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2008-08-16

IN Gear

Iggy shopping at Granny Takes A Trip
Iggy shopping at Granny Takes A Trip.

Tailor John Pearse, graphic artist Nigel Waymouth (and girlfriend Shelagh York) opened Granny Takes A Trip in 1965. At the entrance was some lettering reading ‘one should either be a work of art or wear a work of art’. Granny Takes A Trip was the first multisex boutique selling miniskirts, op art shirts, garments in loud florals and paisleys… Perhaps more of importance were the second hand ornaments: flapper dresses, Victorian bustles, Boer War helmets, antique military jacquets, Chicago gangster suits, fezzes, turbans and other ‘cleaned and darned exotica’.

Nigel Waymouth: "I was with this girl at the time and she used to collect old clothes. We thought that it might be a good idea to open a shop with all these things. (…) Of course it was terribly vain."

The Granny T-a-T boutique was known for its outrageous decoration. The entrance of the shop changed a few times: in the early days it had a mural of a North American Indian, in 1966 (probably) it was replaced by a pop art picture of Jean Harlow and at a later stage a real Dodge (well, part of it) was pop-artistically glued to the wall.

Granny was expensive, elitist and wasn’t afraid of saying so. Journalist and critic Jonathan Meades once tried to get in dressed in a casual black suit and tie: “I remember Nigel Waymouth sneering at me, you could hardly see his face by through this mass of afro hair. (…) He obviously thought I was a jerk. (…) and wanted me moved out of the way because I was an extremely bad advertisement for his shop.”

"The underground was exactly the same as everything else: there were rich people and there were poor people. It was class ridden. There was no working class in the underground because nobody did any work." (Cheryll Park, art-student).

"The underground had a star system exactly as did pop music and films and everything else." (Andrew Bailey, journalist Variety, Rolling Stone UK).

The press that cherished Swinging London reported vividly about the so-called mundane settings (shops, bars and restaurants) visited by working class heroes such as Michael Caine and Twiggy. The sudden press attention made the flower power movement mushroom and disappear in a couple of months time.

Look At Life
Look At Life.

Look At Life was a series of short documentaries about British life, made by Rank Organisation and shown in the Odeon and Gaumont movie theatres. Between 1959 and 1969 over 500 tongue-in-cheek episodes were made. One particular episode from 1967, called IN Gear, narrated by Michael Ingrams, deals with several Swinging London shops and clubs.

It's the swinging London fashion scene on parade and features an eye-candy array of dazzling & colourful mod fashions! Suits, shirts, pants, shoes, boots, jackets, dresses, belts, bags, hats, caps, ties, skirts, blouses, scarves, dickies, and more! Mary Quant shows off her latest collection! The viewer is taken to King's Road, SOHO, and Carnaby Street.
Some of the shops visited are: "Granny Takes a Trip," "Hung on You," "The Antiques Supermarket," "I Was Lord Kitchener's Valet," and "Gear."
The narrator tells us that, "A year or two ago fashion originated in the haute couture's of Paris, then spread downward through society in ever cheapening copies; now these shops which would have interpreted the mould, originate today's fashion, owing nothing to Paris or anyone else."
Next, it's off to the discotheque club scene where the "in" gear is worn. Clubs include: "Tiles," "Bag of Nails" (the Beatles used to hang out here), "Samantha's," "Georges" and "the Saddle Room." Groovy pop music soundtrack! (Taken from Videobeat.)
Nigel Waymouth
Nigel Waymouth.

When Late Night member dollyrocker watched this particular episode on YouTube he recognised a familiar face at 1:43. The girl who visits the Granny Takes A Trip shop is none other than Iggy the Eskimo. This probably means that she was hired by the makers of the documentary as an actor for the movie and further proof indeed that she was a professional model.

Unfortunately the credits have been cut of from the YouTube video and I’m not sure if they appear on the Swinging London DVD it was taken from (unfortunately the DVD is out of print and its editor DD Home Entertainment is out of business).

We don’t know exactly when the documentary was made but as another shop, Biba, moved somewhere between March and September 1966 to Kensington Church Street, and that location is shown in the movie, one can deduct that the movie dates from summer 1966 - spring 1967.

So far for the small story. But what really matters is:

Who hired Iggy for the documentary?
What agency did she belong to?
If she was a professional model there must still be promo shots or fashion photo shoots available in the darker corners of this world…

A gallery with screenshots of the movie can be visited here.


Sources (other than the above internet links)
Green, Jonathon: All Dressed Up, Pimlico, London, 1999, p. 80-81.
Green, Jonathon: Days In The Life, Pimlico, London, 1998, p.187-190., p. 218-220
Levy, Shawn: Ready Steady Go!, Broadway Books, New York, 2003, p.190-191.


2008-08-30

Shaken not stirred

Iggy by Anthony Stern
Iggy by Anthony Stern

Moviemaker Anthony Stern, who knew Iggy before she met Syd, has confirmed that the person at the Granny Takes A Trip boutique on the IN Gear movie is indeed her. On his turn he will present a home movie called Iggy, Eskimo Girl at The City Wakes festival in Cambridge. A short teaser can could be found on YouTube.

Update 2016 11 15: meanwhile the video has been deleted by the super-vigilant Pink Floyd copyright gestapo.

According to Mick Rock Syd was touched when she left him:

Once I’d developed the film (from The Madcap Laughs photo session, note by FA), I went round to show Syd the pictures. He took this one opposite (page 21 in the PR-book, note by FA) and scratched some lines and his name onto it. I think there was a bit of negativity directed at Iggy. He just started scratching the print, with a big grin on his face. (Taken from Psychedelic Renegades.)

It could be that the scratches on the picture were destined at Iggy, but why did Syd Barrett scratch (more or less) around her figure? Not (and I hope my shrink will never read this) her face or body, in my garbled opinion the logical thing to do if one would try to express negative or revengeful feelings on a photograph. Syd’s body and face is far more scratched than Iggy’s and Barrett also cut the letters SYD on the picture... Perhaps he was just trying to make clear to Mick Rock that he wanted to get rid of his pop-life alter ego.

Mick Rock writes further that he heard from Duggie Fields, the painter who was Syd Barrett’s roommate and who still lives in the same apartment today, that ‘she later went off with some rich guy in Chelsea and lived a very straight life’.

On my main old and abandoned blog (and also on the Late Night forum) I wrote that none of the Pink Floyd biographers have been really looking for Iggy. Mark Blake, author of Pigs Might Fly, responded: “I can't speak for all the PF or SB biographers, but I certainly tried.”

The only bit of new info I found was that there was a chance 'Iggy' may have gone to school in the South London area, as she was known as one of the regular teenage girls at the dancehalls around Purley and Caterham. This would have been around 1965. Duggie Fields recalls seeing her some time after the Madcap Laughs photo session and she was looking a lot more "sloaney". Most of the people I spoke to who knew her believe Iggy married a rich businessman and doesn't now want to be 'found'. (Taken from The Holy Church of Iggy the Inuit on Late Night.)

Although scarce the above information is about the most relevant we have had from a biographer in about 30 years.

The most famous dancehall in Purley was the Orchid Ballroom where The Who, The Troggs and The Hollies gigged a couple of times. It started as a regular dance hall (and concert and sporting events hall) in the Fifties and had a local house band The Jackpots in 1963 and 64.

In the mid Sixties (1964 – 1966) the Orchid Ballroom was the meeting place for the Croydon mods who would assemble every Monday night. Witnesses remember Mike (?) Morton, Tony Crane, Jeff Dexter and Sammy Samwell spinning the records. Pete Sanders and Mickey Finn used to be part of the crowd.

Not all these names ring a bell. I could not trace back Mike Morton, but Lionel Morton was the singer and lead guitarist from the Four Pennies who had a hit in 1963 – 1964 with Juliet. Tony Crane was a member of The Mavericks, a band that became famous when they changed the name to The Merseybeats, later The Merseys (David Bowie would cover their Sorrow on his Pin-Ups album, a tune they had borrowed from The McCoys). Mickey Finn could be the man who was the drummer of T. Rex and who also played on the record made by Hapshash and the Coloured Coat, the people who were behind the Granny Takes A Trip boutique.

Elizabeth Colclough used to work at the bar in 1968: "It was the place to go to meet friends old and new, weekday evenings and also at the weekend. We saw some great bands, some who are still going strong today.”

Another witness recalls how Cathy (Mc Gowan), the queen of the mods and presenter of the ever popular Ready Steady Go! Show, came to the Orchid Ballroom to spot for dancers to appear in her show. Seen the fact that Iggy was present at an RSG!-party, organised by the show's main choreographer, it is not improbable that she may have been present at some RSG! television-shows as well, as a dancer or as a pretty face in the public.

A book about the history of the Orchid Ballroom has been made and the Church will try to contact its author, there is the (very small) chance that Iggy is mentioned in it.

Update August 2009: Brian Roote, who studied the history of The Orchid confirmed later to the Church: 'I have no knowledge of this girl whatsoever'.

An image gallery with stills of the Iggy, Eskimo Girl movie.


Sources (other than the above internet links):
McAleer, Dave: Beatboom!, Hamlyn, London, 1994, p. 57-59.
Rock, Mick: Psychedelic Renegades, Plexus, London, 2007, p. 20.


2008-11-09

Iggy, Eskimo Girl

Iggy, The Eskimo Girl by Anthony Stern
Iggy, The Eskimo Girl by Anthony Stern

Did I already mention that the people of the Late Night forum are a bunch of fantastic people? Probably yes, but I will keep on repeating it. Eternal Isolation found a lecture by Anthony Stern, held at La Cinémathèque in Paris in June 2008. Here is how our fellow Europeans describe him:

Anthony Stern était l'un des secrets les mieux gardés de la cinématographie anglaise. La Cinémathèque française lui offre sa première rétrospective. Camarade de classe de Syd Barrett et de David Gilmour, assistant de Peter Whitehead, Anthony Stern a réalisé certains des plus beaux poèmes documentaires des années 60 et 70, à la fois sensuels, endiablés et railleurs. Taken from La Cinémathèque.
(Translation) Anthony Stern is one of England's cinematographic best-kept secrets. The French Cinémathèque offers him his first retrospective. Friend from Syd Barrett and David Gilmour, assistant of Peter Whitehead, Anthony Stern has realised several of the most poetic, sensual, boisterous and mocking documentaries of the 60’s and 70’s.

The lecture, videotaped by a member of the audience, has been issued on YouTube in three consecutive parts, but part 3 is the most interesting for Iggy fans. After the tiresome lecture, due to the fact that Anthony’s English explanation is translated into French and back, a copy is shown of his 1969 movie Wheel, followed by Iggy, Eskimo Girl. Unfortunately only snippets of the different movies have made it onto the web, but any additional material from our goddess is appreciated.

An image gallery with stills of the movie can be found at the gallery.

Update: the Church made a compilation of Anthony Stern's lecture at La Cinématèque. You cant watch it here:


2008-12-29

Love In The Woods (Pt. 2)

A mysterious brunette...
A mysterious brunette.

The so-called Lost in the Woods movie, that was part of the Knebworth pre show documentary, is a mix coming from different people, at different places, on different occasions. The Church quotes archbishop Dark Globe, who has scrutinized the movie before:

There's footage of Syd larking around in a garden with friends in 67, the 'lilac shirt' footage of Syd (late 67/68?) in which Lyndsay Corner also appears, and the blue suit/yellow ruffled shirt footage of Syd in the woods with two girls (Iggy and a mystery brunette) from 69.
The home movie footage is multilayered and you can catch glimpses of different footage superimposed on top of the main footage.
During the bit of Syd in the woods with Iggy, there's some footage of Syd with an acoustic guitar (at least that's what I can see). The flashbacks movie only shows tantalising glimpses of the Syd home movie footage. (taken from Late Night.)

The home movie snippets are used twice in the Knebworth documentary.

The documentary starts with Pink (Langley Iddens) pouring a glass of wine. For the next 39 seconds several vintage clips, taking no longer than a couple of frames, will be intercepted with shots from the actor. The first home movie scenes have already ended when the documentary is just one minute old. The main bunch seems to be filmed at a garden party.

The second home movie scenes arrive about 10 minutes later and will go on for 42 seconds. The main footage has Syd walking in a park with Iggy and a mysterious brunette, Syd and Iggy climbing trees, the two woman running hand in hand, Syd acting funny with a stick in his hand… The park footage is intercepted a few times by other home movies from other occasions…

Part 1: Garden fun – blowing bubbles

Several garden shots have been used in this compilation. There is a scene with a girl on a swing, people blowing soap bubbles and generally having fun, Syd eating a - very hard to spot - banana…

The Church tried to identify the people in the movie with the help of the worldwide web, posting screenshots at several anorak fora, and Dark Globe took it upon him to show these pictures to David Gale and Matthew Scurfield after a reading at the City Wakes festival this year.

Hester Page Hester Page Hester Page. It could be that screenshots 1 and 2 depict the same person. She remained unidentified until Dark Globe showed the pics to David Gale who recognised picture 2 as ‘Hester’. Barrett fan julianindica could narrow this down to Hester Page. Hester Page gets mentioned in the Syd Barrett biography by Julian Palacios, aptly called Lost In The Woods, as part of the 101 Cromwell Rd incrowd. That two-storey flat in Kensington was the place for many Cantabrigians to sleep, meet and greet. Syd Barrett and Lindsay Corner lived there for a while and Pink Floyd used the place to rehearse (much to the annoyance of painter Duggie Fields). It was also somewhat of an LSD epicentre and a ‘critical nexus for Underground activities of every shade and stripe’.
David Gale David Gale. This man is David Gale. To quote his own words at the City Wakes – it’s the hooter that gives me away. Gale was a schoolmate of David Gilmour and a friend of Syd. In 1965 David’s parents went to Australia for a 6-month period leaving the house and its garden in the safe hands of their son. It didn’t take long before the Cambridge jeunesse would meet there and there is a chance that the first part of the Syd Barrett Home Movie has indeed been shot in the garden of David Gale’s parents. Nigel Lesmoir-Gordon and Storm Thorgerson had film cameras so one of them may have shot the footage (NLG made the iniquitous Syd’s First Trip movie where David Gale can be seen). It was also at David Gale’s place that Syd Barrett had a cosmically encounter wit a plum, an orange and a matchbox, as witnessed by Storm Thorgerson who would later use this for a record sleeve and for a concert movie.
Lyndsay Corner Lyndsay Corner. David Gale and Matthew Scurfield identify the girl on a swing as Lyndsay Corner.

Part 2: the Lost In The Woods footage
 

Mick Rock Mick Rock. When Syd and Iggy are walking in the woods a face is superimposed. It is Mick Rock who has (probably) shot the movie. Iggy is wearing the same necklace as on the Madcap Laughs photo sessions and (perhaps) the same clothes. Syd however has another shirt than in the Psychedelic Renegades book. The Lost In The Woods scenes have been edited on the Knebworth documentary and carry parts from at least 3 other home movies.
Lost In The Woods footage
Unknown. Syd and another man walking & talking in a garden in front of a house. Identity Unknown.
Lost In The Woods footage Unknown. Syd and a girl blowing bubbles in a park. Identity unknown.
Lindsay Corner Lyndsay Corner. Close-up of Lyndsay Corner (in a park).
Lost In The Woods footage Lost In The Woods footage
Mysterious brunette. 3 people can be identified on the Lost In The Woods movie: Syd, Iggy and Mick Rock. In several shots with Iggy and Syd we see a second woman, the mysterious brunette, whose identity we don’t know yet.
Update: on second thought, she could be Hester Page (see first picture above), although it is a wild guess.
JenS, however concludes that the girl is not Hester Page. Gretta Barclay does not recognise her either: "I do not recognise the brunette – the name Jennie Gordon came to mind, but in truth, I simply have no idea of who she is."

Radiocarbon dating

Pop-art painter Duggie Fields, who still lives in the same apartment, and Mick Rock have testified that Iggy only stayed at Syd’s place for a couple of weeks. When Mick Rock showed Syd the pictures of the photo sessions for the cover of The Madcap Laughs she was already long gone…. According to Duggie Fields, a homeless and drug-addicted couple, Greta and Rusty, took the vacant place, much to the aggravation of the painter who had to bring Greta to the hospital after an overdose.

Update 2010: in an exclusive interview to the Church Margaretta Barclay absolutely denies the above. Please consult: Gretta Speaks and Gretta Speaks (Pt. 2) 

Neither Mick Rock nor Storm Thorgerson give the exact date when The Madcap Laughs photo shoot was made: the closest thing they can come up with is Autumn 1969. Syd Barrett and David Gilmour met at the studio on the 6th of October to sort out the running order of the album. Other studio work, that didn’t need Syd’s presence, was done the same month: banding the LP master (9 October) and cutting the LP (16 October). After hearing the master Malcolm Jones ordered a recut early in November. The record was officially released on the second of January 1970.

Malcolm Jones recounts:

One day in October or November I had cause to drop in at Syd's flat on my way home to leave him a tape of the album, and what I saw gave me quite a start. In anticipation of the photographic session for the sleeve, Syd had painted the bare floorboards of his room orange and purple. Up until then the floor was bare, with Syd's few possessions mostly on the floor; hi-fi, guitar, cushions, books and paintings. In fact the room was much as appears on the original 'Madcap' sleeve. Syd was well pleased with his days work and I must say it made a fine setting for the session due to take place.

Based on this information most anoraks radiocarbon the photo shoot date in the second half of October, although November is also a possibility. The Lost In The Woods home move with Syd, Mick, Iggy and the mysterious brunette should thus be pinpointed to that period (this was written in December 2008).

Update: But... as the Holy Church would find out the next year (January 2009) the above photo shoot date appears to be wrong. It is pretty sure that Iggy left Syd in April 1969. Further analysis of the Madcap pictures show that several details point to spring 1969, rather than autumn. For a complete report please consult: Anoraks and Pontiacs.

(This is the second part of the Love In The Woods post. Part 1 can be found here: Love in the Woods (Pt. 1))

An image gallery with stills of the Lost In The Woods home movies can be found at the gallery.


Sources (other than the above internet links):
Blake, Mark: Pigs Might Fly, Aurum Press Limited, London, 2007, p. 141.
Jones, Malcolm: The Making Of The Madcap Laughs, Brain Damage, 2003, p. 13.
Palacios, Julian: Lost In The Woods, Boxtree, London, 1998, p. 241.
Parker, David: Random Precision, Cherry Red Books, London, 2001, p. 154-158.


2014-07-26

An innerview with Mohammed Abdullah John Alder, better known as Twink

Last Minute Put Together Boogie Band
Last Minute Put Together Boogie Band.

We first had the idea of Birdie Hop members asking some questions to Mohammed Abdullah John Alder, also known as Twink, but most of those had already been asked in previous interviews that lay scattered all over the web (see our list underneath). Then the Last Minute Put Together Boogie Band record came out and Twink's exclusive interview in the Six Hour Technicolour Dream booklet only triggered more questions from us.

The Last Minute Put Together Boogie Band Six Hour Technicolour Dream gig, on January the 27th 1972, was not, as you probably know, Syd's last gig, nor was it his last recording. Actually, Syd never joined LMPTBB but gigged with them twice as a surprise guest. How the tape survived into the twenty-first century and was finally published by Easy Action records is a story you can read here: The Last Minute Put Together Reel Story.

Bruce Michael Paine
Bruce Michael Paine, LMPTBB lead singer.

Apparently the vibes were so good that two out of three LMPTBB members started dreaming of a post-Floyd Barrett band, not very much to the amusement of singer Bruce Paine if we may believe Joly MacFie (Twink's business partner in the Cambridge music club Juniper Blossom and Stars roadie annex sound-man):

I was sharing a house with Twink and Paine. Paine was a somewhat vain and career oriented American who went on to join Steamhammer. He wasn't compatible with Syd. When Twink showed more interest in Syd, Bruce got pissed off and moved out and that was the end of the band. (Taken from So what's with 1972 Stars reel? @ SBRS (forum no longer active.))

Stars was formed shortly later and would gig about five times, dates and venues can be found at the Pink Floyd Archives:

Date Venue City Band
1972 01 26    King's College Cellars    Cambridge    LMPTBB
1972 01 27    The Corn Exchange    Cambridge    LMPTBB
1972 02 05    The Dandelion Coffee Bar    Cambridge    Stars
1972 02 12    Petty Cury, Market Square    Cambridge    Stars
1972 02 12    The Dandelion Coffee Bar    Cambridge    Stars
1972 02 24    The Corn Exchange    Cambridge    Stars
1972 02 26    The Corn Exchange    Cambridge    Stars

Pink Floyd biographer Mark Blake tried to find out more about the mythical Stars tapes, that have been rumoured to exist, and posted his finding on the Late Night and Syd Barrett Research Society forums (here edited a bit):

Rehearsal tapes - Twink has mentioned on more than one occasion that Syd recorded the early practices. It goes without saying that these tapes must be long lost.
Dandelion Cafe - lots of people (Twink, Jack and possibly Joly [MacFie]) remember Victor Kraft sitting there with his Nagra tape machine at the Dandelion, and possibly the Corn Exchange as well.
Market Square - recorded, supposedly, by a friend of someone who mentioned it on the Laughing Madcaps list. The tape, supposedly, is at the taper's parents' house in Oxford. [Note from FA: this is probably the tape mentioned at Fortean Zoology. All efforts to make the blogger move his lazy ass have been effortless: Beatles: Off topic but not really.]
Final Corn Exchange show (with Nektar) - according to Joly MacFie, his co-roadie Nigel Smith had a friend called Chris who taped this show.

Although some YouTube videos claim to contain Stars tapes these are believed to be either fakes or mislabelled Barrett solo concerts, so it is still waiting for the real deal, if they not have been buried in the vaults of Pink Floyd Ltd.

But the good news is that the Six Hour Technicolour Dream tape has been released by Easy Action, that Syd Barrett stars (sorry, we couldn't resist the joke) on three of its tracks and although the sound quality is only slightly more than average, the fun is dripping out of our stereo boxes. Mythical drummer Twink, who is currently recording a follow-up of his legendary Think Pink album (1968), lend us some of his time to tell us the following...

An innerview with Mohammed Abdullah John Alder, better known as Twink
Twink (2013)
Twink (2013).

An innerview with Mohammed Abdullah John Alder, better known as Twink

BH: Of course we all know this record is interesting for Syd Barrett's performance, but the real discovery on the Last Minute Put Together Boogie Band is that amazing singer, Bruce Paine. How did you and John Lodge (Honk) meet up with him and how did the band come into place?

MAJA: I first met Bruce Paine in the autumn of 1971 at Steve Brink's boutique "What's In A Name" in Union Rd just before he rented a room in Steve's cottage which was situated next to the shop. We talked very briefly about putting a band together because at that time I was just helping Hawkwind out from time to time. Once Bruce had moved into the cottage the band came together quite quickly. I recruited John "Honk" Lodge as our bass player who was living in London but that didn't seem to get in the way of the band project. Other members included Dane Stevens (The Fairies & The Cops And Robbers) on vocals & Adam Wildi on congas but both only lasted one show. We called the band The Last Minute Put Together Boogie Band.

BH: Who came up with the idea of naming it the Last Minute Put Together Boogie Band? Is there any explanation for the band's name?

MAJA: Bruce came up with the name and I think it was simply that the band came together quite quickly once show offers began to come in.

BH: After a record deal with Polydor had failed, Honk left the band and was replaced by Jack Monck.

MAJA: Yes, "Honk" left immediately the Polydor deal fell through. I think he was disheartened because Polydor's A&R department made it clear that after the demos we did for them, we were in. The whole thing fell down at the contract stage because the contracts manager there was having a bad day. He refused to raise the contracts and kept playing Led Zeppelin at full volume which drove us out of his office. He apologised to me about a month later just after he had been fired from his job. But the damage was done and there would be no record deal for The Last Minute Put Together Boogie Band.

BH: Did you meet Syd in Cambridge before the Eddie Guitar Burns gig? Did you know that Syd was going to jam with LMPTBB on the 26th of January 1972 or were you as surprised as the audience?

MAJA: I was surprised and happy to see Syd arrive at the Eddie "Guitar" Burns gig with Jenny and carrying his guitar case. He arrived while we were sound checking, came to the back of the stage area, took his guitar out of its case and started to tune up. We had been friends since 1967 but we had lost touch in '68. It was wonderful to see him again. The following day Syd came to The Six Hour Technicolour Dream where The Last Minute Put Together Boogie Band was supporting Hawkwind & The Pink Fairies. Again I was surprised to see him there with his guitar case. Syd was keen to play so we invited him to join us on stage along with Fred Frith from the band Henry Cow who was guesting with us that night.

BH: It must not be easy trying to remember a gig from 40 years ago, but there are two different testimonies about the Kings Cellar's concert. One witness says that LMPTBB played twice on that concert. According to him, the opening support gig had Syd, Monck and you. After the Eddie Guitar Burns gig, LMPTBB returned, this time with Bruce Paine. According to Terrapin magazine Syd jammed with LMPTBB after the Eddie Guitar Burns show. Not that it really matters, this only shows how anoraky we are.

MAJA: The Terrapin report is correct however it is possible the Syd, Jack & I tuned up together but that was not part of the show.

BH: Now to the Six Hour Technicolour Dream concert of the following day. How did Fred Frith come on board? Did he know Syd Barrett was going to be there as well? What was his reaction? What was your opinion after the gig had ended?

Twink (2014) with Marco Conti, Dane Stevens, Jon Povey. Photo by Carinthia West.
title=Twink (2014) with Marco Conti, Dane Stevens, Jon Povey. Photo; Carinthia West.

MAJA: We had a lot of contact with Fred Frith & Henry Cow who frequently played at The 10p Boogie Club which was run by Joly MacFie & myself at Fisher Hall in Cambridge having taken over the venue from Jenny Spires & Jack Monck and renamed it Juniper Blossom.

The Last Minute Put Together Boogie Band often played there and so did Henry Cow. Fred Frith guested with The Last Minute Boogie Band there too. Fred guesting with us at The Six Hour Technicolour was more formal and when it was decided that Syd would guest too he was welcomed by all concerned with open arms. Our performance was well received and with Syd's enthusiastic participation at both the Eddie "Guitar" Burn gig & The Six Hour Technicolour Dream our creative wheels began to turn resulting in the formation of STARS with Syd Barrett, Jack Monck & myself a few days later.

BH: Was this the LMPTBB's last gig? Did anyone say, this is it, last gig, finished?

MAJA: The Last Minute Put Together Boogie Band continued after Jack & I left for STARS with replacement musicians.

BH: Did you, at one point or another, think of asking Syd to join LMPTBB?

MAJA: It was Jack & Jenny that thought about forming a band with Syd.

BH: If our information is correct you have been pulling some strings to make this release possible.

MAJA: The only things that needed sorting out were group members and song details as well as contract details to include both Bruce Paine & Roger Barrett's Estates. Then there was restoring, mastering and the cover to achieve as well. Everyone was very helpful.

BH: As you probably know, Pink Floyd (or EMI) have another copy of the LMPTBB tape, however at one point there were rumours this tape actually contains a Stars concert rather. know what they really have?

MAJA: I have no idea what EMI have. It's possible they have a STARS tape.

BH: Any chance that the LMPTBB Polydor tapes will ever see the light of day? Does anyone know where these demos are?

MAJA: It is possible The Last Minute Put Together Boogie Band demos will be released as they are probably sitting in Polydor's archives. I think Honk may well have a copy tape.

BH: In retrospect, what was the band you were happiest with? If you could go back to these days what would you have changed to make it better?

MAJA: Playing with The Pretty Things made me happy and I wouldn't want to change a thing.

BH: Many thanks, Mohammed, and good luck with Think Pink 2!

End of part four of our LMPTBB series. If you don't stop us, there will probably be a part five. You have been warned.

© Birdie Hop & The Holy Church of Iggy the Inuit, 2014.


Many thanks to Mohammed Abdullah John Alder, Rich Hall, Peter Jansens. Inspired by questions from: Mike Baess, Rick Barnes, Andre Borgdorff, Anita Buckett, Rich Hall, Jane Harris, Alexander P.H., Peter Felix Jansens, Raymond John Nebbitt, Lisa Newman, Göran Nystrom, Anni Paisley, Cheesecake Joe Perry, Paul Piper, Michael Ramshaw, James Vandervest.

Some Twink interviews over the years (back to text):
Ivor Trueman, Opel Magazine, 1985 (mirror)
It's Psychedelic Baby, 2012
Laughing Madcaps, 2013
Sophia On Film, 2014
Punk News, 2014
Hit Channel, 2014

♥ Iggy ♥ Libby ♥ Birdie Hop