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Stern, who knew Iggy before she met Syd, has confirmed that the
person at the Granny Takes A Trip boutique on the IN
Gear movie is indeed her. On his turn he will present a home movie
called Iggy, Eskimo Girl at The
City Wakes festival in Cambridge. A short teaser can could be
found on YouTube.
Update 2016 11 15: meanwhile the video has been deleted by the
super-vigilant Pink Floyd copyright gestapo.
According to Mick Rock Syd was touched when she left him:
Once I’d developed the film (from The Madcap Laughs photo
session, note by FA), I went round to show Syd the pictures.
He took this one opposite (page 21 in the PR-book, note by FA)
and scratched some lines and his name onto it. I think there was a bit
of negativity directed at Iggy. He just started scratching the print,
with a big grin on his face. (Taken from Psychedelic Renegades.)
It could be that the scratches on the picture were destined at Iggy, but
why did Syd Barrett scratch (more or less) around her figure? Not (and I
hope my shrink will never read this) her face or body, in my garbled
opinion the logical thing to do if one would try to express negative or
revengeful feelings on a photograph. Syd’s body and face is far more
scratched than Iggy’s and Barrett also cut the letters SYD
on the picture... Perhaps he was just trying to make clear to Mick Rock
that he wanted to get rid of his pop-life alter ego.
Mick Rock writes further that he heard from Duggie
Fields, the painter who was Syd Barrett’s roommate and who still
lives in the same apartment today, that ‘she later went off with some
rich guy in Chelsea and lived a very straight life’.
On my main old and abandoned blog
(and also on the Late Night forum) I wrote that none of the Pink Floyd
biographers have been really looking for Iggy. Mark Blake, author of Pigs
Might Fly, responded: “I can't speak for all the PF or SB
biographers, but I certainly tried.”
The only bit of new info I found was that there was a chance 'Iggy' may
have gone to school in the South London area, as she was known as one of
the regular teenage girls at the dancehalls around Purley
This would have been around 1965. Duggie Fields recalls seeing her some
time after the Madcap Laughs photo session and she was looking a lot
more "sloaney". Most of the people I spoke to who knew her believe Iggy
married a rich businessman and doesn't now want to be 'found'. (Taken
Holy Church of Iggy the Inuit on Late Night.)
Although scarce the above information is about the most relevant we have
had from a biographer in about 30 years.
The most famous dancehall in Purley was the Orchid Ballroom where The
Who, The Troggs and The Hollies gigged a couple of times. It started as
a regular dance
hall (and concert and sporting events hall) in the Fifties and had a
local house band The
Jackpots in 1963 and 64.
In the mid Sixties (1964 – 1966) the Orchid Ballroom was the meeting
place for the Croydon mods who would assemble every Monday night.
Witnesses remember Mike (?) Morton, Tony Crane, Jeff Dexter and Sammy
Samwell spinning the records. Pete Sanders and Mickey Finn used to be
part of the crowd.
Not all these names ring a bell. I could not trace back Mike Morton, but
Lionel Morton was the singer and lead guitarist from the Four
Pennies who had a hit in 1963 – 1964 with Juliet. Tony
Crane was a member of The Mavericks, a band that became famous when they
changed the name to The
Merseybeats, later The Merseys (David Bowie would cover their Sorrow
on his Pin-Ups album, a tune they had borrowed from The McCoys). Mickey
Finn could be the man who was the drummer of T. Rex and who also
played on the record made by Hapshash
and the Coloured Coat, the people who were behind the Granny Takes A
Elizabeth Colclough used to work at the bar in 1968: "It was the place
to go to meet friends old and new, weekday evenings and also at the
weekend. We saw some great bands, some who are still going strong today.”
Another witness recalls how Cathy
(Mc Gowan), the queen
of the mods and presenter of the ever popular Ready Steady Go! Show,
came to the Orchid Ballroom to spot for dancers to appear in her show.
Seen the fact that Iggy was present at an RSG!-party,
organised by the show's main choreographer, it is not improbable that
she may have been present at some RSG! television-shows as well, as a
dancer or as a pretty face in the public.
A book about the history of the Orchid Ballroom has been made and the
Church will try to contact its author, there is the (very small) chance
that Iggy is mentioned in it.
Update August 2009: Brian Roote, who studied the history of The
Orchid confirmed later to the Church: 'I have no knowledge of this girl
On September the 17th the Croydon
Guardian, a weekly free local newspaper covering South London,
devoted an article to Iggy after the Church had revealed that Iggy had
probably been a regular visitor at the Purley dancehall The Orchid. The
article was brought to my attention by Matthew Taylor from Escape
Artists who was so kind to point me to a scan
of the article, neatly hidden in a dark corner from the (long deleted)
City Wakes website.
It all started with a remark on the Late Night forum why no one had ever
tried to locate Iggy. Pink Floyd biographer Mark Blake promptly denied
this and added some extra titbits to the Iggy enigma. He had found out
that she was probably a South Londoner who used to go dancing in
dancehalls in or around Purley. More about the Church’s quest to locate
Iggy’s dancing habits can be found on a previous entry on this blog: Shaken
This ended with the promise that the Church would try to find some more
information about the place and the people who visited it. A mail was
send to a historian of the Bourne
Society but without success. The same message however to a
journalist of the Croydon Guardian was immediately replied. Some initial
information was exchanged and journalist Kirsty Walley did an excellent
job by getting testimonies, not only from Anthony Stern, but also from a
DJ who used to spin records at the Orchid, Jeff Dexter, and who still
So, where did she go to, our lovely? By Kirsty Whalley
In the Swinging 60s she was an iconic model who broke the heart of Pink
Floyd's Syd Barrett. Known only as Iggy she is thought to have lived in
Thornton Heath and was a regular at the Orchid Ballroom in Purley
between 1963 and 1967. Then she vanished and for the past three decades
the former 60's in-crowd has wondered where she went?
Former friends, director and artist Anthony Stern and DJ Jeff Dexter,
are both searching for the enigmatic model, who featured naked on the
cover of Barrett's solo album Madcap Laughs. She was nicknamed "the
Eskimo" because it was thought that she was part Inuit. DJ Jeff Dexter,
who regularly played at the Orchid, vividly remembers the beautiful girl
who used to talk to him while he played his set. He first noticed her in
1963. He said: “Iggy was part of a group of very wonderful looking south
London girls. She was unusual because she did not look like anyone else
at the time. Since she disappeared, she has become a bit of an enigma.”
Dexter says that he met the director and artist Anthony Stern in 1967
and that Iggy became involved with him at about the same time. Anthony
took many pictures of the model and also made a film of her, which will
be shown for the first time at the City Wakes festival this October in
Cambridge. Stern said: “Iggy was my muse. I met her at a Hendrix gig at
the Speakeasy. She was a lovely inspiration and free spirit. I never
knew her real name.” “We used to hang out together, occasionally
dropping acid, staying up all night, going for walks at dawn in
Battersea Park.” The artist said he recently discovered photographs that
he took of Iggy on a houseboat near Lots Road in Chelsea. “She entirely
captures the spirit of the Sixties, living for the moment, completely
Photographer Mick Rock remembers turning up at Barrett’s to take
photographs for his solo album cover. At an interview in 199 he said:
“Syd was still in his underpants when he opened the door. He’d totally
forgotten about the session and fell about laughing. Iggy the Eskimo was
naked in the kitchen making coffee. She didn’t mind either. They both
laughed a lot and it was a magical session.” The most iconic images of
her appear on the album, where she poses naked in the background.
After she broke up with Barrett she disappeared. Felix Atagong, who has
set up a website in her honour, said: “According to the painter Duggie
Fields, she got married to a rich guy from Chelsea and led a ‘decent’
life after that.”
Anthony and Jeff both admit they have spent time looking for her. “the
truth is, if she has not come forward by now, she probably doesn’t want
to be found,” said Anthony.
(picture insert: It-crowd icon: Iggy the Eskimo). An online version of
the article can be found here.
An entirely new and previously unreleased picture
of Iggy accompanies the newspaper article. This comes out of the
personal collection of Anthony Stern. It is believed that more pictures
from his collection may be unearthed on a later date.
‘Sammy’ Samwell had been a member of The Drifters, the
backup band for Harry Webb. They would become a wee bit more successful
when Harry changed his name to Cliff
Richard (it was Samwell’s idea to cut the final S from
Richards to give the pseudonym extra spice). At the same time the
backup band was renamed to The Shadows (as there was already an American
band call The
Drifters). When Hank
Marvin joined the band Ian Samwell stepped aside and concentrated on
composing hits, producing and disk jockeying.
Samwell was probably the first to acquire a star status as a DJ, before
that the DJ had always been the invisible nobody who turned a few
singles when the bands on stage were switching places. For the first
time in history people came to The Lyceum to see the DJ at work
instead of the house band.
As a producer Ian worked with Aynsley Dunbar, Georgie Fame, John Mayall,
The Small Faces and he would also be known as the man 'who discovered America'.
Ian 'Sammy' Samwell passed away March 13, 2003.
As a youngster Jeff Dexter wasn’t into pop music at all, but dancing
with girls was, so he simply gave in. At The Lyceum (1961-ish) he
met DJ Sammy Samwell and they soon became friends. Not long after that
Jeff made quite a name because he was barred from the dance floor for
making an attempt at The
Twist, originally a Hank
Ballard B-side. When a few weeks later The Twist became a Chubby
Checker superhit The Lyceum hired the mod they had banned
before. He became a professional dancer and had to instruct the dance
crazy public the moves of the week.
Around 1962 – 1963 Jeff moved to The Orchid Ballroom, the biggest
ballroom in Europe with four different bars.
Chicken & Chicks, as they called it. Fish bar. Chicken bar. They had
this big ice igloo where they sold ice cream sodas. They had an upstairs
bar. And they had a roundabout which was another bar, a revolving bar,
all in this wonderful huge building. (Taken from DJHistory.)
Iggy was part of a group of very wonderful looking south London girls.
She was unusual because she did not look like anyone else at the time.
Since she disappeared, she has become a bit of an enigma. (taken from
While Ian Samwell was the main DJ at The Orchid Jeff worked as a dancer
and singer of the house band and as an occasional DJ. This would become
his prime profession and later on he would also spin records at Tiles,
UFO and Middle Earth (where John Peel was another DJ).
As a member of the Underground in-crowd, (the index of Days In The
Life gives him 20 entries), he would witness the raise and fall of
the movement that wasn’t a movement to begin with and the hostile
reaction of the powers that be.
Middle Earth closed after the horrible scenes of the police raid. We had
had a private party that night and somebody had brought along their
children. The police raided, found the children and told the Covent
Garden porters we were crucifying children in there. So they smashed the
place to pieces. (…) Jenny Fabian and I were locked in the box office
while they wrecked the place.
Fabian’s semi-auto-biographical account of her Groupie
days Jeff Dexter appears as Len although Dexter maintains: “I was
the only one she didn’t fuck”.
Sources (other than the above internet links): Bacon, Tony: London
Live, Balafon Books, London, 1999, p. 101. Green, Jonathon: Days
In The Life, Pimlico, London, 1998, p.222, p. 283.
To all followers of the cult of Iggy: a happy new year!
The Church received a nice mail from Anthony Stern last week:
I see that you have continued to update your website and that the cult
of Iggy is snowballing. Although my Iggy photos were shown on City Wakes
website nobody was interested in buying the framed prints.
If you are still looking for a belated Xmas present: Anthony’s Iggy
pictures are on sale, signed, numbered and framed: £225 for the
Triptychs, individual pictures for £175 (plus postage). For more info
please contact Anthony
Stern Glass. (The Church is not affiliated with or endorsed by this
Another message came from Mark Blake, author of the Pink Floyd biography
Pigs Might Fly:
Good luck with the Iggy hunt. I spoke to Ant Stern and Jeff Dexter again
last week. They're no nearer to finding her than they were before. I
think it's funny that nobody even knew her real name.
For that matter we don’t even know if she was Eskimaux or
My good old encyclopaedia Brittanica
divides the people that we commonly describe as Eskimo in two
categories: Eurasian and Western Arctic people. The Western Arctic
people are the Eskimo (including Inuit and Yupiit) and the Aleuts who
originate from North America, Greenland and part of Siberia. Amongst the
Eurasian arctic people are the Sami (or Lapps) from northern Fennoscandia
and several other cultures dispersed over the Ural Mountains and Siberia.
According to the Narwhal
Inuit Art Education Foundation there are no Inuit currently living
in England (confirmed to the Church by mail). Is it more logical to
believe that Iggy’s roots originate from Europe rather than America or
Siberia? In that case Iggy, the Eskimo really had to be nicknamed Iggy,
the Lapp by her contemporaries.
Translating these into politically correct terms The Church of Iggy the
Inuit really had to be baptised the Holy Church of Iggy the Sami to
As Mark Blake stated above, we don’t know if Iggy was her real name.
Iggy could be an alias or perhaps an anglisized version of a foreign
If she has Sami roots her name could be Ing,
originally meaning progenitor, ancestor, leader – which of course she is
for the Church – Ingegerd
or one of the many variants such as Inge, Ingine, Yngva, Ingar, Iŋgir…
The more popular Ingrid also has its roots in the Nordic countries and
this could have easily been shortened to Iggy by her relatives or
The problem is that not a lot of Sami people have the so-called Inuit
look Iggy is famous for. There is however a part of Europe (although
geographically it belongs to North America) that was originally
populated by Inuit people and was later on colonised by Iceland, Norway
and Denmark. The Church is of course referring to Greenland.
The Inuit are believed to have crossed from North America to northwest
Greenland, the world's largest island, between 4000 B.C. and A.D. 1000.
Greenland was colonized in 985–986 by Eric the Red. The Norse
settlements declined in the 14th century, however, mainly as a result of
a cooling in Greenland's climate, and in the 15th century they became
extinct. In 1721, Greenland was recolonized by the Royal Greenland
Trading Company of Denmark. (taken from Infoplease)
In November of last year 3 out of 4 Greenlandic voted yes on a referendum
that could eventually lead to the complete independence of the country.
About 88% of the Greenland population has Inuit(-mixed) roots. The
shows a (slow-loading) picture of premier Hans Enoksen voting for
Self-Governance in Greenland with 5 year old Pipaluk Petersen (added
here to show the Inuit characteristics).
So Iggy’s ancestors could have come from Greenland.
Well perhaps... at least one other Iggy enthusiast
believes she is not Inuit at all, but (partly) Japanese, probably
belonging to the Ainu
people of Hokkaidō (who had their own language and were maybe the first
settlers on America). Iggy could then be a nickname for Igumi.
And aside from that there might be a very slim chance that Iggy hides
behind the Philippine Maria Ignacia as another author from a
Floydian biography has whispered in the Church's confessional box.
Update: the above post is somewhat redundant as Iggy Rose's
mother came from the Himalayas: Little
old lady from London-by-the-Sea Update March 2018:
Iggy's mother did not live in the Himalaya's, but at the Lushai Hills, a
mountain range in Mizoram and Tripura, India.
who may well have been the person who introduced Iggy to Syd Barrett,
told the Church that they both went to a Dusty Springfield party the
Reverend was absolutely certain that he had found a solid path to
unravel more about Iggy’s past (see: When
Syd met Iggy).
Iggy was a bit older than the Cantabrigian underground gang and had
already been active in the London club scene for a couple of years. Update:
this is not true, as we would find out later.
DJ Jeff Dexter had already noticed Ig in 1963 in The Orchid at Purley,
where she used to go clubbing until 1967. Kathy McGowan and her
RSG!-team raided the place to ‘spot for dancers to appear in her show’
did she go?).
In 1966 Iggy was spotted on a party at The Cromwellian that was (partly)
organised by the main choreographer of the RSG!-show. We will not go
further into that as this story has already been told on this blog
before (see: Bend
Dusty Springfield started her solo career in 1963 and was voted the Top
British Female Artist in the New Musical Express reader's poll in 1964,
1965, and 1968. She appeared a couple of times at the RSG!-show as
presenter and would, in total, appear 24 times on the show. In 1965
Springfield hosted a special Motown edition of the RSG!-show and some
while later she had her own Dusty show at the BBC.
The Church found it relevant to investigate if there really had been an
Iggy – Dusty – RSG! connection somewhere and if some witnesses still
The first person to get in touch with the Church was Douggie
Reece, bass player (and singer) of The
Echoes, Dusty Springfield’s backing band (watch him singing Mockingbird
with Dusty). It was Reece who contacted the Reverend after the Church
had asked amongst fan-circles if anyone could remember Ig being in and
around the Dusty Springfield scene.
I don't remember her at all. Or the Dusty Springfield scene. I
spent most of the 60's with Dusty maybe I went out to get some
cigarettes or something and missed the whole occasion!!! LOL Douggie
Although it was suggested that it would be a nice name for a tribute
band there has apparently never been a Dusty Springfield scene to
begin with as far as Douggie Reece remembers, if Ig did ever meet Dusty
it may have been purely coincidental.
Another Dusty connoisseur advised the Church to contact Vicki
Wickham. Vicki and Dusty had been friends
since 1962 and even shared a flat at London's Westbourne Grove. After a
brief stint on the radio (as a secretary) Vicki was hired by Ready
Steady Go! as talent manager and producer. When Dusty told her friend
she had heard a nice Italian song at the SanRemo festival Wickham
(co-)translated the tune into English and named it You Don’t Have To
Say You Love Me. It would become Dusty’s first number one hit (1966)
and was covered quite a few times by other artists, including Elvis
Presley (1970, #1 at Billboard Country & Western and #11 at Billboard
Top 100) and Guys’n Dolls (#5, UK, 1976). In total more than 80 million
copies of the song have been sold worldwide.
After her RSG!-days Wickham moved to America and although she didn’t
have a clue how to do it she successfully managed Patti LaBelle, Nona
Hendrix, Marc Almond, Morrissey, Holly Johnson and of course, her
long-life-friend Dusty Springfield.
It took the Church quite a while to trace Vicki Wickham, and after a
trail of bounced faxes and mails, the Reverend wrote a letter in the
good old-fashioned way. It pleases the Church a great deal that Vicki
Wickham cared to reply:
I am the last person to ask about anything from the 60s 'cos mostly I
don't remember! But definitely do not remember this girl. Can't
help. Best. Vicki Wickham
At least we can now say with a certain certitude that Iggy did not
belong to the inner circle of Ready Steady Go! but this does not mean
that she never has been at the show. The crew of RSG! visited dance
halls to recruit good looking youngsters for the audience and organised
dance and singing contests where the participants could win ‘passports’
to the show. In the few years that the show existed thousands of people
passed through the temple of the mods and Ig may well have been one of
The Holy Church of Iggy the Inuit Youtube
channel The Holy Church of Iggy the Inuit Facebook Fanpage The
Holy Chuch of Iggy the Inuit on Twitter
As if the world has suddenly been hit by a temporal rift in spacetime
the March 2010 issue of Mojo
music magazine has inundated the stores bearing a big (slightly photoshopped)
portrait of a mister Syd Barrett. The well-written and rather accurate
cover article, by Pat Gilbert, ranges from page 70 to 81 and tells the
story of The Madcap Laughs, Syd Barrett’s first solo album.
Two other articles are of particular interest to the Church as they
describe the mythical presence of a ‘girl whose naked body graced the
back cover of The Madcap Laughs’.
Who’s That Girl (page 76 insert) is written by Mark
Blake, author of the Pink Floyd biography Pigs Might Fly, and
an occasional visitor (and contributor) of the Church. Out of courtesy
(and for copyright reasons) the Church will not publish the article as
long as the magazine is for sale in the shops. Update: Direct
link to the article: Mojo
March 2010 (hosted at the Church as the article was removed from the
official Barrett website in 2016).
People reading magazines with binoculars will find an odd reference to
the Church as the Croydon Guardian article from the 17th September 2008
has been reproduced as well, however in such small print that one needs
to xerox it in blow-up mode to distinguish individual letters. The
article in full can be consulted at the Church (Where
did she go?) but is also still present on the archives of the
Croydon Guardian (Where
did she go to our lovely?).
Mark Blake writes in Mojo:
In 2008, (Jeff) Dexter and (Anthony) Stern tried to trace the elusive
Iggy, and were interviewed in the Croydon Guardian for leads to the
whereabouts of the “carefree girl who captured the spirit of the ‘60s”.
Actually the motor behind this article were not Dexter and Stern but the Holy
Church of Iggy the Inuit, after - truth has to be acknowledged –
Mark Blake had revealed earlier that Iggy ‘was known as one of the
regular teenage girls at the dancehalls around Purley and Caterham’ (see
not stirred ).
Researching The Orchid dancehall in Purley, the Reverend found two
articles that had appeared in the Croydon Guardian: In
dance hall days (9th August 2006) and We
remember the Orchid (29th August 2006).
The Church tried to contact Brian Roote in September 2008, an amateur
historian writing a book about the Purley dancehall, but this resulted
more than a year later in the simple comment: ‘I have no knowledge of
this girl whatsoever'.
The Reverend had more chance with journalist Kerry McQueeney author of
the two Orchid articles, but no longer working for the Croydon Guardian.
He passed the story to Kirsty Whalley who was now editor of the Heritage
pages of the newspaper. On the 3rd September of 2008 she replied:
We would like to feature this story in the newspaper next week and
hopefully it will prompt a few people to call in.
In the same mail she also asked if the Church could give some leads and
amongst the people to contact the Reverend mentioned the names of Mick
Rock and Anthony Stern. Kirsty Whalley did an excellent job and did not
only interview both men, but also Jeff Dexter who had been a DJ at The
The next sermon at the Church will cover the second Iggy-related article
from Mojo 196. In My Room, written by Paul Drummond, contains
interviews with Duggie Fields, Mick Rock, Storm Thorgerson and Jenny
The Madcap Laughs Again (Mojo Tribute CD)
Mojo 196 comes with a Madcap Laughs cover CD as interpreted by (amongst
others): R.E.M., Captain Sensible, Hawkwind, Jennifer Gentle, Marc
Almond and Robyn Hitchcock. Reviews of this CD can be found at Late
Madcap Laughs Again, including the one written by the Reverend.
The Mojo website contains a Syd Barrett top 20 jukebox
and three YouTube links to Syd's legendary unreleased material. One of
those fan-made videos (Lucy
Leave) has been created by limpidgreen aka dollyrocker, a much
Night forum member. Way to go, dollyrocker! (All links dead, we're
Tranquillity is slowly descending upon the Holy Church of Inuit like
smog upon Victorian London. Several brethren and sistren
of the Church, and one-time visitors who entered through the front gate
to study its baroque interior, have passed some valid information to the
Reverend and these will be further investigated in the future. The
Reverend also wants to apologise to the people that have been contacted
(and interviewed) last year, especially those associated with The
Cromwellian club. The articles about The Crom have been postponed due to
the unexpected result the Mojo Syd Barrett article created, but they
will - one day - hopefully appear.
To all our readers: please keep on going on giving the Church
information, how futile it may be, but remember that the Reverend will
not break its own rules that stay unchanged even now that Iggy (Evelyn)
has been found. Especially now that Iggy (Evelyn) has been found.
The Reverend is not a souvenir collector who will ring at her bell like
all those so-called (and in the Reverend's eyes: messed up) true fans
used to do at Syd Barrett’s door. Evelyn's wish to be left in peace is
and will be unconditionally granted. The same goes for other witnesses
of the Barrett era, the Church will send them a nice note from time to
time, as a reminder of its presence, but will not break their privacy.
Some will call this bad journalism but the Church is not dependent from
sold issues and follows a strict deontological code.
On the thirteenth of February of this year The Croydon Guardian
published a short, hastily noted down, interview with (a quite
reluctant) Iggy, titled: Croydon
Guardian tracks down elusive rock star muse. Here it is in full
(with some comments from the Reverend):
Croydon Guardian tracks down elusive rock star muse By Kirsty
An iconic model who stole Syd Barrett’s heart in the 1960s has been
found after three decades of anonymity. Known only as Iggy, the
enigmatic woman was immortalised posing naked for the Pink Floyd star’s
solo album, Madcap Laughs. She disappeared in the late 1970s and has
been living in West Sussex, oblivious to her iconic status. In September
2008, the Croydon Guardian appealed for information about the model and,
more than a year later, we managed to track her down.
She inspired artist Anthony Stern, who filmed her dancing in Battersea
Park and also took striking photographs of her on a houseboat in
Chelsea. They were released at the City Wakes festival – a tribute to
Syd Barrett – in October 2008, in Cambridge.
The above has of course been extendedly covered by the Church as well: Anthony
Mr Stern said: “Iggy was my muse. I met her at a Hendrix gig at the
Speakeasy. She entirely captures the spirit of the Sixties, living for
the moment, carefree.”
The club has been described in the (excellent) London Live book
from Tony Bacon as follows (most information about the club has been
taken from that book).
When The Speakeasy was opened by Roy Flynn around the end of 1966 in
Margaret Street, just north of Soho, the rock elite soon discovered a
handy new watering hole, a prime early-hours jamming post, and an
altogether useful hanging-out kind of place.
By May 1967 the club was part of the London spot-the-celebrity
circle next to - amongst others - the Scotch (of St. James) and of
course the Crom. On a good night you could having a drink next to The
Bee Gees, Jeff
Beck or The
Who, although, keeping up his avant-garde experimental jazz
Wyatt from The Soft Machine couldn't care less: "Rock groups meeting
in expensive clubs that are difficult to get into? What's all that crap?"
On the 19th of January 1967 Jimi Hendrix gave the first of 3 concerts at
The Speak. On top of that he would also jam a few times with other
people on stage, including Jose
Feliciano and Georgie
Fame. That night in January he tried to get into Marianne
Faithfull's pants with the seductive remark: "What are you doing
with this jerk, anyway?" The jerk in question was of course Mick Jagger
who wanted to check out the new kid in town.
will know the club for its owner Roy Flynn. When, on the 13th of
December 1968, Sly
And The Family Stone didn't show up for their gig an impromptu band
was found to take their place. When Roy Flynn saw Yes's performance he
was so thrilled that he became their manager for a while. The band
eagerly agreed, not because he had some managerial skills but because
the restaurant at The Speak had an excellent reputation:
Roy had never managed a band before and he kind of took us on and then
the whole world of the Speakeasy opened up (laugh). It was a great club,
I mean, it was a wonderful club, it used to close at 4 AM and we would
not only rehearse there, we would play there some nights, and of course
after a gig if we were playing within, let's say 150 miles from London,
we would rush and go to the Speakeasy and eat there, and most of the
meals were completely free. So for about a year I ate pretty good. Most
of the evenings I ate there. Because that was the life style, we would
be in the Speakeasy after 3 AM and the kitchen still would be opened and
the food was not fantastic but thanks to Roy Flynn we would get free
food and quite a lot of few drinks as well. (Peter
Banks, who invented the band's name and left the group in 1970)
The extensive Jimi Hendrix gig database
located at Rich Dickinson only mentions 3 genuine Jimi Hendrix
performances in 1967: the aforementioned gig on the 19th of January 1967
and two more in March: 8th March 1967 and 21st March 1967. So Iggy (and
Anthony Stern) must have attended one of these. For the completists
amongst us the Church gives now the complete list of Hendrix sightings
at the Speakeasy (1967): 67-01-19: Gig. 67-02-22: Press
reception for the Soft Machine. 67-03-08: Gig. 67-03-16:
Launching party for Track records (Jimi gives three interviews). 67-03-21:
Gig. 67-04-17: Jam (on bass) with Georgie Fame (on organ) and
Ben E. King (drums). 67-05-08: Brian Auger Trinity Concert. 67-06-04:
Jose Feliciano concert and onstage jam. 67-12-06: Party for The
Foundations. 67-12-22: Musicians from Christmas on Earth and Hendrix
jam until the morning hours. 67-12-31: New Year's Eve Party where
Jimi plays a thirty minute 'Auld Lang Syne'.
There is quite an intriguing picture
on page 103 of the London Live book, showing co-managers Roy Flynn and
Mike Carey, sitting at the Speakeasy bar, accompanied by two ladies.
According to CowleyMod
one of the women undoubtedly is Ig. Although most of the members of the
Church do not think it is her the Church wants to give Cowleymod the
benefit of the doubt and the visitors of the Church the chance to make
up their own mind (click here
to see the full picture). Update (November 2010): it has been
confirmed to the Church that the person on the picture is NOT Iggy /
Iggy said: “I cannot believe there is a film of me, that there are
photos of me.”
Iggy spent a brief part of the 60s
living in Croydon with DJ Jeff Dexter, who used to play at the Orchid
Ballroom. She said: “The Orchid Ballroom was the place to be, the
atmosphere was fantastic. I loved going there, I loved to dance. Jeff
wanted to turn me and two other lovely girls into the English version of
the Supremes, but that never happened.”
She does not
like to talk much about Syd Barrett, but admits she lived with him in
Chelsea in the late 1960s. She said: “Syd was so beautiful looking. We
had a relationship, I lived with him for a while.”
Although the Reverend is aware of at least four witnesses who have
confirmed in different biographies (and directly to the Church) that
Iggy and Syd weren't an item this is now contradicted by Evelyn herself.
It was at that time she became known as Iggy the Eskimo. She said: “In
part I made up the nickname. The rest was the photographer Mick Rock,
who asked where I was from. I said ‘my mother is from the Himalayas’ and
he said ‘we will call you Iggy the Eskimo’.”
Update March 2018: Iggy's mother, so was confirmed to us, didn't
live near the Himalaya's, but at the Lushai Hills, a mountain range in
Mizoram, Mizoram, situated at the North-East of India, sharing borders
with Bangladesh and Myanmar.
The Church will not deny that Mick Rock may have thrown around the 'Iggy
the Eskimo' nickname to describe the mysterious girl on his pictures but
the epithet dates from much earlier. It was first spotted in the NME
magazine from the 25th of November 1966 (more than 2 years earlier)
where Evelyn was described as 'Another Bender - model IGGY, who is
Mick Rock took the pictures for Madcap Laughs. Iggy said: “When Mick
turned up to take the photos I helped paint the floor boards for the
shoot, I was covered in paint, I still remember the smell of it. In the
pictures my hair looks quite funny, I remember hiding my face behind it
because I did not want my mum and dad to see it."
Again other witnesses tell other stories. They claim that Syd (with a
little help from Iggy) painted the floor boards early in the year,
certainly before April 1969. As Syd only started recording mid-April it
is a bit weird that he painted the boards especially for the album
cover, unless - of course - he (and with him Mick Rock) already had the
cover in mind before the recording sessions started. A theory that is
She broke up with Syd Barrett shortly after the photo shoot and moved to
Brighton. She said: “I have just been living very quietly, I left London
in the 70s and I got married in 1978. I met so many people in the 60s –
the Beatles, the Who, the Rolling Stones and Rod Stewart. I was a free
spirit. I have left that life behind me now.”
The Church would gladly accept to publish her memoires though.
But until that happens, my dear sistren and brethren,
don't do anything that Iggy wouldn't have done…
A new gallery has been uploaded containing the complete Come
with NME for a pic-visit to THE CROMWELLIAN article and pictures
from New Musical Express 1037, 25 November 1966. Photographs by Napier
Russel & Barry Peake. Words by Norrie Drummond. (Just another world
exclusive from the Holy Church of Iggy the Inuit.)
Sources (other than the above internet links): Bacon, Tony: London
Live, Balafon Books, London, 1999, p. 101-104.
Words: Mark Blake. Pictures: Storm Thorgerson, Iggy Rose, Rank
Organisation. Date: 20 January 2011. Previously published on
If there is one image of Syd Barrett that never ceases to fascinate it's the
back cover of his debut album, The Madcap Laughs. The reason: the
mysterious naked woman perched on a stool with her head thrown back and
face obscured by swathes of long dark hair. Syd's companion was known
only as "Iggy The Eskimo". But as Barrett fans have been
wondering since 1970 - who was Iggy and where did she go?
Rock believed that his cover girl had "married a rich guy and moved
off the scene". Barrett's old flatmate, the artist Duggie Fields,
heard that "Iggy had become involved with one of the voguish religious
cults of the time", before adding to the mythology with a story of once
seeing her disembarking from a Number 31 bus in Kensington, wearing a
1940s-era gold lamé dress, and very little else.
In 2002, Mick's coffee-table book Psychedelic
Renegades featured more shots of Syd and Iggy posing outside the
Earls Court mansion block, alongside Barrett's abandoned Pontiac. Rock's
photos found their way onto most Pink Floyd fansites, where Iggy
had acquired cult status. Before long, The
Holy Church Of Iggy The Inuit, a fansite in her honour, had
appeared, its webmaster, Felix Atagong, sifting through ever scrap of
information gleaned from MOJO and elsewhere with a forensic scientist's
attention to detail. Among Felix's discoveries was a
November 1966 issue of NME which featured a photo of "Iggy who is
half eskimo" dancing at South Kensington's Cromwellian club.
While researching my Pink Floyd biography (2007's Pigs
Might Fly: The Inside Story Of Pink Floyd) I quizzed everyone about
Iggy's whereabouts. Anthony Stern, formerly a schoolmate of David
Gilmour's, told me he had met her at a Hendrix gig and had
just discovered photos he had taken of her on a houseboat in Chelsea;
Anthony had also filmed Iggy dancing in Russell Square. Meanwhile,
former Middle Earth club DJ Jeff Dexter recalled meeting "the
mysterious-looking" Iggy in 1963, when she was a "part of a group of
very wonderful looking South London girls" that danced at The Orchid
Ballroom in Purley. Jeff even hatched a plan with his friend, the late
DJ and Shadows songwriter Ian "Sammy" Samwell, to turn
Iggy and two of her friends into "a British version of The
Supremes. We booked a studio but unfortunately none of them could
sing." Believing that Iggy may have gone to school in Thornton Heath,
Jeff and Anthony contacted The Croydon Guardian, who ran an article - So
Where Did She Go To, My Lovely - enquiring after the whereabouts of the
girl "who entirely captured the spirit of the '60s".
Then, in March 2010, MOJO received a letter from ex-Cambridge mod Pete
Brown, who had "shared some wild nights on the town with Iggy in the
1970s". Pete informed us that Iggy had been last heard of in the '80s
"working at a racing stables... and has since been keeping her
whereabouts quiet." Pete sent a copy of the letter to The Croydon
Guardian, whose reporter traced Iggy through the stables and phoned her
out of the blue. Their subsequent article included a handful of quotes
from its reluctant subject, including the words: "I have now left that
life behind me." Which is why it came as a surprise when my mobile rang
late one Saturday night. "It's Iggy!" declared the voice at the other
end, as if I would have known that already. "I've been reading what you
wrote about me in MOJO... about the pictures of my bottom."
The local newspaper's call had prompted Iggy to borrow a neighbour's
computer and go online for the first time. She was amazed to discover
MOJO, the fansites, the photos, and the wild speculation and
misinformation about her time with Syd Barrett. Which is why, in October
2010, I found myself stepping off a train at an otherwise deserted
Sussex railway station to be met by the woman that had once graced the
cover of The Madcap Laughs. Three hours in a local gastro-pub and
countless phone calls later, Iggy pieced together her story. Some of it
was printed in MOJO
207, the rest is here...
Firstly, why Iggy? "My real name is Evelyn," she explains. "But when I
was a child, my neighbour's young daughter could never pronounce Evelyn,
and always called me Iggy. Now everyone calls me as Iggy. But 'The
Eskimo' nickname was a joke. That was something I told the photographer
from the NME when he took my picture at The Cromwellian." Iggy's father
was a British army officer, who served alongside Louis Mountbatten, and
attended the official handover ceremony from Great Britain to India's
first Prime Minister, Jawaharial Nehru in 1947. "My father also knew all
about Mountbatten's wife's affair with Nehru," she adds mischievously.
During a spell of leave, he had travelled to a remote village in the
Himalayas "where he met the woman that would become my mother." Iggy was
born in Pakistan, and attended army schools in India and Aden, before
the family moved to England. But not, as believed, Thornton Heath. "I
grew up by the seaside," she reveals. "I went to art school. I became a
mod in Brighton, and saw the fights with the rockers, and I met The
Who when they were on Ready Steady Go! I loved soul music, loved The
Righteous Brothers, and I loved dancing, so I used to go to all the
clubs - The Orchid Ballroom in Purley, where I met lovely Jeff Dexter,
The Cromwellian, The Flamingo, The Roaring Twenties..."
It was at The Cromwellian that Iggy encountered Eric Clapton. "I
didn't know who he was at first," she insists. "He took me to meet Lionel
Bart and to a party at Brian Epstein's place..." By the
mid-'60s Iggy had become a Zelig-like presence on the capital's music
scene, sometimes in the company of Keith Moon, Brian Jones,
Keith Richards.... She saw Hendrix make his UK debut at the Bag
O' Nails in November '66, and in February '67, narrowly avoided the
police raid at Richards' country pile, in West Wittering: "The night
before, I decided not to go, thank God." A year later, still in the
Stones' orbit, she found herself watching the recording sessions for
what became Sympathy For The Devil.
By then, Iggy had made her film debut. In 1967, IN Gear was a short
documentary screened as a supporting film in cinemas around the country.
Its theme was Swinging London, including the chic Kings Road clothes
shop Granny Takes A Trip, a place, according to the breathless narrator
that "conforms to the non-conformist image of the !" A
mini-skirted Iggy can be seen in one silent clip, sifting through a
rack of clothes and chatting with Granny's co-owner Nigel Waymouth.
By 1967, pop music had changed. The summer before, Iggy had met Syd
Barrett's girlfriend Jenny Spires, and drifted into the Floyd's social
clique, showing up at the UFO club nights where Pink Floyd played
regularly: "When I recently watched that Syd Barrett documentary [The
Pink Floyd & Syd Barrett & Story] and saw Syd in the kaftan,
chanting [on Pow R Toc H], the memories came rushing back," she
explains. "I'd been there. I'd seen that." In April '67, Iggy joined the
counter-culture throng in Alexandra Palace for The
14-Hour Technicolor Dream - "all 14 hours of it!" - where Floyd
played a hypnotic set at dawn.
By early 1968, though Barrett had been replaced by David Gilmour, and,
according to many, was on a drug-fuelled downward spiral. Towards the
end of the year, he moved into a new place with his level-headed friend,
the would-be artist Duggie Fields. The pair took over a two-bedroom flat
Wetherby Mansions in Earls Court. Around January '69, at Jenny
Spires' suggestion, Iggy, needing a place to stay, moved in. She hooked
up with Barrett, but shared a musical bond with Fields: "Duggie and I
were into soul music, and Syd used to laugh at me dancing around to
As Iggy told MOJO 207: "I didn't know Syd had been a pop star."
Elaborating further, "I didn't make the connection between him and the
person I had seen at UFO. I knew he was beautiful looking and he had
real presence, but that was all." Once, when she picked up his acoustic
guitar, fooling around, he took it off her and started playing properly.
"I was overwhelmed. The way he played the guitar, the way he moved. He
said, 'Do you think I look good?'," she laughs. "I said, 'You look
amazing. Wow!' He then said, 'Would you listen to this?' And he bought
out this big, old-fashioned reel-to-reel tape recorder, and said, 'Tell
me what you think'." Syd then played her the songs that would end up on
The Madcap Laughs. One track, Terrapin,
made an immediate impression. "I said, 'That's quite catchy', and, of
course, I don't think Syd was really into catchy...It was a long tape,
and he didn't demand any opinion, but just asked if I thought it was OK.
At the end he said 'Someone at EMI - I cannot remember the name - wants
me to make a record. How would you feel about having a rock star
Words: Mark Blake. Pictures: Iggy Rose, Chris Lanaway. Date: 20
January 2011. Previously published on mojo.com.
While there are many reports of Barrett being withdrawn and even
aggressive at this time, Iggy remembers it differently. "People talk
about Syd's madness and his dark side, but I never saw it," she states.
"We had a wonderful giggly time. There were no sinister moments." Only
briefly did she glimpse a more troubled side to his personality. "One
day, he said to me, 'How do you feel? Are you sad?' I was naked, and he
went and got some paint and painted two great big eyes on my breasts
with two tears coming down, and on my belly button he painted an arrow
and underneath that a picture of me with a big belly, and said, 'There
could be life in there. I could give you life.' But I didn't want that
at all. So I panicked, and scrubbed it off." He was also uncomfortable
with some aspects of fame, as Iggy discovered on a night out with Syd to
The Speakeasy, a music-biz haunt in Margaret Street. "We'd persuaded Syd
to go, but it was full of posers," she admits. "There were a few of us
there. Someone asked the DJ to put on See Emily Play, which was a stupid
thing to do." A hit for Pink Floyd more than two years before, the
dance-floor cleared. "So I went on and started dancing, but Syd ran off.
He was obviously very sensitive about it all."
"We had a wonderful giggly time. There were no sinister moments."
In March '69, Barrett began recording The Madcap Laughs at Abbey Road,
but his erratic behaviour in the studio resulted in Roger Waters
and David Gilmour helping to oversee the sessions. Gilmour was now
living in Richmond Mansions, a block so close to Wetherby Mansions that
he could almost see into Syd and Duggie's kitchen window. One evening,
Syd announced that he had to go out. Iggy wanted to go with him, but
Barrett insisted she remain at the flat. "I think I thought he was
seeing another woman," she says. "I got a bit jealous, a bit pouty -
very silly. Duggie knew where Syd had gone but wouldn't tell me." With
Syd gone, Iggy decided to pay a visit to David Gilmour instead. Fields
helped Iggy back-comb her hair, plaster her face with make-up and paint
her lips black. "I looked like Medusa. Like a banshee. Duggie then took
me round to Dave's place. Dave was very beautiful and very cool, and his
flat was nicer than Syd and Duggie's - it was warmer for a start. Dave
opened the door, took one look at me, but didn't bat an eyelid."
When Iggy walked in, she saw Syd sat in Gilmour's living room. "I went
in, shouting, 'OK, where is she?' thinking there was a woman hiding in
one of the rooms. But, of course, the meeting had been with Dave about
the record they were making together." Barrett left Iggy with Gilmour,
but rather the worse for wear, she knocked the stylus on his record
player accidentally scratching his copy of Pink Floyd's brand new album.
"I have no idea what album it was, only that it was their new album,"
Iggy sighs. (The likely candidate seems to be Soundtrack From The Film
More) "So Dave threw me out... If he ever reads this I would like to say
sorry for scratching his record." Back at Wetherby Mansions, Barrett was
unfazed by her planned defection: "Syd just said, 'Come in love, and
I'll make you a cup of tea'. How sweet."
By now, Barrett had prepared his bedroom for The Madcap... cover shoot,
painting most of the floorboards orange and mauve. On the morning of the
shoot, Syd asked Iggy to help finish the job. "He jumped off the
mattress and said, 'Quick, grab a paint brush.' He did one stripe and I
did another. If you look at Mick Rock's pictures, I have paint on the
soles of my feet." When Rock arrived with the Floyd's sleeve designer Storm
Thorgerson to take the photos, a naked Iggy went to put some clothes
on. "But Syd said, 'No, don't'. That was his wicked sense of humour. I
put the kohl around his eyes that day and tousled up his hair: come on
Syd, give us a smile, moody, moody, moody! But he knew exactly what he
was doing. He was as sharp as anything. He set the tone. He was the
"Syd just said, 'Come in love, and I'll make you a cup of tea'. How
Iggy joined Syd for further photos outside the flat. Later, Rock
recalled showing Barrett one of the pictures and Syd mysteriously
scratching around Iggy's image; an act that has acquired some
significance among Barrett's more earnest devotees. "They're making
something out of nothing," she insists. "Later on, Syd showed me one of
the pictures and said, 'You like that one, don't you? I know why,
because of your cheekbones'. I think I was sucking on a cigarette, and,
yes, I was being vain, I liked the way my cheekbones looked. So he tore
the pic in half and gave it to me. There was nothing more to it than
that." Strangely, Iggy also recalls other photographs being taken that
day, which have never appeared since. "I don't think Storm and Mick were
very impressed by them. If you've ever seen the cover of the Rod
Stewart album, Blondes Have More Fun, they were a bit like that...
Of me and Syd. There were others of me and Syd, as well, which remind me
of the picture of John and Yoko [on Two Virgins] which came out later.
I'd love to see those pictures now."
Before long, Iggy had drifted out of Wetherby Mansions and out of Syd's
life as quickly as she had drifted in. When she returned later, Duggie
told her: "Syd's not here. He's gone back to Cambridge. Don't bother
trying to find him." She never saw him again, and is adamant she only
became aware of her presence on the cover of The Madcap Laughs
after being phoned by the Croydon Guardian: "I went to a boot sale with
my husband... When I saw the cover, I thought, Oh yes, that is my
Although the stories of her marrying a rich banker and joining a
religious cult are untrue, there is a kernel of truth: after Syd, Iggy
began seeing a wealthy businessman who was also a scientologist. However
Duggie Fields' recollection of spotting Iggy climbing off a bus in a
gold lamé dress is not in dispute: "It was a beautiful dress that cost
£50." Still a fixture on the music scene, Iggy recalls accompanying Pink
Fairies' drummer Twink to the Isle Of Wight Festival and turning up
"for the very first Glastonbury... ". But in 1978 Iggy married her
husband, Andrew, and "left that life behind me".
"I heard on the radio that Syd died, and I felt sad, but it was so long
ago," she says. Since reading about those times in MOJO, the memories of
the people and the places have slowly come back to her. "Mick Rock took
some beautiful picture of me," she smiles. "But, of course, I wish I'd
been paid some money for them. Still, it is amazing that people have
been looking for me... and that someone has even set up a website. I
still don't know what to make of all this." The fascination continues.
Last week, Iggy called to tell me she had found a poem online written
about her by a professor at a university in Missouri. "And it's in
French," she said, sounding astonished. "'Iggy l'esquimo, Fille De Le
Space'...it goes. I never believed anyone would ever write a poem for
Let's start with what you are all waiting for. At the left you find
another unpublished picture, from the mid Seventies, Iggy was so
friendly to mail us. The recent interviews
probably the best music magazine in the world, by Mark
Blake, probably the best music journalist in the world, has
triggered a gentle snowfall of friendly reactions all over the web.
At night, before going to sleep, you notice but a few snowflakes falling
down and you think: is this all? But the next morning the garden has
been transformed in a peaceful white blanket only disturbed by the
parallel stepping marks of a passing Lucifer Sam.
The Church has gathered some of these heartwarming reactions. Let's
start with one from the city of light:
I’ve just read Mark Blake’s article
and I am extremely moved to read Iggy’s words about those months with
Syd in 1969 and extremely moved to see her on a brand new photo. She
looks like an attractive lady.
Some elements are quite interesting : the fact that Syd wanted Iggy to
be naked on the photos and the fact he decided not to smile on the
photos are a great new perspective on that shooting.
Also the fact that she confirms she and him were together (which some
people seemed to doubt about these latest years) is a lovely
confirmation. And when she says he wasn't a dark-minded man and used to
laugh a lot with her, this is so cute...
By the way, the article ends with Iggy saying she’s very flattered to
discover she hasn’t been forgotten by everyone: what a pity we have no
(mail) address to write a small message to her, to tell her that not
only many of us hadn’t forgotten her at all but, on the contrary, her
photos and especially the album sleeve have been part of our lives.
(Taken from: The
Holy Church of Iggy the Inuit @ Late
Questions for Iggy
The past year several questions have been submitted to be asked to Iggy,
for the then unlikely event an interview would take place. Some
of those have been asked by Mark Blake and were (partially) answered in
the Mojo extended
I would just ask her what she remembers about Syd... Dear Iggy, do
you have anything of Syd's that I can have? Did you think there was
anything wrong with Syd mentally? Do any particular discussions stand
out for you... were they deep and philosophical, did you discuss current
events or just what you needed at the market... In his song "Dark
Globe" Syd Barrett says: "I'm only a person with Eskimo chain". Do you
think that is/could be a reference to you? Maybe you have some
personal photos/snapshots of Syd. Was Syd violent towards you like he
was with others girlfriends? Were you at the 14
Hour Technicolour Dream at the Alexandra Palace? If yes could you
tell us your impressions about that? What do you think happened to
Syd in 1967/1968? What happened to you after you last saw Syd? Would
you prefer to be called Iggy or Evelyn?
Mark Blake added to this:
Off the top of my head, (…) Iggy doesn't have any snapshots of her and
Syd, or any of his possessions (unfortunately, she no longer has the
photo she had of the two of them, which he tore in half, mentioned in
some of the books). She was at the Technicolour Dream '"all 14 hours of
it!" - and tried but couldn't spot herself in the documentary DVD. She
was also at the Isle Of Wight festival in 1970 (went with Twink of the
Pink Fairies) and the first Glastonbury Fayre. (Taken from Questions
for Iggy @ Late Night.)
People and places
The recent interviews show that Iggy met a lot of people and visited
lots of places in Swingin' London. The Croydon Guardian and Mojo
articles mention Brian Epstein, Brian Jones, Eric Clapton, Jimi Hendrix,
Keith Moon, Keith Richards, Rod Stewart & other assorted Beatles, Who
and Rolling Stones. Oh yeah, and of course also a bloke named Syd
The clubs she visited did not only include the Cromwellian, the
Flamingo, the Orchid Ballroom, the Roaring Twenties and the Speakeasy,
but in a mail to the Church Iggy also remembers other places like the
Alexandra & Crystal Palace, Annabel's, Bag O'Nails, Embassy, Garrick &
Hurlingham private clubs, Roundhouse (Chalk Farm), UFO, Marquee, Middle
Earth, Tramps (Tramp Club?) and generally everything that was located in
or around Carnaby Street. Needless to say that we try to look further
into that for the next couple of months.
But after the many pages the Church and Mojo have dedicated to Evelyn,
it is perhaps better to let Ig speak for herself. She send a long mail
to the Church and we hope she doesn't mind that we will publish some of
its heartwarming highlights here. Ig doesn't have an Internet account so
the mail was written and send by a friend. The Church took the liberty
of omitting some names and places.
Iggy wishes to express her thrill and excitement for putting this
factual and honest portrayal of her and is enchanted by your unwavering
interest. She is utterly flabbergasted of the magnitude of it all.
Many thanks to Mark Blake, for his perseverance and the genuine way he
has cared for and protected Iggy.
Many thanks go to Ig's wonderful husband and to her most trusted and
loyal friends [some deletions here by the Church] and Z., who was
there for us right at the beginning by printing hundreds of pages on her
But some old friends from the past haven't been forgotten either:
Iggy also feels the need to mention the charismatic Jeff Dexter, who has
given so much of his precious time by always welcoming and receiving all
her calls at all hours day and night.
Anthony Stern, Storm Thorgerson, Mick Rock, who created such amazingly
beautiful images. To debonair Nigel Waymouth and the extraordinary
couple Pete and Sue.
Many thanks and good love for the wonderfully exquisite description of
Iggy. She is totally overwhelmed and humbled by the delightful memories
Much love, Iggy
Reading the pages that a good friend had printed for her, Iggy got hold
of the Vintage
Groupies website that also dedicated some space to her. She asked
Felix, would you do me a really big favour and contact vintage groupies
(little queenies) to express my gratitude to all the lovely people who
left all the nice comments about me.
Love from Iggy.
Immediately after it had been published several reactions arrived:
Wow, thanks so much Felix for the message, please tell to Iggy thanks so
much from Little Queenies :) This is so great, she is so kind to
think about us :) Warm regards to her and to you Felix Elia &
Violeta, Barcelona, Spain
Its wonderful, to hear from her. Dancas
So amazing! Thank you so much for not only sharing the interviews but
relaying the message to us here at Vintage groupies! So fantastic. Lynxolita
Iggy the Eskimo 2011 photoshoot by Chris Lanaway
The Mojo article had a recent Iggy picture,
taken by Chris
Lanaway. A second picture has recently turned up at his Tumblr
account. Chris writes:
Here is a teaser from a recent series which will be viewable soon: Iggy
A hi-res version of the picture in question can be found here.
This article has nearly ended, and we pass the word to Anne from Paris
who passed us a letter for Evelyn:
Because you told Mark (Blake) that you were surprised and flattered to
discover that so many persons were interested in you (and I'd even say
that they're your fans!), I want to tell you that many of us have got a
great tenderness for you; you've been part of our lives during decades
and were at the same time a magnificent mystery and a flesh and blood
woman in Syd's life, two good reasons not to be able to forget you!
Of course, the fact that in these latest years, a great deal of
beautiful photos of you appeared just increased the admiration and
fascination about you.
I hope that the affection, admiration and fascination that many of us
have been feeling towards you warm you up and that you'll stay in touch
with us in any way you want ("us" means Felix, Mark, Syd's fans and even
maybe, one day, the organization around Syd's memory in Cambridge).
Needless to say that not only was it a great relief and a great joy that
you were found again last year, but it's also a great joy now to see new
photos of you.
Friendly regards. Anne (Paris, France) (I've got the "Madcap
laughs" since 1988, I was 17 then)
From an entirely different continent comes the following:
It was really nice to know that you are around and OK. My happiness is
enormous! I’ve just loved your recent interviews and pictures. You are
indeed a beautiful person! I hope you share with us some of your views
and stories on those fabled years that influenced the cultural paradigms
in so many ways and in so many countries. I wish you the best with all
Peace and Love, Dan, Ottawa, Canada
HI. My name is Griselda. I just wanted to say I am a big fan of Iggy.
When I saw on your website that she was going to be on Mojo Magazine, I
was so excited. I can't imagine how you felt!
You may find it strange that a 19 year old girl is so interested in
Evelyn, but I really think she was a wonderful model. The pictures taken
by Anthony Stern are really beautiful. She was such a free spirit,
living in the moment. I think most models today are so polished up,
their too skinny, or try to change their looks as much as possible to
look like Barbies or something. That's why I love Iggy so much because
she was a natural beauty, and she didn't have to try hard to look
wonderful in pictures.
Take Care. Griselda, USA
The Mojo (extended) interview ends with an excited Iggy who phones Mark
Blake out of the blue.
Last week, Iggy called to tell me she had found a poem online written
about her by a professor at a university in Missouri. "And it's in
French," she said, sounding astonished. "'Iggy l’Esquimo, Fille de
l’espace.'...it goes. I never believed anyone would ever write a poem
Although the professor actually lives in Manitoba,
Canada, where the temperature descended to a blistering minus 41 degrees
in January, the news arrived to him. Probably by sledge-dog express,
driven by – who else? – an Eskimo.
In the summer of 2006 Denis Combet wrote a collection of poems as a
tribute to the musician and painter Roger Keith Barrett who passed away
in Cambridge on the 7th of July 2006. The poems highlight the life of
the young artist as a nonconformist who preferred – or was forced – to
withdraw from the music world for a more humble existence. They were
published (in an English translation) in the online magazine Ecclectica
of February 2007.
The Church got the permission to pick an Iggy dedicated poem out of the
collection, not only in English, but also the original French version,
that had never been published before: From
Quetesh to Bastet / De Quétesh à Bastet .
Unfortunately these poems never went into print, because of the high
cost involved for publishing poetry, that often sells no more than a few
dozen of copies. But miracles sometimes do happen and hopefully we might
read more from Denis Combet in the near future.
In the next post the Church will probably give a detailed analysis of
the latest Iggy interviews, until then, sistren and brethren.
We leave the last word to Anne from Paris:
I don’t think Iggy's mystery will be over from now on; I
do think the mystery that comes out of her photos in the 60’s just
The Church wishes to thank: Anne, Dan, Dancas, Denis, Ela & Violetta
(Little Queenies), Griselda, Jenny, Kieren, Lynxolita, Mark, Zoe, Late
Night, Mojo magazine & Vintage Groupies and all others who commented and
Last but not least: ♥ Iggy ♥ and her loyal friends who pass her
messages to and fro.
In January of this year Mojo
published a (way too short) Mark
about Iggy, who – in the Sixties - was metonymically but erroneously
described as an Eskimo. There is a realistic chance that this blog,
politically correct named the Holy Church of Iggy the Inuit, would never
have seen the light of day if Iggy had been nicknamed something else.
Titled SYD BARRETT'S ENIGMATIC COVER COMPANION CLEARS UP SOME QUERIES
the article actually added to the mystery, although Mark Blake is, of
course, not to blame: Iggy is just mysterious by nature. And the more we
find out, the more mysterious it gets.
The Church was erected for just that, to reveal the enigma behind an
enigmatic woman but now that Evelyn has stepped into Mark
Zuckerberg's limelight the Church has made a deliberate step
backwards. Let it be known that the Church will be discreet about
present Evelyn. She is not Truman
Burbank and it is none of our business what she had for breakfast
this morning anyway (bacon butties and a steaming hot cup of tea, if you
wanna know, and the Reverend had some croissants and a cup of coffee).
Mark Blake also published an extended 'director's
cut' of his interview and now the time for the Church has come to
comment, amend or append on some of his poignant paragraphs. We will be
cruel and ruthless although the reader should realise that above every
line a virtual 'Well done, Mark Blake!' Church sign is blinking. A bit
Before long, The Holy Church Of Iggy The Inuit, a fansite in her honour,
had appeared, its webmaster, Felix Atagong, sifting through ever scrap
of information gleaned from MOJO and elsewhere with a forensic
scientist's attention to detail. Among Felix's discoveries was a
November 1966 issue of NME which featured a photo of "Iggy who is half
eskimo" dancing at South Kensington's Cromwellian club. (The Strange
Tale Of Iggy The Eskimo Pt. 1, paragraph 3)
Mark gives the Reverend too many credits here. The Church mainly rips
other people's ideas (not an uncommon practice with Churches, although
they mostly prefer to rip other people's wallets) and the November 26,
1966 New Musical Express Iggy picture
was not discovered by the Church. The scan was already floating around
on the web. Neptune
Pink Floyd, for instance, published
it in November 2006, two years before the Church started.
However the Church did trace a copy of that particular NME, hoping there
would be some extra news about Evelyn, but to our regret Iggy is not
mentioned at all in the accompanying text
(several scans of NME 1037 can be found in our gallery).
The Croydon Guardian
Believing that Iggy may have gone to school in Thornton Heath, Jeff and
Anthony contacted The Croydon Guardian, who ran an article - So Where
Did She Go To, My Lovely - enquiring after the whereabouts of the girl
"who entirely captured the spirit of the '60s". (The Strange Tale Of
Iggy The Eskimo Pt. 1, paragraph 4)
Time to pull the plug of that 'Well done, Mark Blake!' sign above we're
afraid, as The
Croydon Guardian was informed by none other than the Holy Church of
Iggy the Inuit.
The Church contacted Brian Roote, a historian from the Bourne
Society who had been researching the history of the Orchid, but
without success. Journalist Kerry McQueeney, author of the Orchid
articles, passed the Church mail to Kirsty Whalley, editor of the
Croydon Guardian Heritage pages. She replied the Church on the third
September of 2008:
We would like to feature this story in the newspaper next week and
hopefully it will prompt a few people to call in.
Kirsty Whalley also asked the Church for a decent Iggy picture and here
is what the Reverend answered:
Probably the best way to get an (unpublished) picture of Iggy is to
contact Anthony Stern (former boyfriend of Iggy in 1966) who made a
movie with her that will be shown on The City Wakes festival in
Cambridge, so more than 40 years after it was filmed. (Taken from:
Visitor at Orchid Ballroom - 1965 – 1967, mail to Kirsty Whalley, 3
September 2008 22:04.)
Kirsty Whalley took the information, given by the Holy Church of Iggy
the Inuit, to heart (probably the first time in the Reverend’s entire
career that a woman actually listened to his advice) and interviewed
Anthony Stern who also donated a previous unpublished picture
of Evelyn, just like the Church had predicted. She then did an excellent
job by contacting Jeff Dexter (or perhaps Jeff Dexter contacted her
after having spoken to Anthony Stern) and wrote a damn fine article: Where
did she go?
It took over a year for someone to 'call in', because in February 2010
Kirsty Whalley published the very first Iggy interview in 40 years that
even took the Church by surprise (see: Little
old lady from London-by-the-Sea). What the Reverend doesn't
understand though is why the Croydon Guardian journalist doesn't like to
be reminded that it was the Church who gave her the scoop. So no pretty
blinking Church sign for you, Kirsty!
From Dieppe to Delhi
Iggy's father was a British army officer, who served alongside Louis
Mountbatten, and attended the official handover ceremony from Great
Britain to India's first Prime Minister, Jawaharial Nehru in 1947. (The
Strange Tale Of Iggy The Eskimo Pt. 1, paragraph 7)
Louis Francis Albert Victor Nicholas George Mountbatten,
born in 1900 and killed by an IRA
bomb in 1979, was destined to pursue a glorious military career. Like so
many of his aristocratic peers this career was not per se based
on actual military performances but on the amount of names he had been
given at birth. After a military débâcle at Dieppe
in 1942, where 3,623 out of 6,086 soldiers, mostly Canadians, were
either killed, wounded, or captured by the Germans, Mountbatten was
given a new military playground as Supreme Allied Commander South
East Asia Command. The Dieppe raid (unauthorised by the general
staff) provoked a schism between the Canadian and British army leaders
during the second world war and the mistrust would linger on for decades
In 1947 Mountbatten was nominated Viceroy and Governor-General of
India and his principal task was to lead India (separated from
Pakistan) in a peaceful way towards independence. This lead to one of
the bloodiest massacres the subcontinent has ever seen. Muslims fled
from India to Pakistan, Hindus and Sikhs from Pakistan to India and
about 500,000 people lost their lives in the process (death
toll numbers vary from 200,000 to a million).
Up the Khyber
"My father also knew all about Mountbatten's wife's affair with Nehru,"
she adds mischievously. During a spell of leave, he had travelled to a
remote village in the Himalayas "where he met the woman that would
become my mother." Iggy was born in Pakistan, and attended army schools
in India and Aden, before the family moved to England. (The Strange Tale
Of Iggy The Eskimo Pt. 1, paragraph 7)
In the night of 14 to 15 August 1947 India and Pakistan officially
separated from London and because this had been supervised so well by
Mountbatten, he was entitled to another promotion. From now on he could
add the title of Governor-General of India on his business card.
In other words: Mountbatten was now the de facto monarch of the new
Lucky there was still his wife, Edwina
Cynthia Annette Mountbatten. Her part-time job was to visit the
refugee camps her husband was so kind to fill up and to hump India's
prime minister Jawaharlal
Nehru, although there are some biographers who maintain that their
relationship was purely platonic.
But enough politics. Around that time Iggy's father, posted in Pakistan,
went for an evening stroll in the Himalaya's where his spell of leave
soon developed in a spell of love. It is believed that in March
1947 the couple did exchange something more than friendly kisses. The
Church always believed that Iggy was somewhat older than Syd Barrett
Syd met Iggy), but this new evidence shows she is nearly two years
younger than him (and, should this be of any interest to anyone, both
Syd and Ig were born on a Sunday).
If Ig attended school in Pakistan, the family must have been there until
early 1950. Although the country was independent several hundred of
British officers stayed in Pakistan until the Pakistan army had enough
officers to take care of its own. There was a 1st Battalion Wiltshire
Regiment at Rawalpindi (Pakistan), with Indian bases at Amritsar,
Calcutta, Jhansi, Jullunder (Jalandhar) and Lahore (Pakistan) but the
Church's research couldn't link Ig's father to this battalion.
The Wiltshire Regiment left the Indias in October 1947, but her father
stayed in Pakistan for a couple of years longer.
Update March 2018: Iggy's mother, so was confirmed to us, wasn't
from Pakistan, but from Mizoram, situated at the North-East of India,
sharing borders with Bangladesh and Myanmar. Probably that is where Iggy
was born and went to school. The 'evening stroll' of Iggy's dad did not
take place in the Himalaya's, but at the Lushai Hills, a mountain range
in Mizoram and Tripura, India.
The garden of Aden
It is not that weird either that the family was dispatched to Aden.
Before 1937 Aden was an (overseas) part of British India and after that
it became a separate British Crown colony, much to the enjoyment of
philatelists from all over the world. It would stay under British reign
until 1963 and in 1967 it was absorbed by the People's Republic of South
Kids could go to the Khormaksar
primary and secondary school (close to the RAF airport base), but there
was the (Roman-Catholic) Good
Shepherd Convent School for girls as well, the Isthmus
School and the Selim
Girl's School that was badly damaged in the anti-Semitic pogroms from
There are quite a few blogs and forums
about Aden with hundreds of pictures of the fifties and sixties, but the
Reverend couldn't find Iggy back, yet. The Mojo article has a picture
from Ig at Worthing Beach, in the early Sixties, so around 1963 they may
have returned to England.
In January 1969 Iggy met Syd, thanks to their common friend Jenny
Spires. The outside world didn't always realise that Ig and Syd became
an item. Ig was unaware that Syd had been a pop star, but then one day:
He [Syd] then said, 'Would you listen to this?' And he bought out this
big, old-fashioned reel-to-reel tape recorder, and said, 'Tell me what
you think'." Syd then played her the songs that would end up on The
Madcap Laughs. One track, Terrapin, made an immediate impression. "I
said, 'That's quite catchy', and, of course, I don't think Syd was
really into catchy...It was a long tape, and he didn't demand any
opinion, but just asked if I thought it was OK. At the end he said
'Someone at EMI - I cannot remember the name - wants me to make a
record. How would you feel about having a rock star boyfriend?'" (The
Strange Tale Of Iggy The Eskimo Pt. 1, paragraph 12)
This may have happened in the weekend of 12 and 13 April 1969 after
Malcolm Jones and Syd had started working on the new album:
During the tea break we discussed going back to some of the songs
started the previous year, in particular 'Golden Hair', and perhaps
'Late Night' although the original version of that had been destroyed,
it seemed. We returned to the studio and started work on another new
song, 'Terrapin'. In one take Syd laid down a guitar and vocal track
that was to be the master! At my suggestion Syd double tracked his vocal
part, and that was it!
One day Syd Barrett disappeared from the flat and Iggy, in a jealous
mood, fearing he was seeing another woman, tracked down her friend in
David Gilmour's appartment, just a few blocks away.
"I went in, shouting, 'OK, where is she?' thinking there was a woman
hiding in one of the rooms. But, of course, the meeting had been with
Dave about the record they were making together." Barrett left Iggy with
Gilmour, but rather the worse for wear, she knocked the stylus on his
record player accidentally scratching his copy of Pink Floyd's brand new
album. "I have no idea what album it was, only that it was their new
album," Iggy sighs. (The likely candidate seems to be Soundtrack From
The Film More) "So Dave threw me out..." (The Strange Tale Of Iggy The
Eskimo Pt. 2, paragraph 3)
Here is again an excellent opportunity to grab the Church's copies of
Glenn Povey's 'Echoes' and David Parker's 'Random Precision'. According
to David Parker Barrett had his last recording session with Malcolm
Jones on the 3rd and 4th of May, while the David Gilmour sessions
started a month later (see our 1969 calendar).
On the 6th of May however 'a set of rough mixes' of the album was made,
presumably to be handed over to Gilmour (and Waters), who had promised
to finalise the album (it is significant that on that tape Opel, Swan
Lee and Rhamadan are still present).
But probably Barrett, Jones, Gilmour and Waters had been discussing
about all this before. The Church has always believed that Iggy left Syd
somewhere in April and up till now Ig's visit to Gilmour's apartment
fits nicely into that scheme.
Mark Blake wisely deducts the scratched record has to be 'More'.
More was released on Friday, the 13th of June 1969, but of course
Gilmour may have had a copy some weeks before. Another, but more
unlikely, candidate is 'Ummagumma'.
Although only released in November the Floyd had already been recording
some pieces for this album in January and February, together with the
'More' sessions, so perhaps Gilmour and Barrett could've listened to an
acetate instead. And of course the live tracks of that album must have
been circulating amongst the band members as well.
But there is still another possibility. Margaretta Barclay told the
Church she has a postcard sent to her and Ig at Wetherby Mansions in
June 1969 so perhaps Ig's departure took place after More had been
officially released (see: Gretta
Notes (other than internet links mentioned above): Parker,
David: Random Precision, Cherry Red Books, London, 2001, p.
139-158. Jones, Malcolm: The Making Of The Madcap Laughs,
Brain Damage, 2003, p. 7. Povey, Glenn: Echoes, the complete
history of Pink Floyd, 3C Publishing, 2008, p. 104-112.
The Church wishes to thank: Adenairways.com, Mark Blake, Jenny Spires,
Natashaa' and the beautiful people at Late Night. ♥ Iggy ♥
Somewhere mid December we were informed by Iggy that she had been asked
some questions by the British Jimi
Hendrix magazine: Jimpress.
Jimpress started in July 1991 and is currently at its 100th issue and
obviously no other issue than this centenary one was suited to
welcome Iggy Rose. Pages 9 to 17 have the article Mr Love, where
author Tim Greenhall examines several events from Brook
Street 23 in London.
Mr Love, The Jimi Hendrix London Experience, Tim Greenhall examines
events in Brook Street
The article starts with the memories of Doug
Kaye, who used to work in his brother's restaurant in Brook
Street. Above the Mr Love restaurant was a flat where a certain Jimi
Hendrix and Kathy
Etchingham set up residence. Doug first met Jimi at the cigarettes
machine and they started talking about blues music. Doug lend Jimi two
blues albums that he never saw back but that are now part of the Jimi
at the EMP museum in Seattle.
Doug Kaye started the secret Mr Love Facebook group (later renamed to Echoes)
that unfortunately has been declared terra incognita for the
Reverend but that accommodates quite a few Sixties celebrities among its
members (and many of those are friends of Iggy Rose as well).
One of them, mentioned in the article, is Robert Orbach who owned I
Was Lord Kitchener's Valet and who sold Jimi Hendrix his trademark
cavalry jacket. The Hussars tunic dated from 1850 and was the personal
property of Robert who wore it in his shop. Jimi Hendrix first proposed
to buy it for 20£ but Orbach told the item was not for sale. Over the
next few days Hendrix and his manager would drop by with higher bids and
at the end the uniform changed owner for the tenfold of the originally
proposed price. To modern 2013 standards Hendrix must have paid the
equivalent of about 2000£ (or 2320€ or 3100$), but as it became one of
the most renown jackets in the world of rock that price was probably a
Dexter probably doesn't need to be introduced to Iggy Rose fans,
he tried to make a record with her but this miserably failed when he
found out at the studio that non of the girls he had chosen for his
Motown-like act actually could sing. Dexter met Hendrix on different
Altman would take us at least three Church blog posts, so we
will just say he is a (film & ad) composer, music arranger,
orchestrator, conductor, an occasional contributor to Monty Python and
that he has more anecdotes up his sleeve than the Reverend has ever got
hangovers in his entire life. John Altham talked most about jazz with
Jimi and Hendrix confided him he wanted to take some guitar lessons from John
Iggy Rose @ Jimpress
And then it is finally time to attribute some lines to our goddess:
One of the group's most colourful ladies is the lovely “Iggy Rose”. Iggy
was Syd Barrett's girlfriend and met Jimi on a few occasions. She is
probably best known for being the model on the cover of Barrett's album
The Madcap Laughs, however she has been seen in many a sixties nostalgia
film, most notably Granny Takes A Trip which you can find on YouTube no
doubt. Iggy also worked in the store of the same name.
Note: as far as we know Iggy did not work at Granny's. The
article from Tim Greenhall continues:
I asked Iggy what she remembered about Jimi in that time ?
I never really spent much time chatting but was in his presence. I met
Kathy Etchingham on a couple of occasions. I knew Noel Redding quite
well. I remember seeing him at The Bag o'Nails where he blew everyone
away. I just feel very fortunate to have met him and will always be
grateful for that.
...the article ends with a thank you note to Iggy:
I would particularly like to thank Iggy for putting me in contact with
Jeff Dexter, Robert Orbach and John Altman.
Hendrix at the Church
The Church has destined a few articles to the Iggy Rose - Jimi Hendrix
In 2010 the Church interviewed Rod Harris, who has been described as the
man who launched Jimi Hendrix in the UK: Rod
Harrod remembers The Crom. Co-owner from The Cromwellian club Bob
Archer told the Church he was the first to book Jimi Hendrix:
True fact is the first place Jimi [Hendrix] played in London was The
Crom. He sat in with Brian Auger. Chas [Chandler] brought him in the
first night he arrived. Kathy [Etchingham] worked a bit for me. Taken
A few years ago the Church asked Iggy what she did remember of that
Hendrix gig and here is what she confided to the Church (unpublished
I think the first mind-blowing experience I had of watching Jimi
Hendrix's explosive performance was at the Bag 'O Nails on November the
I actually sat on the edge of its tiny stage waiting for the gig to
The so-called super cool blasé London in-crowd didn't realise what hit
them. From the very first stupendous chord this felt like a typhoon
blasting away all sense and reason, reducing everyone in the public into
a quivering state of amazement. This phenomenally unique sound provoked
a spontaneous eruption in the crowd. Suddenly everyone leapt to their
feet with a roar, clamouring to get near the stage to absorb the
And as if that wasn't enough, as soon as Jimi dropped to his knees and
started to play the electric guitar with his tongue the roomful of
trendy clubbers went ballistic and then he hadn't set his guitar on fire
yet. For me it looked like he continued through the night producing
spectacular feats of unparalleled works of genius.
Then of course his electrifying voice that touched and melted the most
vital. This was oozing raw scalding sex, a river of molten lava erupting
from a volcano. Hendrix created an uncontrollable sensation of having
Unfortunately the pictures that were in her possession from Jimi Hendrix
(with her?) have been lost through the years, as well as those with Eric
Clapton, Roger Daltrey, George Harrison, Brian Jones, Anita Pallenberg,
'Keef' Richards and 'lovely' Keith Moon... (and then there is still a
hidden, but rather naughty, but rather arty, Syd & Iggy Madcap
Laughs photo session that is in ultra safe hands somewhere).
But not all is lost, the Church also heard that some people want to
contact Iggy for a new Rolling Stones related project. The Reverend is
pretty sure that somewhere there must be pictures, probably in private
hands: Iggy & the
Many thanks to Tim Greenhall from Jimpress and to all
contributors from previous articles mentioned here: Bob Archer, Mark
Blake, Rod Harris, Kirsty Whalley... ♥ Iggy ♥ Libby ♥
Interstellar Overdrive is the name of a January 2014 Shindig
guide and it's worth every penny you spend on it. In 35 articles on 170
pages, it tries to define and explore the space rock phenomenon. It has
in-dept articles on Acid Mothers Temple, Tim Blake, Neu!, Ozric
Tentacles, Yes and many others without forgetting The Tornados' Telstar
and the obligatory space rock top 30 countdown. A 6-pages article,
called 'The Reluctant Spacerockers', written by Austin Matthews,
investigates the frail relation between Pink Floyd and space rock.
Here it is (we have cropped the picture a bit to only show the band
members and we put some nifty numbers above each person).
Press. We honestly think we can publish this picture under the 'Fair
Use' rules, especially as it will be used for criticism, comment
reporting, news gathering and frankly, for taking the piss out of the
copyright holders. See also: legal
It is a nice picture, no problem about that, but unfortunately the band
isn't Pink Floyd. There are five musicians on the picture but the
five man Floyd barely existed for 8 days in the beginning of 1968.
Hi all. Only to say you that, according with Ian Russell, this picture,
posted in the page
57, shows a band called Dantalian's Chariot, a famous psychedelic
band in the end '60. This photo was also in the Cliff Jones 'Echoes'
book, but has nothing to do with the Floyd at all.
It seemed to be a 5-man Floyd pic, but NOT, we really should know
better, wrong instruments, wrong equipment etc.
That band's something we can't explain
The picture shows five musicians and that particular setup in Pink Floyd
was only known for five live gigs between 12 January 1968 and 20 January
1968. On the Yeeshkul
forum this picture has been further analysed by fans who know these
things much better than we do...
The five men on the picture should be, left to right, numbers one to
1: Roger Waters playing the bass. The picture isn't clear enough
to recognise the bass player, but the bass should've been a Rickenbacker
and the musician on the left is holding a Fender.
2: Nick Mason. First of all: this isn't Nick's drum set. The
silver toms look the same, but the bass drum is smaller and doesn't have
a front skin. Pink Floyd always had a front skin on the drums and
furthermore Nick always had two bass drums instead of one.
3: David Gilmour. It is weird that the third man doesn't play a
guitar. Especially for David Gilmour who normally is glued to his axe
and who was hired in to mimic Syd's solos.
4: Syd Barrett. The man on the picture is playing a black or
sunburst Strat, a guitar Syd didn't have, as far as we know. David
Gilmour only acquired one two years later. A white strat would have been
more appropriate for Syd.
5: Rick Wright. Although the keyboard player is nearly completely
hidden in the dark one can see something that resembles a huge perm.
Richard was never the man to have an afro. It is awfully dark but the
organ doesn't seem to be a Hammond, Rick Wright's favourite instrument.
And there is more. The equipment is not Pink Floyd's. There is a
Marshall stack and a Fender Bassman and these are not Floydian at all,
so tell us the people who know. What the equipment does have in common
with Pink Floyd is a Watkins (aka WEM) PA unit, but that is hardly
Then there is the projection of the nude woman left on the picture, she
also appears on the right side of the stage (on the uncropped version).
We have never seen something similar on the dozens of live pictures of
the Floyd of that era. Often avant-garde movies were shown on the walls
(or the ceiling) while bands where playing in the psychedelic clubs, but
it is again one of those things that don't add up.
And last: this picture is often described as taken at the UFO club but
the 5 man Floyd didn't play there in the 8 days they existed.
As for the assumption that the band is Dantalian's Chariot with Zoot
Money on keyboards and a young Andy Summers on guitar the cons are about
the same. That band consisted of four members, not five, and Zoot Money
didn't have a big hairdo either. But apparently Jeff Dexter confirmed it
is them allright. So this could have been taken during their UFO gig on
the 22nd of September, 1967.
The above picture is copyrighted by Pictorial
Press who have it in their Pink Floyd folder as number 1398.
Unfortunately they can't give us a date but they do mention it was taken
at the UFO club. To further demonstrate their competence they categorise
Pink Floyd under the category 'metal',
a class they share with KC and The Sunshine Band, Dionne Warwick and
Sandie Shaw. These people are professionals, we can tell you that! (We
are aware of the existence of The
Nile Song and Ibiza
But scallywags or not, Pictorial Press has several times managed to sell
this picture. We find it on page 20 of William Ruhlmann's Pink Floyd (1993),
but luckily the author caught the error in time and describes it as 'an
unidentified group at UFO'. This biography is one of those mass printed
'take your money and run' budget releases with scarce text and plenty of
pictures. It is also one of the few biographies that was published in
Dutch and in that edition the picture can be found on page 16.
In 1996 Cliff Jones published the picture on page 25 of his Echoes
biography, not to be confused with the Glenn Povey history book that has
the same title. Subtitled 'the stories behind every Pink Floyd song' the
book attempted to tell the band's history track per track and album per
album, but there it miserably failed. There are plenty of mistakes in
the text and also on the pictures: on page 29 Roger Waters can be seen
but the picture is described as 'a young Dave Gilmour'; page 25 has the
UFO picture this article is all about, captioned 'The Floyd light show,
UFO club'. Apparently David Gilmour was so angry about this book that he
threatened to sue the author:
"The book has a very large number of errors - over 120 - some careless,
some very serious", the star's solicitors, tell me. "We have also
identified four serious libels of David Gilmour. The band take a very
serious view of this and are furious." (Daily Express Dec. 9th 1996,
quoted on Brain
An agreement was reached and the book was shipped to the shops, but with
a sticker on page 107 that replaced 23 lines with new text. We will
never know how the passage reads that infuriated Gilmour so much.
Original copies were send back to the publisher and seem to have
vanished from this planet. For those interested in the many mistakes
there is this webpage
showing them all and for a review we can guide you to Brain
Damage. To add insult to injury this book was also issued under the
title Another Brick In The Wall (for the overseas market?) but it
comes with exactly the same mistakes.
London Live by Tony Bacon could be found for years on the
official Syd Barrett website
where they thought it was all about the person that makes them sell
these t-shirts. However, the book is not a Pink Floyd, nor a Syd Barrett
biography but an 'inside story of live bands in the capital's
trail-blazing music clubs' of London. Page 90 and 91 have the
(artificially coloured) picture where it is called 'a majestic lightshow
at UFO', not mentioning any band.
In October last year, a new biography, Behind the Wall, appeared,
written by Hugh Fielder. Floyd anoraks say that the book doesn't really
reveal new facts, apart from the obligatory updates about the Roger
Waters never ending Wall-world-tour. One thing that makes us hesitate
buying it is that the UFO club picture is in there and that it
apparently is attributed to the band we all love.
Shame on Shindig!
Of course Pictorial Press, in their role as entrepreneurial con men, are
not entirely to blame for selling their crap images. Authors and
graphical editors should not only check and double-check text material
but also the pictures they publish.
The guys from Shindig normally deliver excellent work, but before he
gave his fiat for this issue Jon 'Mojo' Mills must have inhaled a
wee bit too much sweet smoke from his water-pipe.
Shame on you, crazy Shindig!
P.S. Obviously The Anchor has warned Pictorial Press about their mistake
and as soon as we will receive an answer this article will be updated. (Update
2016: they never answered.) P.P.S. Shindig was so kind to give us the
following message: "We were duped! I should have spotted it. Many
(The above article is entirely based upon facts, some situations may have
been enlarged for satirical purposes.)
The Anchor wishes to thank: the Yeeshkul and A Fleeting Glimpse forums
and their members, b_squared, demamo, Rich Hall, hallucalation, Mr.
Pinky, Orgone Accumulator, saygeddylee, supervehicle, sydzappa...
Sources (other than the above internet links): Bacon, Tony: London
Live, Balafon Books, London, 1999, p. 90-91. Jones, Cliff: Another
Brick in the Wall, Broadway Books, New York, 1996, p. 25. In the UK
this book has been published under the title 'Echoes'. Ruhlmann,
William: Pink Floyd, Magna Books, Leicester, 1993, p. 20. Ruhlmann,
William: Pink Floyd, ADC, Eke (Belgium), 1994, p. 16. Dutch
edition of the above. Fielder, Hugh: Behind The Wall, Race
Point Publishing, New York, 2013.
The Anchor is the Holy Church of Iggy the Inuit's satirical
division, intended for people with a good heart, but a rather bad
character. More info: The
Anchor. Read our legal stuff: Legal
The Church closed its door at the end of March 2015, but promised to
keep an eye open for all things relatively Syd-and-Iggy-related.
Obviously serendipity meant that, from that moment on, Syd-and-Iggy
related matters would regularly smash against the Church's closed
windows at the air-speed velocity of an unladen swallow, making this one
of our busier seasons.
Iggy Rose was a guest on American Dazed (talk) Radio, her first
radio-interview ever. The condensed version still is 47 minutes but what
an intense 47 minutes they are: Iggy
Rose Radio Interview.
In June Iggy was invited to the biennial, second and probably last Birdie
Hop Cambridge meeting where she met with Libby Gausden, Jenny Spires
and a bunch of Barrett-fans: Iggy
Rose in Cambridge.
And then, when you're least expecting it, there is a brand new Iggy
picture that make our hormone levels go crazy.
This article follows the same steps as that other one of 2012 that
published the discovery of Iggy's 'Pocahontas' picture, that has been an
inspiration for so many Iggy fans and their fanart creations: Iggy
- a new look in festivals.
The 1967 Festival of the Flower Children
Two weeks after Iggy had visited the National Jazz, Pop, Ballads and
Blues Festival at the Royal Windsor Racecourse, where she had her
picture taken for Music Maker magazine (see: Iggy
- a new look in festivals), there was the first Woburn festival with
an equally appealing title: Festival of the Flower Children.
Wanting to cash in on the Summer of Love (and the Bank Holiday Weekend
of 26-28 August) it tried to be a direct competitor for the first one
that was already well established and in its seventh edition. Flower
Children also went on for three days but its bill was less abundant,
less adventurous and clearly directed at the general public or 'weekend'
hippies, rather than the underground elite. The host, the Duke
of Bedford, one of those examples the French invented the guillotine
for and the living proof that the posh establishment will temporarily
adhere an alternative lifestyle if there is a buck to earn, sneered:
Only flower children are allowed in. They are nice peaceful young people
who like beat music and coloured lights. They are very different from
hippies who take drugs and make trouble. Hippies will definitely be
The Duke of Bedford apparently grabbed 10% of the entrance money
estimated at £50.000, according to an article in The
Australian Women's Weekly, but the promoters, the Seller brothers,
apparently weren't that happy and the financial debacle may have
quickened the demise of their mod nightclub Tiles,
Dexter was the house DJ. The Daily Telegraph, however, wrote that
the festival made the nice profit of £20.000. (Much of the information
and some of the pictures in this article come from the excellent UK
Rock Festivals.) For snobbish left-elitist underground circles and
their affiliated magazines is was all a sell-out. Peter Jenner:
Gradually all sorts of dubious people began to get involved. The music
business began to take over. (…) There were things like the Festival of
the Flower Children.
That the Seller brothers were thinking more in the terms of profit than
music or mod culture was perhaps proven by their nightclub Tiles that
was described by Tom
Wolfe as the 'Noonday
Underground'. In the middle of the day, during lunch hour, the club
opened and was visited by 'office boys, office girls, department store
clerks' and teenagers who had left school at fifteen, for their daily
dose of mod music and a Coca-Cola. Tiles aimed for an easy-going public
and although it lacked style and personality it did have a proper bar, a
good dance floor, a fancy stage and an excellent sound system.
With the exception of perhaps Dantalian's
Chariot (another band led by Zoot Money) and Tomorrow
(with drummer Twink) the bill wasn't really underground, nor
psychedelic. Pink Floyd was never considered to appear at the festival,
Chapman pretends the opposite in his immaculate biography. Not that
the band would've come as they had already cancelled the Windsor
Racecourse gig due to Barrett's erratic behaviour.
For the press the festival was gefundenes fressen and news
photographers seemed to outnumber groovers. And now we let you guess,
who can be found on one of those pictures, you think?
On the 21st of September the Holy Church of Iggy the Inuit was asked the
following by Jacinta Storten:
Hi there, do you know if Iggy attended the Festival of the Flower
Children love-in at Woburn Abbey in 1967? I have some photos of
attendees and one of them looks just like her, on the other hand the
photo could be from the Woburn Festival that Fleetwood Mac headlined
which I think Pink Floyd were also billed from memory it was 67 or 68. [Note
from FA: for the record, at the 1968 version of the Woburn Abbey
festival, Fleetwood Mac never showed up, although they were billed. Pink
Floyd never played the festival either as they were touring North
America on that day.]
Such a mail obviously has the same effect on the Church as a red rag to
a bull. We immediately contacted Iggy Rose who wasn't aware of ever
being at the festival, but you know the saying 'if you remember the
sixties, you weren't there'. We wrote back to Jacinta, asking for a copy
of the picture so that we could send it over to Iggy, but due to the
quirky way Facebook messaging works sometimes (or should we say: not
works) that was ignored. (We have that effect on many people.)
Luckily on the fifth of November the picture appeared on the HeroInSight
'Iggy ”The Eskimo” Rose at Festival of the Flower Children Love-in,
Woburn Abbey UK, 1967.
As soon as we got hold of the picture we send it to Iggy who confirmed
it was indeed her:
My goodness, where did you find that? I look stoned. Haha. I can't
even remember being there. Lol xxx.
An internet search revealed that the picture
is currently hosted at Photo Inventory France, that seems to be owned by
an Ebay seller called Photo
Vintage France. The picture (30 x 19.5 cm) was put several times on
sale before, between June 2012 and August 2015, for the price of 159
Euro, but apparently no buyer has ever been found. Lucky for us,
otherwise the picture had perhaps never been found.
We contacted the owner of the Ebay shop, Bruno Tartarin, asking if he
could give us more information about this picture. We got a reply pretty
fast, but it didn't really give us info we didn't know already:
Cette image vient des archives Holmes-Lebel. Flower Children, Hippies
Rally, Woburn Abbey, Angleterre, circa 1967. RE2173 Tirage argentique
Translation: This image comes from the Holmes-Lebel archives. Flower
Children, Hippies Rally, Woburn Abbey, Angleterre, circa 1967. RE2173 Authentic
gelatin-silver photography, stamped.
Internet searches for the Holmes-Lebel company didn't lead to anything
substantial apart from the fact that they created / sold pictures for
advertisements, movie posters, record and book covers and magazines in
the sixties. Also the photographer who took Iggy's picture is a mystery
as the agency had several internationally renowned people working for
them like Rona
Update 2015 12 22: Meanwhile the picture has mysteriously landed
at Atagong Mansion, and for once, the Reverend isn't interested in the
front of the picture, but wants to study the different marks on the
back. There are four in total: 1. a blue stamp of the Holmes-Lebel
company with the remark that the document has to be returned after
publication: 'document à rendre'. 2. another stamp with the
warning that four times the copyright amount will be asked if the
document gets lost or damaged: 'en cas de perte ou détérioration des
documents il sera perçu quatre fois le prix de cession des droits'. 3.
a sticker describing the picture in English:
HIPPIES RALLY (THE FLOWER CHILDREN), WOBURN ABBEY, ENGLAND Hippy girl
dressed in the Indian way. Copyright HOLMES-LEBEL/I.M.F. n) 3008
4. a remark written in pencil, reading 'woodstook'.
Scans of the stamps, stickers and marks on the back can be found on our
Iggy Tumblr page: Hippy
Porn and the Englishman
A photographer who certainly was present at the Flower Children festival
was Londoner Jean
Straker whose photo studio was in Soho and who was interviewed in
the 6th issue of Oz
because his pictures were considered pornographic in the prude
interpretation of the English law.
In 1951 he founded the Visual Arts Club where he gave lectures, sold his
pictures and where he would have 'photographers, amateur and
professional, studying the female nude'. Straker's pictures were
considered pornography under the Obscene
Publications Act and in 1961 over 1600 of his negatives and 233 of
his prints were confiscated. While Straker claimed his pictures were of
artistic value the judge didn't follow this explanation. In appeal,
Straker got many of his negatives back, but this was forced on a
technicality, using a loophole in the law, and the official
interpretation was still that his pictures were obscene.
This situation lingered on with Straker trying to fight censorship and
in 1967 Jean Straker noted (in Oz 6):
Now, as most lawyers know, I been through all this jazz before; apart
from a few thousand motorists, and a few hundred barrow boys, I must be
the most prosecuted non-criminal in town.
Jean Straker also visited the Festival of the Flower Children were he
might have taken over 220 pictures. Harper's
Books currently sells a (partial) archive of 39 different 5 x 8 inch
black and white photographs. However, at 3.000 USD for this collection,
it is a bit expensive just to find out if the Iggy picture is part of it.
At 165 Euro the Holmes-Lebel piece is almost a bargain.
The who, the what and the where?
There is a big chance we will never know who took Iggy's picture at the
festival of the Flower Children. It could've been one of Iggy's froody
friends, as we know she knew quite a few free-lance photographers,
including the one who took her picture two weeks earlier at the National
Jazz, Pop, Ballads and Blues Festival. If only she could remember his
name! At the other hand, she could've been invited to the festival by
Jeff Dexter, who had developed some interest in her and tried to record
her in the studio.
It is possible that the picture was bought by the Holmes-Lebel agency in
order to publish it in a French magazine. It would be nice to find that
article back, if there ever has been one.
But the good news is that a new Iggy picture has been unearthed and that
is was found – again – by one of her many fans. For that the Church (and
Iggy Rose) will be eternally grateful to Jacinta 'HeroInSight' Storten...
The quest continues... good hunting my sistren and brethren...
and don't do anything that Iggy wouldn't do...
Many thanks to: HeroInSight, Jacinta Storten, Iggy Rose, Bruno Tartarin, UK
Rock Festivals. ♥ Iggy ♥ Libby ♥
Sources (other than the above internet links): Chapman, Rob: A
Very Irregular Head, Faber and Faber, London, 2010, p. 179. Green,
Jonathon: All Dressed Up, Pimlico, London, 1999, p. 43, 221. Green,
Jonathon: Days In The Life, Pimlico, London, 1998, p. 112. Palacios,
Julian: Syd Barrett & Pink Floyd: Dark Globe, Plexus, London,
2010, p. 246. Photo Inventory France: http://photoinventory.fr/photos/RE2173.png Pullen,
Bob: Photography and Censorship: The Photographs and Ideals of Jean
Straker, Photography and Culture, Volume 1, Issue 2, 2008 (online