a jealous mood, fearing he was seeing another woman, tracked down her friend in David Gilmour's appartment, just a few blocks away.

"I went in, shouting, 'OK, where is she?' thinking there was a woman hiding in one of the rooms. But, of course, the meeting had been with Dave about the record they were making together." Barrett left Iggy with Gilmour, but rather the worse for wear, she knocked the stylus on his record player accidentally scratching his copy of Pink Floyd's brand new album. "I have no idea what album it was, only that it was their new album," Iggy sighs. (The likely candidate seems to be Soundtrack From The Film More) "So Dave threw me out..." (The Strange Tale Of Iggy The Eskimo Pt. 2, paragraph 3)

Here is again an excellent opportunity to grab the Church's copies of Glenn Povey's 'Echoes' and David Parker's 'Random Precision'. According to David Parker Barrett had his last recording session with Malcolm Jones on the 3rd and 4th of May, while the David Gilmour sessions started a month later (see our 1969 calendar). On the 6th of May however 'a set of rough mixes' of the album was made, presumably to be handed over to Gilmour (and Waters), who had promised to finalise the album (it is significant that on that tape Opel, Swan Lee and Rhamadan are still present).

But probably Barrett, Jones, Gilmour and Waters had been discussing about all this before. The Church has always believed that Iggy left Syd somewhere in April and up till now Ig's visit to Gilmour's apartment fits nicely into that scheme.

Mark Blake wisely deducts the scratched record has to be 'More'. More was released on Friday, the 13th of June 1969, but of course Gilmour may have had a copy some weeks before. Another, but more unlikely, candidate is 'Ummagumma'. Although only released in November the Floyd had already been recording some pieces for this album in January and February, together with the 'More' sessions, so perhaps Gilmour and Barrett could've listened to an acetate instead. And of course the live tracks of that album must have been circulating amongst the band members as well.

But there is still another possibility. Margaretta Barclay told the Church she has a postcard sent to her and Ig at Wetherby Mansions in June 1969 so perhaps Ig's departure took place after More had been officially released (see: Gretta Speaks 2).

Notes (other than internet links mentioned above):
Parker, David: Random Precision, Cherry Red Books, London, 2001, p. 139-158.
Jones, Malcolm: The Making Of The Madcap Laughs, Brain Damage, 2003, p. 7.
Povey, Glenn: Echoes, the complete history of Pink Floyd, 3C Publishing, 2008, p. 104-112.

The Church wishes to thank: Adenairways.com, Mark Blake, Jenny Spires, Natashaa' and the beautiful people at Late Night.
♥ Iggy ♥

Somewhere mid December we were informed by Iggy that she had been asked some questions by the British Jimi Hendrix magazine: Jimpress.

Jimpress started in July 1991 and is currently at its 100th issue and obviously no other issue than this centenary one was suited to welcome Iggy Rose. Pages 9 to 17 have the article Mr Love, where author Tim Greenhall examines several events from Brook Street 23 in London.

Mr Love, The Jimi Hendrix London Experience, Tim Greenhall examines events in Brook Street

The article starts with the memories of Doug Kaye, who used to work in his brother's restaurant in Brook Street. Above the Mr Love restaurant was a flat where a certain Jimi Hendrix and Kathy Etchingham set up residence. Doug first met Jimi at the cigarettes machine and they started talking about blues music. Doug lend Jimi two blues albums that he never saw back but that are now part of the Jimi Hendrix exposition at the EMP museum in Seattle.

Doug Kaye started the secret Mr Love Facebook group (later renamed to Echoes) that unfortunately has been declared terra incognita for the Reverend but that accommodates quite a few Sixties celebrities among its members (and many of those are friends of Iggy Rose as well).

One of them, mentioned in the article, is Robert Orbach who owned I Was Lord Kitchener's Valet and who sold Jimi Hendrix his trademark cavalry jacket. The Hussars tunic dated from 1850 and was the personal property of Robert who wore it in his shop. Jimi Hendrix first proposed to buy it for 20£ but Orbach told the item was not for sale. Over the next few days Hendrix and his manager would drop by with higher bids and at the end the uniform changed owner for the tenfold of the originally proposed price. To modern 2013 standards Hendrix must have paid the equivalent of about 2000£ (or 2320€ or 3100$), but as it became one of the most renown jackets in the world of rock that price was probably a fair one.

Jeff Dexter probably doesn't need to be introduced to Iggy Rose fans, he tried to make a record with her but this miserably failed when he found out at the studio that non of the girls he had chosen for his Motown-like act actually could sing. Dexter met Hendrix on different occasions.

Introducing John Altman would take us at least three Church blog posts, so we will just say he is a (film & ad) composer, music arranger, orchestrator, conductor, an occasional contributor to Monty Python and that he has more anecdotes up his sleeve than the Reverend has ever got hangovers in his entire life. John Altham talked most about jazz with Jimi and Hendrix confided him he wanted to take some guitar lessons from John McLaughlin.

Iggy Rose @ Jimpress

And then it is finally time to attribute some lines to our goddess:

One of the group's most colourful ladies is the lovely “Iggy Rose”. Iggy was Syd Barrett's girlfriend and met Jimi on a few occasions. She is probably best known for being the model on the cover of Barrett's album The Madcap Laughs, however she has been seen in many a sixties nostalgia film, most notably Granny Takes A Trip which you can find on YouTube no doubt. Iggy also worked in the store of the same name.

Note: as far as we know Iggy did not work at Granny's. The article from Tim Greenhall continues:

I asked Iggy what she remembered about Jimi in that time ?

I never really spent much time chatting but was in his presence. I met Kathy Etchingham on a couple of occasions. I knew Noel Redding quite well. I remember seeing him at The Bag o'Nails where he blew everyone away. I just feel very fortunate to have met him and will always be grateful for that.

...the article ends with a thank you note to Iggy:

I would particularly like to thank Iggy for putting me in contact with Jeff Dexter, Robert Orbach and John Altman.

Hendrix at the Church

The Church has destined a few articles to the Iggy Rose - Jimi Hendrix connection before.

Anthony Stern, who immortalised her in his movies and pictures, first met Iggy at a Hendrix concert at the Speakeasy, this was told in the different press articles Kirsty Whalley wrote about Iggy Rose: Where did she go? and Little old lady from London-by-the-Sea.

In 2010 the Church interviewed Rod Harris, who has been described as the man who launched Jimi Hendrix in the UK: Rod Harrod remembers The Crom. Co-owner from The Cromwellian club Bob Archer told the Church he was the first to book Jimi Hendrix:

True fact is the first place Jimi [Hendrix] played in London was The Crom. He sat in with Brian Auger. Chas [Chandler] brought him in the first night he arrived. Kathy [Etchingham] worked a bit for me. Taken from: The Wrestling Beatle.

And in his 2011 Mojo article Pink Floyd biographer Mark Blake revealed that Iggy saw Hendrix make his UK debut at the Bag O' Nails in November '66: The Strange Tale Of Iggy The Eskimo.

A few years ago the Church asked Iggy what she did remember of that Hendrix gig and here is what she confided to the Church (unpublished before):

I think the first mind-blowing experience I had of watching Jimi Hendrix's explosive performance was at the Bag 'O Nails on November the 25th, 1966.

I actually sat on the edge of its tiny stage waiting for the gig to start.

The so-called super cool blasé London in-crowd didn't realise what hit them. From the very first stupendous chord this felt like a typhoon blasting away all sense and reason, reducing everyone in the public into a quivering state of amazement. This phenomenally unique sound provoked a spontaneous eruption in the crowd. Suddenly everyone leapt to their feet with a roar, clamouring to get near the stage to absorb the extraordinary.

And as if that wasn't enough, as soon as Jimi dropped to his knees and started to play the electric guitar with his tongue the roomful of trendy clubbers went ballistic and then he hadn't set his guitar on fire yet. For me it looked like he continued through the night producing spectacular feats of unparalleled works of genius.

Then of course his electrifying voice that touched and melted the most vital. This was oozing raw scalding sex, a river of molten lava erupting from a volcano. Hendrix created an uncontrollable sensation of having multiple orgasms.

Unfortunately the pictures that were in her possession from Jimi Hendrix (with her?) have been lost through the years, as well as those with Eric Clapton, Roger Daltrey, George Harrison, Brian Jones, Anita Pallenberg, 'Keef' Richards and 'lovely' Keith Moon... (and then there is still a hidden, but rather naughty, but rather arty, Syd & Iggy Madcap Laughs photo session that is in ultra safe hands somewhere).

But not all is lost, the Church also heard that some people want to contact Iggy for a new Rolling Stones related project. The Reverend is pretty sure that somewhere there must be pictures, probably in private hands: Iggy & the Stones.

Many thanks to Tim Greenhall from Jimpress and to all contributors from previous articles mentioned here: Bob Archer, Mark Blake, Rod Harris, Kirsty Whalley...
♥ Iggy ♥ Libby ♥

Jimpress can be contacted (and bought) at http://www.jimpress.co.uk/
Jimpress is on Facebook as well.

Sources:
Rose, Iggy: Jimi Hendrix at Bag 'O Nails, chat / phone conversation(s) with Felix Atagong somewhere in 2011.

Interstellar Overdrive is the name of a January 2014 Shindig guide and it's worth every penny you spend on it. In 35 articles on 170 pages, it tries to define and explore the space rock phenomenon. It has in-dept articles on Acid Mothers Temple, Tim Blake, Neu!, Ozric Tentacles, Yes and many others without forgetting The Tornados' Telstar and the obligatory space rock top 30 countdown. A 6-pages article, called 'The Reluctant Spacerockers', written by Austin Matthews, investigates the frail relation between Pink Floyd and space rock.

This is part two of our review, for part one that covers an entirely different matter, please check:
Pink Floyd. Still First in Space. NOT!  

Interstellar Overdrive

Even if it omits the ambient Cluster One instrumental from The Division Bell, that with Storm Thorgerson's artwork of the Cerro Tololo Interamerican Observatory in Chile, refers to Astronomy Domine, we thoroughly enjoyed the well researched 'Reluctant Spacerockers' essay. What we are not happy with however, is the picture that is put on top of the article.

Here it is (we have cropped the picture a bit to only show the band members and we put some nifty numbers above each person).

Copyright: Pictorial Press. We honestly think we can publish this picture under the 'Fair Use' rules, especially as it will be used for criticism, comment reporting, news gathering and frankly, for taking the piss out of the copyright holders. See also: legal stuff.

It is a nice picture, no problem about that, but unfortunately the band isn't Pink Floyd. There are five musicians on the picture but the five man Floyd barely existed for 8 days in the beginning of 1968.

This picture goes around for ages but the question if this is really the Floyd was raised on the 'A Fleeting Glimpse' forum in 2009, where Mr. Pinky identified the band as Dantalian's Chariot.

Hi all. Only to say you that, according with Ian Russell, this picture, posted in the page 57, shows a band called Dantalian's Chariot, a famous psychedelic band in the end '60. This photo was also in the Cliff Jones 'Echoes' book, but has nothing to do with the Floyd at all.

It seemed to be a 5-man Floyd pic, but NOT, we really should know better, wrong instruments, wrong equipment etc.

That band's something we can't explain

The picture shows five musicians and that particular setup in Pink Floyd was only known for five live gigs between 12 January 1968 and 20 January 1968. On the Yeeshkul forum this picture has been further analysed by fans who know these things much better than we do...

The five men on the picture should be, left to right, numbers one to five:

1: Roger Waters playing the bass. The picture isn't clear enough to recognise the bass player, but the bass should've been a Rickenbacker and the musician on the left is holding a Fender.

2: Nick Mason. First of all: this isn't Nick's drum set. The silver toms look the same, but the bass drum is smaller and doesn't have a front skin. Pink Floyd always had a front skin on the drums and furthermore Nick always had two bass drums instead of one.

3: David Gilmour. It is weird that the third man doesn't play a guitar. Especially for David Gilmour who normally is glued to his axe and who was hired in to mimic Syd's solos.

4: Syd Barrett. The man on the picture is playing a black or sunburst Strat, a guitar Syd didn't have, as far as we know. David Gilmour only acquired one two years later. A white strat would have been more appropriate for Syd.

5: Rick Wright. Although the keyboard player is nearly completely hidden in the dark one can see something that resembles a huge perm. Richard was never the man to have an afro. It is awfully dark but the organ doesn't seem to be a Hammond, Rick Wright's favourite instrument.

And there is more. The equipment is not Pink Floyd's. There is a Marshall stack and a Fender Bassman and these are not Floydian at all, so tell us the people who know. What the equipment does have in common with Pink Floyd is a Watkins (aka WEM) PA unit, but that is hardly unique.

Then there is the projection of the nude woman left on the picture, she also appears on the right side of the stage (on the uncropped version). We have never seen something similar on the dozens of live pictures of the Floyd of that era. Often avant-garde movies were shown on the walls (or the ceiling) while bands where playing in the psychedelic clubs, but it is again one of those things that don't add up.

And last: this picture is often described as taken at the UFO club but the 5 man Floyd didn't play there in the 8 days they existed.

As for the assumption that the band is Dantalian's Chariot with Zoot Money on keyboards and a young Andy Summers on guitar the cons are about the same. That band consisted of four members, not five, and Zoot Money didn't have a big hairdo either. But apparently Jeff Dexter confirmed it is them allright. So this could have been taken during their UFO gig on the 22nd of September, 1967.

Copy copy

The above picture is copyrighted by Pictorial Press who have it in their Pink Floyd folder as number 1398. Unfortunately they can't give us a date but they do mention it was taken at the UFO club. To further demonstrate their competence they categorise Pink Floyd under the category 'metal', a class they share with KC and The Sunshine Band, Dionne Warwick and Sandie Shaw. These people are professionals, we can tell you that! (We are aware of the existence of The Nile Song and Ibiza Bar, though.)

But scallywags or not, Pictorial Press has several times managed to sell this picture. We find it on page 20 of William Ruhlmann's Pink Floyd (1993), but luckily the author caught the error in time and describes it as 'an unidentified group at UFO'. This biography is one of those mass printed 'take your money and run' budget releases with scarce text and plenty of pictures. It is also one of the few biographies that was published in Dutch and in that edition the picture can be found on page 16.

In 1996 Cliff Jones published the picture on page 25 of his Echoes biography, not to be confused with the Glenn Povey history book that has the same title. Subtitled 'the stories behind every Pink Floyd song' the book attempted to tell the band's history track per track and album per album, but there it miserably failed. There are plenty of mistakes in the text and also on the pictures: on page 29 Roger Waters can be seen but the picture is described as 'a young Dave Gilmour'; page 25 has the UFO picture this article is all about, captioned 'The Floyd light show, UFO club'. Apparently David Gilmour was so angry about this book that he threatened to sue the author:

"The book has a very large number of errors - over 120 - some careless, some very serious", the star's solicitors, tell me. "We have also identified four serious libels of David Gilmour. The band take a very serious view of this and are furious." (Daily Express Dec. 9th 1996, quoted on Brain Damage)

An agreement was reached and the book was shipped to the shops, but with a sticker on page 107 that replaced 23 lines with new text. We will never know how the passage reads that infuriated Gilmour so much. Original copies were send back to the publisher and seem to have vanished from this planet. For those interested in the many mistakes there is this webpage showing them all and for a review we can guide you to Brain Damage. To add insult to injury this book was also issued under the title Another Brick In The Wall (for the overseas market?) but it comes with exactly the same mistakes.

London Live by Tony Bacon could be found for years on the official Syd Barrett website where they thought it was all about the person that makes them sell these t-shirts. However, the book is not a Pink Floyd, nor a Syd Barrett biography but an 'inside story of live bands in the capital's trail-blazing music clubs' of London. Page 90 and 91 have the (artificially coloured) picture where it is called 'a majestic lightshow at UFO', not mentioning any band.

In October last year, a new biography, Behind the Wall, appeared, written by Hugh Fielder. Floyd anoraks say that the book doesn't really reveal new facts, apart from the obligatory updates about the Roger Waters never ending Wall-world-tour. One thing that makes us hesitate buying it is that the UFO club picture is in there and that it apparently is attributed to the band we all love.

Shame on Shindig!

Of course Pictorial Press, in their role as entrepreneurial con men, are not entirely to blame for selling their crap images. Authors and graphical editors should not only check and double-check text material but also the pictures they publish.

The guys from Shindig normally deliver excellent work, but before he gave his fiat for this issue Jon 'Mojo' Mills must have inhaled a wee bit too much sweet smoke from his water-pipe.

Shame on you, crazy Shindig!

P.S. Obviously The Anchor has warned Pictorial Press about their mistake and as soon as we will receive an answer this article will be updated. (Update 2016: they never answered.)
P.P.S. Shindig was so kind to give us the following message: "We were duped! I should have spotted it. Many apologies."

The Anchor wishes to thank: the Yeeshkul and A Fleeting Glimpse forums and their members, b_squared, demamo, Rich Hall, hallucalation, Mr. Pinky, Orgone Accumulator, saygeddylee, supervehicle, sydzappa...

Sources (other than the above internet links):
Bacon, Tony: London Live, Balafon Books, London, 1999, p. 90-91.
Jones, Cliff: Another Brick in the Wall, Broadway Books, New York, 1996, p. 25. In the UK this book has been published under the title 'Echoes'.
Ruhlmann, William: Pink Floyd, Magna Books, Leicester, 1993, p. 20.
Ruhlmann, William: Pink Floyd, ADC, Eke (Belgium), 1994, p. 16. Dutch edition of the above.
Fielder, Hugh: Behind The Wall, Race Point Publishing, New York, 2013.

The Anchor is the Holy Church of Iggy the Inuit's satirical division, intended for people with a good heart, but a rather bad character.
More info: The Anchor.
Read our legal stuff: Legal Stuff.

The Church closed its door at the end of March 2015, but promised to keep an eye open for all things relatively Syd-and-Iggy-related. Obviously serendipity meant that, from that moment on, Syd-and-Iggy related matters would regularly smash against the Church's closed windows at the air-speed velocity of an unladen swallow, making this one of our busier seasons.

Iggy Rose was a guest on American Dazed (talk) Radio, her first radio-interview ever. The condensed version still is 47 minutes but what an intense 47 minutes they are: Iggy Rose Radio Interview.

In June Iggy was invited to the biennial, second and probably last Birdie Hop Cambridge meeting where she met with Libby Gausden, Jenny Spires and a bunch of Barrett-fans: Iggy Rose in Cambridge.

And then, when you're least expecting it, there is a brand new Iggy picture that make our hormone levels go crazy.

This article follows the same steps as that other one of 2012 that published the discovery of Iggy's 'Pocahontas' picture, that has been an inspiration for so many Iggy fans and their fanart creations: Iggy - a new look in festivals.

The 1967 Festival of the Flower Children

Two weeks after Iggy had visited the National Jazz, Pop, Ballads and Blues Festival at the Royal Windsor Racecourse, where she had her picture taken for Music Maker magazine (see: Iggy - a new look in festivals), there was the first Woburn festival with an equally appealing title: Festival of the Flower Children. Wanting to cash in on the Summer of Love (and the Bank Holiday Weekend of 26-28 August) it tried to be a direct competitor for the first one that was already well established and in its seventh edition. Flower Children also went on for three days but its bill was less abundant, less adventurous and clearly directed at the general public or 'weekend' hippies, rather than the underground elite. The host, the Duke of Bedford, one of those examples the French invented the guillotine for and the living proof that the posh establishment will temporarily adhere an alternative lifestyle if there is a buck to earn, sneered:

Only flower children are allowed in. They are nice peaceful young people who like beat music and coloured lights. They are very different from hippies who take drugs and make trouble. Hippies will definitely be barred.

The Duke of Bedford apparently grabbed 10% of the entrance money estimated at £50.000, according to an article in The Australian Women's Weekly, but the promoters, the Seller brothers, apparently weren't that happy and the financial debacle may have quickened the demise of their mod nightclub Tiles, where Jeff Dexter was the house DJ. The Daily Telegraph, however, wrote that the festival made the nice profit of £20.000. (Much of the information and some of the pictures in this article come from the excellent UK Rock Festivals.) For snobbish left-elitist underground circles and their affiliated magazines is was all a sell-out. Peter Jenner:

Gradually all sorts of dubious people began to get involved. The music business began to take over. (…) There were things like the Festival of the Flower Children.

That the Seller brothers were thinking more in the terms of profit than music or mod culture was perhaps proven by their nightclub Tiles that was described by Tom Wolfe as the 'Noonday Underground'. In the middle of the day, during lunch hour, the club opened and was visited by 'office boys, office girls, department store clerks' and teenagers who had left school at fifteen, for their daily dose of mod music and a Coca-Cola. Tiles aimed for an easy-going public and although it lacked style and personality it did have a proper bar, a good dance floor, a fancy stage and an excellent sound system.

The Flower Children festival aimed at the masses as well, and not to the hardcore underground, promising bands and artists as Jeff Beck, The Bee Gees, Eric Burdon & The New Animals, The Kinks (not confirmed), Denny Laine (from The Moody Blues), Marmalade, Zoot Money & The Big Roll Band, The Move (not confirmed), The Alan Price Set, The Small Faces, Al Stewart, The Syn (a precursor of Yes) and less known bands as Blossom Toes, Breakthru, The Dream (some claim an early incarnation of Tangerine Dream?), The Gass (not confirmed), Tintern Abbey and Tangerine Peel (not confirmed and perhaps this is where the Tangerine Dream rumour comes from).

With the exception of perhaps Dantalian's Chariot (another band led by Zoot Money) and Tomorrow (with drummer Twink) the bill wasn't really underground, nor psychedelic. Pink Floyd was never considered to appear at the festival, although Rob Chapman pretends the opposite in his immaculate biography. Not that the band would've come as they had already cancelled the Windsor Racecourse gig due to Barrett's erratic behaviour.

For the press the festival was gefundenes fressen and news photographers seemed to outnumber groovers. And now we let you guess, who can be found on one of those pictures, you think?

Inside heroes

On the 21st of September the Holy Church of Iggy the Inuit was asked the following by Jacinta Storten:

Hi there, do you know if Iggy attended the Festival of the Flower Children love-in at Woburn Abbey in 1967? I have some photos of attendees and one of them looks just like her, on the other hand the photo could be from the Woburn Festival that Fleetwood Mac headlined which I think Pink Floyd were also billed from memory it was 67 or 68. [Note from FA: for the record, at the 1968 version of the Woburn Abbey festival, Fleetwood Mac never showed up, although they were billed. Pink Floyd never played the festival either as they were touring North America on that day.]

Such a mail obviously has the same effect on the Church as a red rag to a bull. We immediately contacted Iggy Rose who wasn't aware of ever being at the festival, but you know the saying 'if you remember the sixties, you weren't there'. We wrote back to Jacinta, asking for a copy of the picture so that we could send it over to Iggy, but due to the quirky way Facebook messaging works sometimes (or should we say: not works) that was ignored. (We have that effect on many people.)

Luckily on the fifth of November the picture appeared on the HeroInSight Tumblr blog:

'Iggy ”The Eskimo” Rose at Festival of the Flower Children Love-in, Woburn Abbey UK, 1967.

As soon as we got hold of the picture we send it to Iggy who confirmed it was indeed her:

My goodness, where did you find that?
I look stoned.
Haha. I can't even remember being there. Lol xxx.

An internet search revealed that the picture is currently hosted at Photo Inventory France, that seems to be owned by an Ebay seller called Photo Vintage France. The picture (30 x 19.5 cm) was put several times on sale before, between June 2012 and August 2015, for the price of 159 Euro, but apparently no buyer has ever been found. Lucky for us, otherwise the picture had perhaps never been found.

We contacted the owner of the Ebay shop, Bruno Tartarin, asking if he could give us more information about this picture. We got a reply pretty fast, but it didn't really give us info we didn't know already:

Cette image vient des archives Holmes-Lebel.
Flower Children, Hippies Rally, Woburn Abbey, Angleterre, circa 1967. RE2173
Tirage argentique d'époque tamponnée.

Translation:
This image comes from the Holmes-Lebel archives.
Flower Children, Hippies Rally, Woburn Abbey, Angleterre, circa 1967. RE2173
Authentic gelatin-silver photography, stamped.

Internet searches for the Holmes-Lebel company didn't lead to anything substantial apart from the fact that they created / sold pictures for advertisements, movie posters, record and book covers and magazines in the sixties. Also the photographer who took Iggy's picture is a mystery as the agency had several internationally renowned people working for them like Rona Jutka, Raymond Voinquel, Inge Morath, Christian Simonpietri...

Update 2015 12 22: Meanwhile the picture has mysteriously landed at Atagong Mansion, and for once, the Reverend isn't interested in the front of the picture, but wants to study the different marks on the back. There are four in total:
1. a blue stamp of the Holmes-Lebel company with the remark that the document has to be returned after publication: 'document à rendre'.
2. another stamp with the warning that four times the copyright amount will be asked if the document gets lost or damaged: 'en cas de perte ou détérioration des documents il sera perçu quatre fois le prix de cession des droits'.
3. a sticker describing the picture in English:

HIPPIES RALLY (THE FLOWER CHILDREN), WOBURN ABBEY, ENGLAND
Hippy girl dressed in the Indian way.
Copyright HOLMES-LEBEL/I.M.F. n) 3008

4. a remark written in pencil, reading 'woodstook'.

Scans of the stamps, stickers and marks on the back can be found on our Iggy Tumblr page: Hippy Girl.

Porn and the Englishman

A photographer who certainly was present at the Flower Children festival was Londoner Jean Straker whose photo studio was in Soho and who was interviewed in the 6th issue of Oz because his pictures were considered pornographic in the prude interpretation of the English law.

In 1951 he founded the Visual Arts Club where he gave lectures, sold his pictures and where he would have 'photographers, amateur and professional, studying the female nude'. Straker's pictures were considered pornography under the Obscene Publications Act and in 1961 over 1600 of his negatives and 233 of his prints were confiscated. While Straker claimed his pictures were of artistic value the judge didn't follow this explanation. In appeal, Straker got many of his negatives back, but this was forced on a technicality, using a loophole in the law, and the official interpretation was still that his pictures were obscene.

This situation lingered on with Straker trying to fight censorship and in 1967 Jean Straker noted (in Oz 6):

Now, as most lawyers know, I been through all this jazz before; apart from a few thousand motorists, and a few hundred barrow boys, I must be the most prosecuted non-criminal in town.

Jean Straker also visited the Festival of the Flower Children were he might have taken over 220 pictures. Harper's Books currently sells a (partial) archive of 39 different 5 x 8 inch black and white photographs. However, at 3.000 USD for this collection, it is a bit expensive just to find out if the Iggy picture is part of it.

At 165 Euro the Holmes-Lebel piece is almost a bargain.

The who, the what and the where?

There is a big chance we will never know who took Iggy's picture at the festival of the Flower Children. It could've been one of Iggy's froody friends, as we know she knew quite a few free-lance photographers, including the one who took her picture two weeks earlier at the National Jazz, Pop, Ballads and Blues Festival. If only she could remember his name! At the other hand, she could've been invited to the festival by Jeff Dexter, who had developed some interest in her and tried to record her in the studio.

It is possible that the picture was bought by the Holmes-Lebel agency in order to publish it in a French magazine. It would be nice to find that article back, if there ever has been one.

But the good news is that a new Iggy picture has been unearthed and that is was found – again – by one of her many fans. For that the Church (and Iggy Rose) will be eternally grateful to Jacinta 'HeroInSight' Storten...

The quest continues... good hunting my sistren and brethren... and don't do anything that Iggy wouldn't do...

Many thanks to: HeroInSight, Jacinta Storten, Iggy Rose, Bruno Tartarin, UK Rock Festivals.
♥ Iggy ♥ Libby ♥

Some pictures and articles, used for this post, will be published at the Holy Church's Tumblr blog under the Festival of the Flower Children-tag.

Sources (other than the above internet links):
Chapman, Rob: A Very Irregular Head, Faber and Faber, London, 2010, p. 179.
Green, Jonathon: All Dressed Up, Pimlico, London, 1999, p. 43, 221.
Green, Jonathon: Days In The Life, Pimlico, London, 1998, p. 112.
Palacios, Julian: Syd Barrett & Pink Floyd: Dark Globe, Plexus, London, 2010, p. 246.
Photo Inventory France: http://photoinventory.fr/photos/RE2173.png
Pullen, Bob: Photography and Censorship: The Photographs and Ideals of Jean Straker, Photography and Culture, Volume 1, Issue 2, 2008 (online pdf version).

This is Part Two of our 10-years anniversary post. To read the first part, head over here: 10 Mind-blowing facts you didn't know about the Holy Church of Iggy the Inuit.

The Holy Church of Iggy the Inuit celebrates its 10th birthday!

Ten years ago the Holy Church of Iggy the Inuit started with a (big) bang, not coincidentally surfing on the waves that were created by the Cambridge City Wakes festival, later continuing on its own momentum. On the 8th day of the 8th month of the 8th year a first article was posted.

A couple of days later it's birth was also announced on the Late Night forum, the then leading Syd Barrett community:

OK, the old habitants of this forum must have seen it coming and the forthcoming Iggy the Eskimo movie triggered it a bit.

The Holy Church of Iggy the Inuit

The first post is just a try-out (to check parameters etc...).
The second Bend It! is what I would like to achieve, a picture of Iggy and a lot of information about the who's, where's and abouts...

Let me know what you think of it...
BTW, all information is welcome... (and errorzzz)...
(I hope that the subdomain fully works: https://atagong.com/iggy)

Here is how the first header looked like, created in Xara 3D. (The 'vintage' old-school look was done deliberately.)

In the first year of its existence the Church published 37 articles (for those who love statistics that is 17% of all Church articles in its first decade). Those from August 2008 presented and analysed some of the Iggy material that was already available:

Iggy's presence at the 1966 'Bend' dance contest (Bend It!);
her cameo in the recently discovered IN Gear documentary (IN Gear) and (obviously)
her picture on The Madcap Laughs sleeve (Stormy Pictures).

The Orchid

After a hint from Mark Blake, author of the Pink Floyd biography Pigs Might Fly, that Iggy used to go dancing around Purley and Caterham, the Church contacted (local) newspaper The Croydon Guardian, that had written a few articles about the dancehall The Orchid. Journalist Kirsty Walley took the bait, she interviewed Anthony Stern and Jeff Dexter and officially started Iggymania with her article: So, where did she go to, our lovely? (en passant making free publicity for The City Wakes and The Holy Church of Iggy the Inuit).

It gave the Holy Church a certain authority it didn't want in the first place, but it can't be denied that the search for Iggy was taken pretty seriously by some people (not in the least the Reverend who also started to believe in it).

The Other Room

In that very first trimester we obviously reported about The City Wakes festival, especially when it was Iggy-related. The Trashcan Sinatras commemorated Syd and Iggy in their song Oranges And Apples and several articles commented on The Other Room exhibition where Anthony Stern's Iggy triptychs were exposed for the very first time: Anthony Stern Photoshoot.

As far as we know, The Other Room catalogue is still the only official printed publication where some of Anthony Stern's Iggy pictures have been published.

Storm and Rock in the Woods, featuring a mysterious brunette

When the City Wakes festival ended the Reverend thought that the rest of the season would be more at leisure, and that we would have to fill our blog with book reviews and the odd obituary (poor Rick died in September). But Iggymania had taken its momentum. The snowball started to roll...

We were informed that Iggy could be found on another Floydian document, a Syd Barrett Home Movies compilation that had been shown once (and only once) before a 1990 Pink Floyd charity concert at Knebworth. The Church (with - again - a lot of help from Late Night members) could identify most people in the so-called Lost In The Woods movie with the exception of 'a mysterious brunette' who was seen walking with Syd and Iggy (Love in the Woods (Pt. 1) & (Pt. 2)).

A decade later she still has not been identified.

JenS

Thanks to Julian Palacios, author of two Syd Barrett biographies and the administrator of a (now deleted) Syd Barrett highbrow 'research' forum, the Church was contacted, in January 2009, by the person who introduced Iggy to Syd Barrett four decades before.

This resulted in a few articles that brought forward some new and interesting findings, promoting the theory that The Madcap Laughs record sleeve picture had been taken in the spring of 1969 and not in autumn, as other witnesses used to declare in Pink Floyd and Barrett biographies. (See: When Syd met Iggy - Pt. 1 - Pt. 2 - Pt. 3 - Pt. 4.)

It gave the Church the reputation of being contrarious, but now, ten years later, this theory seems to be generally accepted. That you read it at the Church first, is thanks to JenS, our witness who wanted to remain anonymous, despite the fact that every level 2 Syd anorak knows who (s)he is.

Pink Pontiac

It would not be the only time the Church had to confront witnesses, who were high on the Floydian pecking order, with a 'false memory syndrome'.

One of the weirder ones is Mick Rock's theory that Syd Barrett had a pink convertible parked before his door, while the few coloured photographs actually show it was 'midnight' blue. A pink car would also turn light-grey on the various Madcap Laughs BW pictures, but they invariably show a very dark-grey, almost black, coach.

Also Duggie Fields, who must have passed the car parked in front of his apartment for months, remembers it as pink and has even painted the car in that colour, for the artwork that accompanied the Their Mortal Remains exhibition (2017).

Of course the Pontiac Parisienne, with license plate VYP74, was later turned into pink for its role in the movie Entertaining Mr. Sloane. This movie, however, was shot after Syd Barrett seemingly gave it away to a bystander, although some witnesses still pretend the contrary after all these years. Others pretend it was a 'chameleon' car that originally was pink, then painted blue, then painted pink again. You can't win them all.

Update 20181223: Iain Owen Moor (Emo), friend of the Floyd and the London underground remembers the car, when it was still owned by Mickey Finn.

Thought it was black. I went in it a few times in 68 (?) with Sue Worth, Mickey's then girlfriend. The car seems to have had a life of its own like The Yellow Rolls-Royce.

Words of Hope

In May of the Church's first season, however, the Reverend already fell into a dip, because of... a lack of Iggy. Luckily there was Dan5482 who gave the Church a thumb's up, adding:

Despite all that collective amnesia I think that Iggy can still be found. There are journalists, detectives... who have found more difficult "targets".

However, an intense and widespread interest for her is a necessary condition. Your Church is a source of hope in this sense. It lets many people know that once such a mysterious woman existed.

His words unknowingly predicted the future, but that is a story we will keep for August next year, if at least the orange buffoon hasn't pushed the Armageddon button by then.

The Church wishes to thank all of those who started rolling the ball 10 years ago. Unfortunately, many of them have left the scene. : Alien Brain, Astral Piper, Sean Beaver, Bell That Rings, Mark Blake, Charley, Dan5482, Dani, Dark Globe, Bea Day, Dolly Rocker, Ebronte, Eternal Isolation, Gnome, Juliian Indica, Kim Kastekniv, Little Minute Gong, Madcap Syd, Metal Mickey, Iain Owen Moor, Music Bailey, Mystic Shining, Psych 62, Silks (नियत), Stanislav, Jenny Spires, Stars Can Frighten, Syd Barrett's Mandolin, Anthony Stern, The Syd Barrett Sound... (Sorry to those we have forgotten to mention.)

♥ Libby ♥ Iggy ♥

Great news for these desolate autumn times. On Tuesday, 23 October 2018, Nigel Young found a 1968 documentary, featuring none other than Iggy the Eskimo. He was so friendly to warn the Church about his discovery. Simultaneously Alex Hoffmann (from Birdie Hop) and Antonio Jesús Reyes (from Solo En Las Nubes) also informed the Reverend of this pretty spectacular find. Let's have a closer look, shall we?

Hippies St Germans

“Hippies at the Port Eliot Estate in St Germans explain a happy hippy way of life and are welcomed by the Earl.”

The full movie can be watched (for free) at the BFI archives, but unfortunately it has been geo-blocked for users outside Great Britain, but as these are the days of the interweb means and methods exist to circumvent that: Hippies St Germans. A short excerpt with only the Iggy bits and pieces (direct link: https://www.youtube.com/watch?v=4tHaIiZFiNA).

Here is how the movie is described by BFI:

Peregrine Eliot aka from 1988 the tenth Earl of St Germans has opened his estate to a community of hippies who seek an alternative way of life. This dreamy film sees news reporter Dale Le Vack meet members of the community and attempts to explore aspirations for centring and pooling resources including giving up traditional living in the pursuit of harmony, freedom, self-sufficiency and vegetarianism.

This sounds all very idyllic, but the hippies in the movie, although unwashed, weren't really hippies to begin with. Except the one we call a rose, obviously.

Class struggle

It has been stated before that the psychedelic in-crowd of the mid-sixties were not a part of the proletariat, although they liked to mingle with ordinary work-folk like – let's say – Mick Jagger, to show that they were not snobby. It even was mentioned in a 1965 Daily Express column from William Hickey:

There's no harm these days in knowing a Rolling Stone... And pop people do not seem to mind who they mix with. Some of their best friends, in fact, are fledglings from the upper classes.

Ordinary men – despite the social, cultural and sexual revolution this was still mainly a patriarchal clique – who managed to throw their working class shackles away and entered the progressive ranks of society were embraced in aristocratic circles as a long lost brother returning from a spiritual voyage to Shangri-La. Actor Terence Stamp, originally a working-class boy, 'gleefully expressed his delight that'...

...some yobbo like me could get into the Saddle Room [a hip nightclub] and dance with the Duchess of Bedford's daughter, and get hold of her, and get taken down to Woburn Abbey to hang out for a long weekend and have dinner in the Canaletto Room.(Taken from the very relevant and informative The wild Sloanes who made the Sixties happen, by John Walsh.)

Jeff Dexter

“By the mid-'60s Iggy had become a Zelig-like presence on the capital's music scene.”, wrote music journalist Mark Blake in his Iggy Rose interview (see: The Strange Tale Of Iggy The Eskimo). She knew DJ Jeff Dexter from her Orchid Ballroom days and (probably) through Prince Stash Klossowski De Rola she got in contact with Brian Jones and Keith Richards.

“Dexter loved the attention of the 'aristos'.”, Iggy told the Church. He entered the posh social circles by befriending the Ormsby-Gore sisters, Jane, Victoria and Alice (aka the Harlechs) and David Mlinaric, the British-Austro-Hungarian interior designer who had, among his clients, Mick Jagger, Eric Clapton and Lord Rotschild. Jeff Dexter:

The people around Granny's were rich kids, beautiful people, but that was no barrier for me. They were just people making things happen. Though they had the advantage that they could get a shop together and set up businesses. (DITL, P221)

Barry Miles had about the same opinion:

The music business was the main way in which the working class became involved. The people who were involved with fashion or art tended to be much more upper class. (DITL, P92)

Baghdad House

One place to meet, during the day, was the Baghdad House (or BDH) on Fulham Road where you sat on cushions and could drink a yoghurt with honey and smoke some hash downstairs. Barry Miles notes that the place was difficult to raid because of its many important visitors: Beatles, Stones and their aristocratic friends.

Iggy, to her own account, never was a part of the London elite in-crowd, but mingled with them at different occasions. This came naturally to her, Iggy originated from a well-to-do upper middle-class family who tried to raise her as a well-mannered ladylike debutante. As a child she had several private tutors who taught her the piano, violin, harp, flute and classical guitar. She had a voice coach learning her how to sing. She took ballet classes with a 'madame who was a sadist throwback from the Gestapo', as Iggy once vividly described to us. All these lessons were to no avail as she was a bratty stubborn kid with a mind of her own. Iggy wanted freedom and if that meant running away from home at 14, so be it. She could easily have entered the elite to live a protected and secure life, she certainly had the manners and – frankly – the looks for it, but freedom was much more important to her than having a full stomach and a bed to sleep in, trapped in a golden cage.

Melting Pot

Before we get to the travelling would-be hippies, let's have some extra name-dropping.

Sir Charles Mark Palmer, 5th Baronet (whatever that means), whose godmother happened to be queen Elizabeth II, opened the English Boy modelling agency in 1965. It was located above the Quorum store, from Ossie Clark and Alice Pollock, who asked Iggy to model some clothes on the catwalk. (She probably was too insecure and refused.)

On another floor of the same building lived Brian Jones with his girlfriend (and model) Melanie Susan 'Suki' Potier (often written as Poitier). But that didn't stop him from inviting Iggy Rose from time to time for some quality entertainment.

Michael Rainey originally was a designer for Quorum, but he opened his own shop Hung On You in 1965. Iggy wasn't the only one who found him an Adonis. Anita Pallenberg:

Michael was just so wonderful and so handsome. I think everybody I knew had a crush on him in those days. (RSG, P192)

English Boy

Rainey was married to Jane Teresa Denyse Ormsby-Gore, the Lady Jane from the Rolling Stones song and daughter of David Ormsby-Gore, 5th Baron Harlech, a conservative politician and diplomat. Iggy Rose knew the couple pretty welll:

Michael Rainey owned a men's clothes shop, and there was a modelling agency called English Boy. I mixed with that set. The models at that agency were out of this world.

For some pictures of the English Boy models you can go to this page and it is no wonder that Iggy felt at ease with so many beauties around her.

Tears in Heaven

Jane's younger sister was the 'tragically beautiful' Alice Ormsby-Gore, but she and Iggy didn't get along as they had been dating the same guitar player for some time. One night - in 1968 - at The Speakeasy Iggy was on the dance floor, 'lost in music and totally entranced', when Eric Clapton arrived with 17 year old Alice Ormsby-Gore by his side.

Almost four decades later, when Iggy told this anecdote to the Church, she was still not proud of her behaviour that night.

She threw one of her legendary temper tantrums and had to be removed from the nightclub. At first another guitarist hugged her and tried to calm her down by softly chanting hare krishna. But Iggy was too angry and refused to leave the Speak with him. A baffled George Harrison could only shake his head at so many stubbornness. At last one of the managers (Roy Flynn or Mike Carey, probably) escorted Iggy to his office where she cooled down with a hot cup of tea, sitting on the floor sobbing.

Bad Love

Through our conversations with Iggy we learned that she had quite a crush for the alleged lady-killer. After their breakup he denied that it had ever happened and we wonder if this has ever been described in one of the many Clapton biographies.

Perhaps it was all for the better. It is rumoured that Eric Clapton did not treat his fiancé well during their five year relationship and after the breakup he said he had never loved her. Alice followed Eric in his heroin addiction and while Clapton could recover Alice died of an overdose in 1995.

Lambton

Other friends of Iggy, through Jeff Dexter, were the eldest Lambton sisters: “Beatrice took care of me for a while.” Iggy probably meant Lady Beatrix Nevill (née: Lambton, 1949) who had four sisters: Lucinda (1943), Rose Diana (1952), Anne Mary (1954) and Isabella (1958). Their father was Lord Antony Claud Frederick Lambton, an MP who was caught in 1973 in a (minor) political scandal after he was found in bed with two prostitutes and some drugs.

Iggy probably only knew the two older sisters Beatrix and Lucinda, as the others were far too young. There is not a lot more that can be said as they apparently stayed out the gossip pages, at least in the sixties.

Lucinda wrote several books, was a photographer and an acclaimed TV broadcaster. Her younger sister Anne Lambton was a confidantes of Andy Warhol and starred in the Sex Pistols biography Sid and Nancy. In 2013 the family sued each other over the £12 million estate of their deceased father.

Port Eliot

The age of Aquarius was one were many youngsters were looking for an alternative lifestyle, an alternative philosophy, an alternative religion. In some cases this meant throwing those restraining British Christian traditions overboard, replacing these with equally restricting oriental ones and paradoxically claiming this new set of standards was liberating. Some aristocrats sought it closer to home. Keith Richards, in his autobiography, Life, remembers:

There were a lot of Pre-Raphaelites running around in velvet with scarves tied to their knees, like the Ormsby-Gores, looking for the Holy Grail, the Lost Court of King Arthur, UFOs and ley lines.

Iggy Rose visited the castle at Port Eliot (St Germans, Cornwall) with Michael Rainey and some other people of the smart set. Among them Henrietta Moraes (née: Audrey Wendy Abbott) who had been an equally free-spirited woman and junkie, although a decade and a half before. She was the muse and inspiration for many artists of the Soho subculture, including Lucian Freud, Francis Bacon and Maggi Hambling. Iggy the Eskimo:

There's a place in Cornwall called Port Elliot. A bloke I knew called Peregrine has a castle there. For the May Day celebrations a party of his friends would gather round the village, which upset the Morris dancers. Peregrine's beautiful ladies were sitting astride the horses that were adorned with flower garlands, dressed as dames from King Arthur's Court.

The above probably means that Iggy visited the castle more than once, as she was there with Michael Rainey and - later - with Mark Palmer's gypsy caravan.

Master and Servants

The master of the estate (as he is so accurately described by his grovelling interviewer) was Peregrine Eliot, 10th Earl of St Germans. He was a partner in Seltaeb, the Beatles merchandising company from the sixties. He was married to Jacquetta Jean Frederika Lampson, a daughter of a well known British diplomat. Jacquetta had been a model for Lucian Freud and performed in the 1967 movie Echoes of Silence. Also present in the documentary is her sister Roxana 'Bunty' Rose Catherine Naila Lampson. She was married to Ian Ross, who co-founded Radio Caroline.

Peregrine Eliot later hosted several festivals on his estate. The Elephant Fayre in the eighties and the Port Eliot Lit Fest from 2010 and later.

Aristo-Gypsies

The summer of love was slowly coming to an end and fun days were over. John Walsh in The wild Sloanes who made the Sixties happen:

As the summer of 1967 slid into autumn, things paled. Hippie and flower-child fashions became a high-street style rather than a statement of individualism. Sporting flowers in your hair or marigolds drawn in biro on your cheeks became passé. Many boutiques closed down. Michael Rainey and Jane Ormsby-Gore embarked on a spiritual quest. 'We were seriously into soul-seeking and going on fasts and meditating,' she said later. 'We left London, sold everything, gave away everything, and went to live in Gozo [Malta, FA].'

Another aristocrat had a different idea. Sir Mark Palmer seriously wanted to find the Holy Grail. He dressed as the archetypal druid from the Asterix cartoons and travelled through Britain in a horse-drawn gypsy caravan, taking with him some like-minded souls like musician Dave Tomlin from the guerrilla underground band The Giant Sun Trolley who played at the legendary '14th Hour Technicolor Dream' (later they evolved into The Third Ear Band).

Maldwyn Thomas, an English Boy model, was there as well from the start:

I was round at Mark's flat in Radnor Walk and he said, 'I'm going to drop out, do you want to come?' (…) It wasn't luxurious travelling in a caravan. Quite the opposite. (…) We bought a dung-cart, a sort of tipper cart. We put a tilt on it and wrapped it in canvas and it was very, very primitive. Mark bought this horse, a huge black and white mare. That was the start – and we set off. (DITL, P216)

The caravan was far from luxurious, but – for some reason or another – the idea appealed to many people, although some just visited the traveller's band for a weekend, like Brian Jones and his girlfriend Suki.

Aristo-copy-cats

Mark Palmer wasn't the only one to roam through England in a horse-driven caravan. Barry Miles took over the lease of the Michael and Jane Rainey house when they decided to move. Its living room had a yellow carpet and that (allegedly) inspired Donovan to write Mellow Yellow. Before they relocated to Malta they also went on a Holy Grail quest.

They were into ley lines and flying saucers and that sort of cuts across all sorts of class barriers; When Jane and Michael left London they went in a sort of gypsy caravan travelling along ley lines to Wales with motorcycle out-riders. This is a sort of eccentricity you've always had among English aristocrats. They're famous for being very cuckoo, a lot of them. (RSG, P237)

And Iggy

A bunch of aristocrat hippies, travelling along the ley lines looking for UFOs and celebrating unsolicited sex. Who could refuse such an offer? Certainly not Iggy:

There was a glorious summer where I travelled around in a beautifully painted real-life gypsy caravan, pulled by a magnificent cart horse. At first I did not realise who Mark Palmer was. I thought he and his gang were hippies like me. Mark was my knight in shining armour, who took me under his wings.

Mark Palmer continued his quest till the mid-seventies. He and his gang of rich libertine new-age followers overwintered at Stargroves, a manor house at East Woodhay (Hampshire), owned by Mick Jagger.

So there you have it, the story of Iggy and her summer trip on a gypsy caravan, as documented by news reporter Dale Le Vack.

A last word...

It is not sure why Iggy left the commune, probably after the summer of 1968, but maybe her aversion of vegetarianism had something to do with it.

I have done the hippy commune... with the lentils and mantra and bongo bashing and tuneless flute playing. There was lots of plonk and unspiritual drugs... I'm not a diabetic! I just craved for the bloodiest steak.

That's our Iggy like we know her. She never could stay long at one place.

A tale of two Henrietta's

A follow-up article has been published in 2020 with additional information: A Tale of Two Henriettas 

Our Tumblr page has got some more pictures: Port Eliot. If you recognise some of the people portraited in the documentary, let us know!

Note: some sources claim it's Ormsby Gore, without the hyphen, but as Wikipedia puts it with one, i.c. Ormsby-Gore, that's the spelling we've used for this article.

Many thanks to: Jeff Dexter, Alex Peter Hoffmann, Jay Jeer, London in the 60s & 70s, Sophie Partridge, Antonio Jesús Reyes, The Iggy Rose Archives, Mim Scala, Greg Selby, Nigel Young.
♥ Libby ♥ Iggy ♥

Sources (other than the above internet links):
Green, Jonathon: Days In The Life, Pimlico, London, 1998, p.187-190., p.92, 216, 221.
Levy, Shawn: Ready Steady Go!, Broadway Books, New York, 2003, p.192,237.
Miles, Barry: In The Sixties, Rocket 88, London, 2017 (updated version), p.298.
Miles, Barry: London Calling, Atlantic Books, London, 2010, p.213, 263.