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On 30 June 1990 Pink Floyd played a short – albeit not very sharp - set
at the Knebworth
Festival. It has to be said that it was not the band’s sole
responsibility that the gig was, how shall we call it, mediocre by
Floydian standards. On this disastrous occasion, and this occasion
alone, a 20 minutes promo film was shown at the beginning of the show,
with a short appearance of none other than Iggy the Eskimo, somewhere
between the 4 and 5 minutes mark.
The movie consisted of a retrospective of the Floyd’s history and
included (parts of) several early songs (together with the predecessor
of the promo clip): Arnold Layne, See Emily Play, Point Me At The Sky,
It Would Be So Nice and others… Since it started with the first single,
the movie had to end with the last one as well. Storm Thorgerson's
visual rendition of the coke-euphoric-bring-on-the-digital-sound-effects Learning
to Fly from the welcome to the drum machine album A
Momentary Lapse of Reason ended the documentary.
In between the vintage scenes, Langley Iddens, who was then caretaker of
David Gilmour’s houseboat studio, sits at a table contemplating the
Langley Iddens (see top-left picture of this post) was a prominent face
on the Momentary Lapse of Reason campaign. He is the man on the cover of
the album but also acted in several promo and concert videos. He can be
seen as a boat rower (Signs of Life), in flight gear (Learning
To Fly) and in a hospital bed (On The Run). As Storm
Thorgerson directed these backdrop movies it is logical to assume that
also the Knebworth pre-show documentary was made by him.
There are however rumours that Pink Floyd drummer Nick Mason was
involved in the movie as well. Besides several promo clips of the
Sixties the movie also shows pictures, newspaper articles, posters and
flyers from the Floyd’s psychedelic past. It is a well-known fact that
Mason has always been the archivist of the band, culminating in his
personal account of the history of the band, Inside
Out. That book, however, doesn’t reveal anything about Mason’s
involvement on the Knebworth movie.
A short snippet of the Knebworth teaser, showing a happy Syd Barrett
frolicking in a park with Iggy, made a collector’s career under the name Lost
In The Woods or Syd Barrett Home Movie. This excerpt can be
found several times on YouTube. Those cuts, however, are in a different
order than on the original Knebworth feature. The Church has restored
the initial flow and presents you hereafter two different versions of
the so-called Lost In The Woods video.
It's a complete, stereo, recording from the original pay-per-view
broadcast of Pink Floyd's appearance at the Knebworth '90 festival. The
concert featured seven songs. Only five of these were broadcast. Two of
the five were included on the official LD, VHS, and DVD releases. The
other three songs haven't been seen since the original broadcast.
According to its maker, the pre-concert-documentary comes from a
collector in England who had a first of second gen copy of the tape.
White Label [VHS]
Because the Holy Church of Iggy the Inuit firmly believes in abundance,
we have added a second version of the same movie, coming from a
different source. The uploaded copy has been taken from a coverless VHS
tape labelled Pink Floyd film, found at an open air market stall
in London, and donated to the Church, in order to repent for his many
sins, by Dark Globe.
Dark Globe took it upon him to further analyse the clip, it is obvious
that it consists of different movies from different people at different
places, and he even went so far as harassing, although the Church
prefers the word investigating, some of the people who act in it. But
the results of that enquiry will be highlighted in the next post in a
couple of weeks.
Enjoy and don’t do anything that Iggy wouldn’t have done.
The so-called Lost
in the Woods movie, that was part of the Knebworth pre show
documentary, is a mix coming from different people, at different places,
on different occasions. The Church quotes archbishop Dark Globe, who has
scrutinized the movie before:
There's footage of Syd larking around in a garden with friends in 67,
the 'lilac shirt' footage of Syd (late 67/68?) in which Lyndsay Corner
also appears, and the blue suit/yellow ruffled shirt footage of Syd in
the woods with two girls (Iggy and a mystery brunette) from 69.
The home movie footage is multilayered and you can catch glimpses of
different footage superimposed on top of the main footage.
During the bit of Syd in the woods with Iggy, there's some footage of
Syd with an acoustic guitar (at least that's what I can see). The
flashbacks movie only shows tantalising glimpses of the Syd home movie
footage. (taken from Late
The home movie snippets are used twice in the Knebworth documentary.
The documentary starts with Pink (Langley Iddens) pouring a glass of
wine. For the next 39 seconds several vintage clips, taking no longer
than a couple of frames, will be intercepted with shots from the actor.
The first home movie scenes have already ended when the documentary is
just one minute old. The main bunch seems to be filmed at a garden party.
The second home movie scenes arrive about 10 minutes later and will go
on for 42 seconds. The main footage has Syd walking in a park with Iggy
and a mysterious brunette, Syd and Iggy climbing trees, the two woman
running hand in hand, Syd acting funny with a stick in his hand… The
park footage is intercepted a few times by other home movies from other
Part 1: Garden fun – blowing bubbles
Several garden shots have been used in this compilation. There is a
scene with a girl on a swing, people blowing soap bubbles and generally
having fun, Syd eating a - very hard to spot - banana…
The Church tried to identify the people in the movie with the help of
the worldwide web, posting screenshots at several anorak fora, and Dark
Globe took it upon him to show these pictures to David Gale and Matthew
Scurfield after a reading at the City Wakes festival this year.
Hester Page. It could be that screenshots 1 and 2 depict the
same person. She remained unidentified until Dark Globe showed the
pics to David Gale who recognised picture 2 as ‘Hester’. Barrett fan
julianindica could narrow this down to Hester Page. Hester Page gets
mentioned in the Syd Barrett biography by Julian Palacios, aptly
called Lost In The Woods, as part of the 101 Cromwell Rd incrowd.
That two-storey flat in Kensington was the place for many
Cantabrigians to sleep, meet and greet. Syd Barrett and Lindsay
Corner lived there for a while and Pink Floyd used the place to
rehearse (much to the annoyance of painter Duggie Fields). It was
also somewhat of an LSD epicentre and a ‘critical nexus for
Underground activities of every shade and stripe’.
David Gale. This man is David Gale. To quote his own words at
the City Wakes – it’s the hooter that gives me
away. Gale was a schoolmate of David Gilmour and a friend of Syd. In
1965 David’s parents went to Australia for a 6-month period leaving
the house and its garden in the safe hands of their son. It didn’t
take long before the Cambridge jeunesse would meet there and there
is a chance that the first part of the Syd Barrett Home Movie has
indeed been shot in the garden of David Gale’s parents. Nigel
Lesmoir-Gordon and Storm Thorgerson had film cameras so one of them
may have shot the footage (NLG made the iniquitous Syd’s First Trip
movie where David Gale can be seen). It was also at David Gale’s
place that Syd Barrett had a cosmically encounter wit a plum, an
orange and a matchbox, as witnessed by Storm Thorgerson who would
later use this for a record sleeve and for a concert movie.
Lyndsay Corner. David Gale and Matthew Scurfield identify the
girl on a swing as Lyndsay Corner.
Part 2: the Lost In The Woods footage
Mick Rock. When Syd and Iggy are walking in the woods a face
is superimposed. It is Mick Rock who has (probably) shot the movie.
Iggy is wearing the same necklace as on the Madcap Laughs photo
sessions and (perhaps) the same clothes. Syd however has another
shirt than in the Psychedelic Renegades book. The Lost In The Woods
scenes have been edited on the Knebworth documentary and carry parts
from at least 3 other home movies.
Unknown. Syd and another man walking & talking in a garden
in front of a house. Identity Unknown.
Unknown. Syd and a girl blowing bubbles in a park. Identity
Lyndsay Corner. Close-up of Lyndsay Corner (in a park).
Mysterious brunette. 3 people can be identified on the Lost
In The Woods movie: Syd, Iggy and Mick Rock. In several shots with
Iggy and Syd we see a second woman, the mysterious brunette, whose
identity we don’t know yet.
Update: on second thought, she could be Hester Page (see
first picture above), although it is a wild guess. JenS,
however concludes that the girl is not Hester Page. Gretta Barclay
does not recognise her either: "I do not recognise the brunette –
the name Jennie Gordon came to mind, but in truth, I simply have
no idea of who she is."
Pop-art painter Duggie Fields, who still lives in the same apartment,
and Mick Rock have testified that Iggy only stayed at Syd’s place for a
couple of weeks. When Mick Rock showed Syd the pictures of the photo
sessions for the cover of The Madcap Laughs she was already long gone….
According to Duggie Fields, a homeless and drug-addicted couple, Greta
and Rusty, took the vacant place, much to the aggravation of the painter
who had to bring Greta to the hospital after an overdose.
Neither Mick Rock nor Storm Thorgerson give the exact date when The
Madcap Laughs photo shoot was made: the closest thing they can come up
with is Autumn 1969. Syd Barrett and David Gilmour met at the studio on
the 6th of October to sort out the running order of the album. Other
studio work, that didn’t need Syd’s presence, was done the same month:
banding the LP master (9 October) and cutting the LP (16 October). After
hearing the master Malcolm Jones ordered a recut early in November. The
record was officially released on the second of January 1970.
Malcolm Jones recounts:
One day in October or November I had cause to drop in at Syd's flat on
my way home to leave him a tape of the album, and what I saw gave me
quite a start. In anticipation of the photographic session for the
sleeve, Syd had painted the bare floorboards of his room orange and
purple. Up until then the floor was bare, with Syd's few possessions
mostly on the floor; hi-fi, guitar, cushions, books and paintings. In
fact the room was much as appears on the original 'Madcap' sleeve. Syd
was well pleased with his days work and I must say it made a fine
setting for the session due to take place.
Based on this information most anoraks radiocarbon the photo shoot date
in the second half of October, although November is also a possibility.
The Lost In The Woods home move with Syd, Mick, Iggy and the mysterious
brunette should thus be pinpointed to that period (this was written
in December 2008).
Update: But... as the Holy Church would find out the next year
(January 2009) the above photo shoot date appears to be wrong. It is
pretty sure that Iggy left Syd in April 1969. Further analysis of the
Madcap pictures show that several details point to spring 1969, rather
than autumn. For a complete report please consult: Anoraks
Sources (other than the above internet links): Blake, Mark: Pigs
Might Fly, Aurum Press Limited, London, 2007, p. 141. Jones,
Malcolm: The Making Of The Madcap Laughs, Brain
Damage, 2003, p. 13. Palacios, Julian: Lost In The Woods,
Boxtree, London, 1998, p. 241. Parker, David: Random Precision,
Cherry Red Books, London, 2001, p. 154-158.
Although Iggy is the prototype of the vanishing girl we know quite a lot
of her through the bits and pieces that have survived that big black
hole also knows as the Sixties.
In November 1966, when she was (about) 21 or 22 years old she appeared
Bend party that was affiliated with the television show Ready Steady
And there was of course her apparition in a 1967-ish documentary, called IN
Gear, hinting that Iggy was seeking fame and fortune as a model or
an actress. Unfortunately enough it seems impossible (or at least
improbable) that the production sheets will ever surface, nobody seems
to know where the archives of the Look At Life-series, that ran for a
decade between 1959 and 1969 and added up to more than 500 episodes,
physically are, if these still exist.
The Reverend has been re-reading some older posts at this funny little
place aptly called the Holy Church of Iggy the Inuit and some need
Lost in the Woods
There is a home
movie floating around with Syd and Ig walking in a park, together
with – what has been called – a mysterious brunette. Mick Rock probably
made the movie around the same period, and with period the Reverend
literally means days, The Madcap Laughs photos were made. Iggy is
wearing the same clothes on both occasions (and the same necklace), but
Syd Barrett not. The mysterious brunette may have been Mick Rock’s
girlfriend, one of the (many, according to Duggie Fields) passing female
visitors of Syd’s place or, a theory nobody has ever wondered about
before, a friend of Ig.
Thanks to the testimony of JenS
it is now pretty sure that the photo shoot took place in April 1969,
probably in the week between the 14th and the 21st, but
not on the 17th as Syd was the whole afternoon in Studio 2, recording
the eerie No Man’s Land and the ditty Here I Go.
Here is what Malcolm Jones had to say about it:
The following Thursday, as planned, I called a cab and went to collect
Syd. We dropped in at Dave Gilmour's flat round the corner to borrow an
amplifier, and set off for Abbey Road. At the studio we met up with
Jerry Shirley and 'Willie' Wilson, the musicians Syd had invited along.
The session was to be done 'live' i.e. everyone recording their parts at
the same time, including Syd's vocal and guitar parts.
This session was the last happy and shiny one although nobody would know
that beforehand of course. The next session had the motorbike overdubs
on the legendary Rhamadan, legendary because Barrett fans know it
has been lying in the vaults of EMI for over 40 years now and have been
praying and begging to release it ever since.
Update (October 2010): Rhamadan has finally been released as a
part of the An Introduction To... Syd Barrett compilation: Gravy
Train To Cambridge
The making of the track Rhamadan is one of those occasions lazy
journalists use to prove that Barrett was as mad as a hatter. The track,
an 18 to 20 minutes free-form-jam-session between Barrett, Steve Took
and some other (unidentified) session players had been recorded the
previous year, and in April 1969 Syd found that he still could do
something useful with the demo.
Of course all he wanted to do was to put some motorbike overdubs on the
track, a failed experiment as found out at the end of the day, but not
quite as mad as those lazy journalists want us to believe. Pink Floyd
would overdub motorbike sounds on Atom Heart Mother the next year and no
one has put them in straitjackets because of that.
The intrinsic value of the track is less legendary tells someone who
knows. Random Precision author David Parker is probably the only person
in the world who has a full and legit copy of the Rhamadan track in his
Of the 15-20mins that this runs for I reckon Syd plays on about 5
minutes worth. Imagine a longer and looser version of 'Lanky Pt 1' with
a lot less guitar on it. (Taken from the Syd Barrett Research Society.
Forum no longer active.)
In a, now deleted, post at SBRS Parker explained further that...
…I had to give my word to various people at EMI and Abbey Road, and sign
a scarily draconian declaration, not to give out copies…
The April sessions of 1969 had Barrett in an excellent form and Malcolm
Jones wanted to get the record done as quickly as possible. Not only he
must have been aware of Syd’s mood changes but his bosses had also
instructed him to get a move on. So it is absolutely plausible that the
order for the cover-shoot was given right after the first session.
The Church has written quite a few things about Syd’s blue Pontiac in
the past and an error sneaked in at the second When
Syd met Iggy... posting. Originally it read:
Before Syd (and Mickey Finn) got the car it was used in the 1970
British movie Entertaining Mr Sloane. The car, with its cream red
and silver interior, is featured prominently throughout the movie. The
movie is not great but the pink Pontiac gives a great performance.
The above was not correct as this information was based upon the general
belief that The Madcap Laughs photo shoot was held in the autumn of 1969
and not in April. The British
Film Institute pinpoints the making of the movie between mid August
and beginning of October 1969, four months after Syd gave the car away
to someone who admired it. If the car that can be seen in the movie is
indeed Syd’s, it was sold, given or lend to the movie crew by its new
Because the Reverend thought it might be a good idea and because a lot
of work went into coding and debugging The Holy Church of Inuit presents
you... a calendar of the year 1969. It puts some dates right, can be
generally considered as eye-candy and may be completely ignored...
Notes (other than internet links mentioned above):
Parker, David: Random Precision, Cherry Red Books, London, 2001,
p. 129-158. Jones, Malcolm: The Making Of The Madcap Laughs,
Brain Damage, 2003, p. 7.
(This is part two of our Mojo magazine review, for part one, click here).
As if the world has suddenly been hit by a temporal rift in spacetime
the March 2010 issue of Mojo music magazine has inundated the stores
bearing a big (slightly photoshopped) portrait of a mister Syd Barrett.
The well-written and rather accurate cover article, by Pat Gilbert,
ranges from page 70 to 81 and tells the story of The Madcap Laughs, Syd
Barrett’s first solo album.
Two other articles are of particular interest to the Church as they
describe the mythical presence of a ‘girl whose naked body graced the
back cover of The Madcap Laughs’.
we discussed the Who’s That Girl article written by Mark
Blake, and this week the Church will scrutinize Paul Drummond’s In
My Room (Mojo 196, p. 82 - 84). Out of courtesy (and for copyright
reasons) the Reverend has decided not to publish the articles as long as
the magazine is for sale in the shops. Update: Direct link to
the article: Mojo
March 2010. (hosted at the Church as the article was removed from
the official Barrett website in 2016).
The article, about The Madcap Laughs photo sessions, has interviews with
Duggie Fields, Mick Rock and - so it seems - Jenny Spires. But although
she was interviewed by email for the main article by Pat Gilbert, she
has told the Church she wasn’t really questioned about Iggy.
I guessed, when I saw it, they must have looked at your site (re Daffodils
and photo shoot etc…), as I was not asked about this
or about Iggy. (JenS, 10th of February 2010, mail to the Church)
The Reverend could do no other thing than to summon the Holy Igquisition
to stick in a few comments as the In The Room article clearly
breathes the holy air of the Church but neglects to mention its
existence in its columns.
Ig and Jenny Spires meeting each other for the first time
Mojo 196 reports:
Jenny Spires first met Iggy in January 1969 and introduced her to Syd
and he let her stay. (p. 83)
The Holy Igquisition wants to set this straight: According to
the Church’s archives JenS first met Ig in summer 1966 (cfr. When
Syd met Iggy). The year thereafter (1967) they met again and from
then one they went on clubbing together. This has once again been
confirmed by Jens this week:
I was surprised they had mistakenly printed that I met her in 1969. This
annoys me really because of its inaccuracy.
The date of The Madcap Laughs photo shoot
Mojo 196 reports:
Iggy’s involvement appears to date the shoot as spring ’69 as she was
long gone by autumn. (p. 83)
The Holy Igquisition wants to set straight: JenS has situated
the photo shoot in spring 1969 (March or April) (cfr. When
Syd met Iggy 1). Further investigations by the Church have
pinpointed a possible date in April 1969 (cfr. When
Syd met Iggy 2).
Mojo 196 reports:
It’s more likely Syd picked them (the daffodils found on the cover of
the album) while in the park with Iggy, as captured on Super-8 film.
The Holy Igquisition wants to set straight: The Holy Church of
Iggy the Inuit has discussed the lost In The Woods movie at great extent
and Pontiacs). However the theory that the Lost in The Woods video
was shot before the photo shoot is new and quite intriguing. However the
idea that Iggy, Mick and Syd picked the daffodils is, according to JenS,
Mojo 196 writes:
When the photo shoot was over, Rock continued outside using Syd’s blue
Pontiac Parisienne as a prop. (…) The life of this inanimate object
(registration: VYP74) helps confirm that the shoot wasn’t in the autumn.
The Holy Igquisition wans to set straight: The story of Syd
Barrett’s car has been the object of different posts at the Church (cfr. When
Syd met Iggy 2), but the initial quest for the car was done at the Late
Night forum by Dark Globe, Sean Beaver and others… they found out
that the car appeared in the movie Entertaining Mr. Sloane. Unlike Mojo
magazine, the Church does like to give credit to the people who deserve
The Holy Igquisition concludes:
It is clear that Mojo magazine has extensively browsed through the pages
of the Holy Church of Inuit but has somehow forgotten to mention
this in its articles. The Holy Igquisition has therefore sent the
following objurgation at Mojo:
It was nice to see that the many theories of the Holy Church of Iggy the
Inuit have been reproduced in The Madcap Laughs photo shoot article,
albeit without mentioning where these originally came from.
However the Holy Igquisiton knows that any true believer will find the
Church, so every Iggy publication will be beneficiary in the end. Ig’s
story as published in the March issue of Mojo may be the butterfly
effect that will cause the storm at the other side of the world. So
perhaps, thanks to Mojo, the Church will be one day able to fulfil its
Rather than to start an endless polemical discussion the Holy Church of
Iggy the Inuit would like to end this post with Duggie Fields’s
magnificent description of our skyclad sistren (p. 82):
I remember being at a 31 bus stop and seeing her coming down the stairs
very elegantly in this gold lame 1940s dress that had bell sleeves that
buttoned to a train but with no underwear and completely exposed…
Not a care in the world.
Lo and behold brethren and sistren, and don't do anything
that Ig wouldn't have done.